Als Außenseiterin bemühen sie sich, sich in ihre neue Umgebung einzufügen, machten sich Nancy und ihre Freunde auf den Weg, ein Geheimnis zu lösen, neue Freunde zu finden und ihren Platz in ... Alles lesenAls Außenseiterin bemühen sie sich, sich in ihre neue Umgebung einzufügen, machten sich Nancy und ihre Freunde auf den Weg, ein Geheimnis zu lösen, neue Freunde zu finden und ihren Platz in der Gemeinschaft zu etablieren.Als Außenseiterin bemühen sie sich, sich in ihre neue Umgebung einzufügen, machten sich Nancy und ihre Freunde auf den Weg, ein Geheimnis zu lösen, neue Freunde zu finden und ihren Platz in der Gemeinschaft zu etablieren.
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So many films suppress the cinematic and narrative experiments in the service of cultural capture. For a student of film it is a trade off because in ordinary film, where the qualities of film are exploited and sometimes extended, we are happy to accept stereotypes, tropes and genre conformity. But when the project is about seduction of identity, the stereotypes are up for experimentation. All else in the media is in support.
It isn't just the marvellous creation of this Nancy. I predict this actress will have a rich and much admired career. I thought the same of and early Heath Ledger when I saw him in a King Arthur project with similar goals and values. She not just shines, she understands emotional manipulation.
She's what you are supposed to look at. She's what you are supposed to see, but the heavy engineering has been done around her, in place and gang. Sure, this is Scooby mixed with the old mean girl redemption story. But look closer at how the camera stages groups. Look at the apparently different sets of the same hidden passage.
There's craft in this that deserves to be understood. Disney used to have a stable of experts that knew how to do this before the TeeVee production ethic killed it. Maybe we'll get it back. Because in film, I appreciate experimentation and evolution in any dimension.
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- WissenswertesDirector Katt Shea said in an interview that a lot of Nancy Drew fans gave her flack over inserting the modern cyberbullying case in the beginning because it's a beloved book and they didn't want there to be anything different. She admitted she suspected there would be complaints while making the film, but did it anyway.
- PatzerNancy's friend is seen programming, however she clearly types the letter "m" which doesn't appear in any of the written script. Also, there are other letters in the script that are clearly not typed by the user.
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[first lines]
[to three old men in a coffee shop]
George Fayne: Hey! Have you seen Nancy Drew?
Old Man in Coffee Shop: Nancy who?
George Fayne: [running away] Never mind, thanks!
- Crazy CreditsNo person or entity associates with this film received payment or anything of value, or entered into any agreement, in connection with the depiction of tobacco products.
- VerbindungenReferenced in Ellen: The Ellen DeGeneres Show: Colin Farrell/Sophia Lillis (2019)
- SoundtracksMore Than Just a Girl
Written by Emily Bear, Jessica Rotter, Sarah Margaret Huff and Berkay Birecikli
Performed by Emily Bear
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Nancy Drew và Chiếc Cầu Tháng Ẩn
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 623.088 $
- Weltweiter Bruttoertrag
- 623.088 $
- Laufzeit1 Stunde 29 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1