Ein kreativer Schreibauftrag führt zu komplexen Ergebnissen zwischen einem Lehrer und seinem begabten Schüler.Ein kreativer Schreibauftrag führt zu komplexen Ergebnissen zwischen einem Lehrer und seinem begabten Schüler.Ein kreativer Schreibauftrag führt zu komplexen Ergebnissen zwischen einem Lehrer und seinem begabten Schüler.
- Regie
- Drehbuch
- Hauptbesetzung
Dagmara Dominczyk
- Beatrice June Harker
- (as Dagmara Domińczyk)
Ray Fawley
- Restaurant Patron
- (Nicht genannt)
Trace Haynes
- Restaurant Patron
- (Nicht genannt)
André Wilkerson
- Restaurant Patron
- (Nicht genannt)
Empfohlene Bewertungen
A more complex movie than it first appears, the acting from the entire cast was outstanding. At times I found the characters actually made me feel uncomfortable on their behalf and it took me a while to realise that this is exactly what was intended. The entire movie is a study of the emotional struggle of crossing boundaries and this required an impressive intensity from both Ortega and Freeman. In exactly the same vein, Miller's wife, played by Dagmara Dominczyk, was a masterclass in how to develop a character from superficial attractiveness into gin-soaked malignance - an outstanding performance.
I've no doubt that some will find the movie "slow" and "meandering", but if you are prepared to invest in it, the cast will repay you with a moving (and slightly terrifying!) emotional journey that will stay with you for a long time. A feat which few works can manage.
I've no doubt that some will find the movie "slow" and "meandering", but if you are prepared to invest in it, the cast will repay you with a moving (and slightly terrifying!) emotional journey that will stay with you for a long time. A feat which few works can manage.
I had high hopes. From the trailer it looked interesting and aesthetically pleasing but I was very wrong. Unfortunately by the end of the movie I was left feeling frustrated because, the main thing about this movie - the tension, it was non existent.
There was no chemistry between the main protagonists. Zero. And Martin's heavy breathing in Jenna's face was very uncomfortable to watch...
Jenna on the other hand... Oh God, where do I even start?? She was so stiff the whole time it was seriously hard to watch. I don't know when this movie was filmed, but she seems stuck in her "Wednesday" role. Yes, her character is supposed to be strong, opinionated, witty, charming, seductive... But she fails to deliver any of it! She doesn't seem like clever teenage girl suddenly shaken and intrigued by an unexpected new variable in her life, at times she kinda looks bored. Her narrating was good though. But like I mentioned, the main point of the movie, the taboo of the desire and magnetism between main characters, is absolutely lacking. It's almost cringe and uncomfortable watching their scenes of "passion and attraction"...
To sum it up - good idea, poorly executed. Shame.
There was no chemistry between the main protagonists. Zero. And Martin's heavy breathing in Jenna's face was very uncomfortable to watch...
Jenna on the other hand... Oh God, where do I even start?? She was so stiff the whole time it was seriously hard to watch. I don't know when this movie was filmed, but she seems stuck in her "Wednesday" role. Yes, her character is supposed to be strong, opinionated, witty, charming, seductive... But she fails to deliver any of it! She doesn't seem like clever teenage girl suddenly shaken and intrigued by an unexpected new variable in her life, at times she kinda looks bored. Her narrating was good though. But like I mentioned, the main point of the movie, the taboo of the desire and magnetism between main characters, is absolutely lacking. It's almost cringe and uncomfortable watching their scenes of "passion and attraction"...
To sum it up - good idea, poorly executed. Shame.
18 year old Cairo Sweet (Jenna Ortega) lives alone in a mansion while her parents are away somewhere. Her new married creative writing teacher Jonathan Miller (Martin Freeman) takes an interest in her and she returns the interest with obsession. When he rejects her pornographic writing, all hell breaks loose.
This movie oscillates between aggressively written and aggressively overwritten. It is trying so hard to be edgy. Jenna Ortega is oozing her lines out. I almost appreciate how hard it is running with scissors. At the end of the day, I am more annoyed with it than appreciate it. It doesn't help that the movie stops short. There is another fifteen minutes or more to go.
This movie oscillates between aggressively written and aggressively overwritten. It is trying so hard to be edgy. Jenna Ortega is oozing her lines out. I almost appreciate how hard it is running with scissors. At the end of the day, I am more annoyed with it than appreciate it. It doesn't help that the movie stops short. There is another fifteen minutes or more to go.
A creative writing assignment yields complex results between a teacher and his talented student.
I note many poor reviews and I'm unsure why that is. The acting is great from every single member of the cast.
The dialogue is meaningful and well thought out.
The plot echoes what is happening around the world right now with thousands of teachers and students: some will get caught and some won't. But it's real and so it's great to see the inner workings of the process, by such great acting and story telling.
There's even a bit in there about how women in fact have all the power in the world, they just don't realise it.
There's an insightful comment too about how "We know where the line is and don't cross it." Except some do, and when they have it's too late to walk it back.
I was surprised at Ortega's depth of character acting, but in hindsight perhaps not a great distance from her Wednesday character.
But there's an interplay between her and Winnie, as power and courage shift between one and the other as the story goes on.
Great film, I liked it a lot.
I note many poor reviews and I'm unsure why that is. The acting is great from every single member of the cast.
The dialogue is meaningful and well thought out.
The plot echoes what is happening around the world right now with thousands of teachers and students: some will get caught and some won't. But it's real and so it's great to see the inner workings of the process, by such great acting and story telling.
There's even a bit in there about how women in fact have all the power in the world, they just don't realise it.
There's an insightful comment too about how "We know where the line is and don't cross it." Except some do, and when they have it's too late to walk it back.
I was surprised at Ortega's depth of character acting, but in hindsight perhaps not a great distance from her Wednesday character.
But there's an interplay between her and Winnie, as power and courage shift between one and the other as the story goes on.
Great film, I liked it a lot.
I do enjoy when a movie's dialog provides its own review. This film was " overreaching without ambition."
The pacing of the movie was horribly painful. It is never a good sign when I leave the action of the movie and find myself looking around thinking " I am sitting in a movie theater. "
Martin Freeman is a terrific actor but the script absolutely failed him. His talents were so totally wasted. I found this to be hopelessly sad as I expected so much from the film.
The movie harps on the mediocrity of the protagonist and then tries to paint him as a villain. It just did not ring true. The script just kept missing; and, it was hard to keep pressing forward. With 45 minutes, or so, to go; I just wanted it to be over.
The movie harps on the mediocrity of the protagonist and then tries to paint him as a villain. It just did not ring true. The script just kept missing; and, it was hard to keep pressing forward. With 45 minutes, or so, to go; I just wanted it to be over.
Wusstest du schon
- WissenswertesThe blocking (where and when characters move during a scene) is very important when Mr. Miller tells Cairo she needs to rewrite her paper. Mr. Miller's desk is raised on a small platform. A character's elevation above one or more characters is often used to indicate who has the power or who is "winning" a scene. At the start when Mr. Miller tells Cairo he won't accept the paper, he is up on the platform and Cairo is on the floor. Cairo soon challenges him and gets on the platform while the two debate their relationship. By the end of the scene, Cairo has "won" and is now standing above Mr. Miller who has stepped off the platform.
- Zitate
Jonathan Miller: Don't you get scared, walking through those woods?
Cairo Sweet: I'm the scariest thing in there.
- VerbindungenReferenced in Latino Slant: Jenna Ortega's Kiss, PLUS Erotic Scene Reactions! (2024)
- SoundtracksThere's a Blessing
written by Johnny Copeland
performed by Johnny Copeland
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- La chica de Miller
- Drehorte
- Cartersville, Georgia, USA(Dellinger Park, Address: 100 Pine Grove Rd, Cartersville, GA 30120-4070)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 1.714.512 $
- Laufzeit
- 1 Std. 33 Min.(93 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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