IMDb-BEWERTUNG
7,0/10
3037
IHRE BEWERTUNG
Eine Chronik der bedingungslosen Liebe zwischen einer Mutter und ihrer Tochter, von 1958 bis heute, die durch einen unsteten und manipulativen Vater gefährdet wird.Eine Chronik der bedingungslosen Liebe zwischen einer Mutter und ihrer Tochter, von 1958 bis heute, die durch einen unsteten und manipulativen Vater gefährdet wird.Eine Chronik der bedingungslosen Liebe zwischen einer Mutter und ihrer Tochter, von 1958 bis heute, die durch einen unsteten und manipulativen Vater gefährdet wird.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 7 Nominierungen insgesamt
Gaël Kamilindi
- Franck
- (as Gaël Kamilindi de la Comédie Française)
Empfohlene Bewertungen
The plot is overloaded with all sorts of personal, psychological, familial malfunctions. It ends up tiring you rather than entertain or make one think.
The development of the characters is a bit predictable even though they have many different hardships to undergo.
The acting is excellent without an exception and the aesthetics of the film is brilliant.
I'd say it's like a crush test for yourself to see how you'll react and what you think intuitively about all that's going on.
I did not seek out this film.
Watched it one Sunday afternoon on BBC iPlayer.
I was feeling unwell and thought it looked gentle enough. There was no write up, so did not know what to expect.
It was a fine, intelligent film; Rachel was a wonderful character, I liked and understood her. It is this factor that sustains the film throughout. The two hours or so passed quickly; one becomes heavily invested in the central character.
One is left with no doubt about Phillippe from the start, he is not ordinary and totally narcissistic. Therein lies the reason for, what sometimes seems like, his unfathomable hold over Rachel. This is not about class differences or anything as mundane as that keeping lovers apart, this is about a true narcissist's manipulation of a trusting and loving girl / woman.
When adult Chantel, Rachel and Philippe's daughter, confronts Rachel at the end, Rachel's answer is believable; she simply did not conceive that the problems in their mother and daughter relationship, during Chantel's teenage years, was anything other than that she, Rachel, was simply not good enough.
I am trying not to give anything away, just watch the film and see it play out. Just remember that it is Rachel's life you are watching unfolding.
Watched it one Sunday afternoon on BBC iPlayer.
I was feeling unwell and thought it looked gentle enough. There was no write up, so did not know what to expect.
It was a fine, intelligent film; Rachel was a wonderful character, I liked and understood her. It is this factor that sustains the film throughout. The two hours or so passed quickly; one becomes heavily invested in the central character.
One is left with no doubt about Phillippe from the start, he is not ordinary and totally narcissistic. Therein lies the reason for, what sometimes seems like, his unfathomable hold over Rachel. This is not about class differences or anything as mundane as that keeping lovers apart, this is about a true narcissist's manipulation of a trusting and loving girl / woman.
When adult Chantel, Rachel and Philippe's daughter, confronts Rachel at the end, Rachel's answer is believable; she simply did not conceive that the problems in their mother and daughter relationship, during Chantel's teenage years, was anything other than that she, Rachel, was simply not good enough.
I am trying not to give anything away, just watch the film and see it play out. Just remember that it is Rachel's life you are watching unfolding.
An impeccable film held together by astonishing performances and a very understated direction. I don't know if I am biased because French is my first language, but I found the film so incredibly real. Even at the lengthy runtime, I barely felt it. Corsini is at the top of their career with this film!
Sometimes things are not as we think. This movie is an example of that. What starts with a very ordinary story develops into an adventure of drama. We have seen the story, the beginning of the film many, many times before; boy meets girl, they fall in love, but can not marry due to class differences. But this issue is only used as a starting point in this gripping, well-played and engaging film. The film depicts people, main characters in an era, and masterfully manages to follow developments. For my own part, it was also demanding to watch, first and foremost to understand why Rachel played by Virginie Efira makes the choices she makes in the film. This is how good film should be like. Challenge us and give us insight into choices others choose to make. I now understand that I have to check out the other films director Catherine Corsini has made. At least she has succeeded greatly in this wonderful film.
I saw this film in London yesterday and loved it. The story takes place in France in the late 50's. It is about love that is subverted by extreme
selfishness and class difference, about shifting attitudes and emotions and about reconciliation. Corsini's direction is understated, and the acting of all the leads is very convincing. The film is over two hours long and I wasn't bored for a second.
Wusstest du schon
- WissenswertesAdapted from Christine Angot's eponymous novel, the film is co-written by Catherine Corsini and Laurette Polmanss.
- VerbindungenFeatured in Entrée Libre: Folge vom 5. November 2018 (2018)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Olanaksız aşk
- Drehorte
- Oneglia, Imperia, Liguria, Italien(as French Riviera seaside town)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 2.025.113 $
- Laufzeit
- 2 Std. 15 Min.(135 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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