Dark Encounter

7/10 might not sound incredible but my expectations were very low. This film was much much more than I first thought it would be. Not your typical abduction tale. Very well made without feeling too obnoxious.

For a film with a modest budget, it doesn't look it. The production value is excellent all around and nails the early 80's aesthetic without trying to be trendy. It has the look of Close Encounters but with more of a Fire In The Sky feel crossed with Shyamalan's Signs considering it's twisty and character driven plot that comes forth as the events move along. Highly recommend for fans of the films I mentioned above, or of The X-Files, though this film does bring something slightly new and different as a whole when it reaches its third act. Don't go in expecting a blockbuster, but an intimate, at times creepy, wholly entertaining film about a family and a dark encounter that almost tears them all apart. Worth your time in my books.

Ok, this starts as your basic alien abduction close encounters rip-off, but ends up an Interstellar rip-off. It is well acted, cinematography is good and the score is definitely the best part of this film. We never know and I believe the point is not to know if the alien involvement actually happens, or if it is a figment of someone's imagination. It's decent entertainment if you're up late with nothing else on. The writer/director definitely "borrowed" from other projects, even saw a little Mothman Prophecy in this as well. It's subtle plagiarism, would be the best phrase to describe this movie.

This is a well acted, scripted and directed film. The SFX are good as is the cinematography. I cannot see where the criticism has come from, especially with the unique twist at the end. Yes it may seem a bit odd that all the cast are British and therefore why set in the US etc, but I cannot imagine people are that pedantic or petty. Agreed this isn't Alien, The Thing etc but it does not deserve the level of negativity.

This is what you get when the writer of the story is the editor of the story and the director and the producer. There's no one to tell him, "hey, this is not good. You need to fix that."

All around the movie is surprisingly good. The acting was believable, the characters and characterizations are good, the sets are good, the continuity was accurate, the music was extremely good, and the special effects were adequate to the job. Many bits and pieces are lifted from movies like Close Encounters and Signs, but that's ok too.

The first 3/4s of the movie are edge of the seat chills and thrills, but then the story shifts in a totally unexpected direction. This is considered "the unique twist." The 'twist' is something that modern scriptwriters seem desperate to pull off and almost none of them actually do it. The Sixth Sense may be the last movie where it really worked. In this particular movie, the writer/editor/director/producer throws in the monkey wrench without the slightest attempt to justify it except to offer a lame, "I don't know. We don't understand it. We may never understand it." It's Aliens, so sure, how could we understand it? But that's just not good enough. The motivation fails. Why the Aliens do what they do makes no sense unless you just accept "well, they are aliens, so their motivation is alien." That may be fine for people who shut off their brain to "enjoy the movie," but for people who enjoy the movie by thinking about it, it doesn't work.

The plot twist does not ruin the movie but it leaves an unsatisfied feeling that a good storyteller would not leave. If you don't mind being let down by the ending and being left scratching your head trying to make the nonsensical reasoning, it's worth a watch. There are a lot worse movies out there.