Als eine Gruppe reicher 20-Jähriger eine Hurricane-Party in einer abgelegenen Familienvilla plant, wird ein Partyspiel tödlich in diesem frischen und lustigen Blick auf Verrat, falsche Freun... Alles lesenAls eine Gruppe reicher 20-Jähriger eine Hurricane-Party in einer abgelegenen Familienvilla plant, wird ein Partyspiel tödlich in diesem frischen und lustigen Blick auf Verrat, falsche Freunde und eine Party, die sehr, sehr schief läuft.Als eine Gruppe reicher 20-Jähriger eine Hurricane-Party in einer abgelegenen Familienvilla plant, wird ein Partyspiel tödlich in diesem frischen und lustigen Blick auf Verrat, falsche Freunde und eine Party, die sehr, sehr schief läuft.
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- 2 Gewinne & 16 Nominierungen insgesamt
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This was enjoyable from start to finish, and I don't get the negative reviews, particularly those whining about Gen Z; this isn't just Gen Z, it's any group of rich kids having a party that goes very wrong in any generation, with the same behaviors and reactions any of them would have exhibited in any generation, of course with minor differences. So enough about that.
I also did not expect a typical slasher movie when I started watching this, and the marketing I saw didn't depict it that way, so I don't get the whining about it not being a slasher movie or even a horror movie; it does fall into that genre though, so enough about that.
The actors are smart and behave like real people, and the story is clever, especially the twist at the end. There are no dull moments unless you aren't interested in character development or storyline, so in that case go watch Friday the 13th and leave this film for the rest of us who can appreciate it.
I also did not expect a typical slasher movie when I started watching this, and the marketing I saw didn't depict it that way, so I don't get the whining about it not being a slasher movie or even a horror movie; it does fall into that genre though, so enough about that.
The actors are smart and behave like real people, and the story is clever, especially the twist at the end. There are no dull moments unless you aren't interested in character development or storyline, so in that case go watch Friday the 13th and leave this film for the rest of us who can appreciate it.
Anyone reviewing this as vapid and shallow and claims it has a predictable ending is missing the entire point of the film.
The characters are of course absurdist representations of not only current youth but also humanity as a whole.
This is not meant to be a horror film that reinvents the wheel. It's meant to be a discussion of how we as a culture have warped our relationship with information, specifically technologically. It's meant to represent how we gather and receive unsound information, react impulsively, and create destruction while doing so, whether to ourselves or others. Understandably, the movie isn't TOO heavy handed in its approach as to not come across as preachy, but I think the message is clear and the film conveys it in a way that's fun and entertaining. I mean, come on, it's A24. If you're showing up expecting a by the books slasher, you've come to the wrong place. I think that's more of an expectation setting problem than it should be a knock at the film.
The characters are of course absurdist representations of not only current youth but also humanity as a whole.
This is not meant to be a horror film that reinvents the wheel. It's meant to be a discussion of how we as a culture have warped our relationship with information, specifically technologically. It's meant to represent how we gather and receive unsound information, react impulsively, and create destruction while doing so, whether to ourselves or others. Understandably, the movie isn't TOO heavy handed in its approach as to not come across as preachy, but I think the message is clear and the film conveys it in a way that's fun and entertaining. I mean, come on, it's A24. If you're showing up expecting a by the books slasher, you've come to the wrong place. I think that's more of an expectation setting problem than it should be a knock at the film.
This is a fairly enjoyable and mildly funny movie with some good satirical elements. I had a good time for the most part, except when the extensive arguments started to annoy me. Solid for a one-time viewing. (1 viewing, SuperScreen 8/17/2022)
There are a lot things that I really like about Bodies Bodies Bodies. How it makes fun of Gen Z. Which is why all of the characters are intentionally obnoxious, as well as the great twist. My issues with it being that though the film is short, I started to loose interest. And the humor, which I'll admit I was laughing in any many scenes, there were points where I couldn't tell whether or not if it was trying to be funny. Overall, Bodies Bodies Bodies is a mixed bag.
Because the way things are these days, I'm still not sure if this was taking the mick out of gen-z or not. It is so on the nose that you think it must be but, then again, things are often beyond parody these days, so I'm not convinced. Compared to most modern films of this type it was very watchable and not too obvious what was about to happen next. I would recommend a watch if you have time.
If it was taking the mick out of gen z, it was a good effort, but so much of this is included in modern films, without jest, that I'm really on the fence about it. Giving benefit of the doubt, I've gone 6/10.
If it was taking the mick out of gen z, it was a good effort, but so much of this is included in modern films, without jest, that I'm really on the fence about it. Giving benefit of the doubt, I've gone 6/10.
Wusstest du schon
- WissenswertesFor sabering-the-champagne-bottle, Lee Pace admitted that he practiced for the feat at home using Thranduil's sword from his time in The Hobbit (2012) film series.
- PatzerAt around 55 minutes Bee can be seen removing her T-shirt, but in the next scene when she goes to pick up a T-shirt to replace her current T-shirt she can be seen wearing the same T-shirt she had just removed.
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: Bodies Bodies Bodies (2022)
- SoundtracksDaddy AF
Written by Ethan Budnick, Andrew Okamura, Catherine Slater as Catherine Slater
Performed by Catherine Slater
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film and TV Licensing
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Box Office
- Bruttoertrag in den USA und Kanada
- 11.446.602 $
- Eröffnungswochenende in den USA und in Kanada
- 226.653 $
- 7. Aug. 2022
- Weltweiter Bruttoertrag
- 13.929.670 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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