Ein historisches Epos, inspiriert von den wahren Ereignissen im Königreich Dahomey, einem der mächtigsten Staaten Afrikas im 18. Und 19. Jahrhundert.Ein historisches Epos, inspiriert von den wahren Ereignissen im Königreich Dahomey, einem der mächtigsten Staaten Afrikas im 18. Und 19. Jahrhundert.Ein historisches Epos, inspiriert von den wahren Ereignissen im Königreich Dahomey, einem der mächtigsten Staaten Afrikas im 18. Und 19. Jahrhundert.
- Nominiert für 2 BAFTA Awards
- 28 Gewinne & 126 Nominierungen insgesamt
Chioma Antoinette Umeala
- Tara
- (as Chioma Umeala)
Sivuyile Ngesi
- The Migan
- (as Siv Ngesi)
Angélique Kidjo
- The Meunon
- (as Angelique Kidjo)
Zusammenfassung
Reviewers say 'The Woman King' is lauded for its powerful performances by Viola Davis and Thuso Mbedu, and its focus on female empowerment and African culture. However, it is criticized for historical inaccuracies, uneven pacing, and underdeveloped subplots. Despite these issues, the film's production values, including cinematography and costume design, are highly appreciated. Many reviewers commend its effort to bring lesser-known historical stories to light and its thrilling action sequences.
Empfohlene Bewertungen
The Woman King (2022) is a movie my wife and I caught in theatres last night. The storyline follows an African kingdom with a new(er) king in 1823 who posses the only female army in Africa. The leader of the female Army has a past that haunts her but the respect of her king, enough to be on his council. She strongly urges him to avoid the slave trade and find alternative methods of riches. Meanwhile, those who do believe strongly in the slave trade look to march on the kingdom and bring them down. A new recruitment class to the female army brings brashness, new ideas to defend the kingdom, and the female leader's ghosts back to the forefront...
This movie is directed by Gina Prince-Bythewood (Love & Basketball) and stars Viola Davis (The Help), Thuso Mbedu (The Underground Railroad), Lashana Lynch (No Time to Die), Sheila Atim (Doctor Strange: In the Mouth of Madness), John Boyega (Star Wars: Episode VII-IV) and Jimmy Odukoya (Mamba's Diamond).
This movie has so much depth and contains a great primary plot and even better sub plots. The writing is remarkable, thorough and very impressive. The character's inner demons are well portrayed as is their struggle to overcome them. The acting is out of this world across the board. You feel for every character; and if anything happens to anyone, you feel personally hurt. The villains were also excellent as is the outcome of each of them. The settings and cinematography is outstanding and there is impressive use of lighting. The action scenes are remarkable and the fight choreography is award winning caliber. My only complaint is an awkward love story that is obviously in here to show maturity and self discovery but I could have done without it.
Overall, this movie has literally everything you'd want in a movie - tremendous action, great villains, self discovery and character triumph. I would strongly, strongly recommend seeing this movie and score it a 10/10. We loved it.
This movie is directed by Gina Prince-Bythewood (Love & Basketball) and stars Viola Davis (The Help), Thuso Mbedu (The Underground Railroad), Lashana Lynch (No Time to Die), Sheila Atim (Doctor Strange: In the Mouth of Madness), John Boyega (Star Wars: Episode VII-IV) and Jimmy Odukoya (Mamba's Diamond).
This movie has so much depth and contains a great primary plot and even better sub plots. The writing is remarkable, thorough and very impressive. The character's inner demons are well portrayed as is their struggle to overcome them. The acting is out of this world across the board. You feel for every character; and if anything happens to anyone, you feel personally hurt. The villains were also excellent as is the outcome of each of them. The settings and cinematography is outstanding and there is impressive use of lighting. The action scenes are remarkable and the fight choreography is award winning caliber. My only complaint is an awkward love story that is obviously in here to show maturity and self discovery but I could have done without it.
Overall, this movie has literally everything you'd want in a movie - tremendous action, great villains, self discovery and character triumph. I would strongly, strongly recommend seeing this movie and score it a 10/10. We loved it.
Davis's performance could not make up for the children's fairy tale script. In 2022 this is just embarrassing for women, for Africa, for everyone. It is as if they could not decide which issue of women they'd wanted to discuss, so just did them all. Less 'd been more.
After like 10 minutes I realized that the actresses had to be oiled, because otherwise they could not have shot it. And that is the almost the only revelation of this movie. The other one being the very convenient choosing of time period for the film. In 1823 the south-Americans can be the bad slavers, while only a a few years back half of the "civilized" world bought Africans form other Africans, what is quite minorized here.
After like 10 minutes I realized that the actresses had to be oiled, because otherwise they could not have shot it. And that is the almost the only revelation of this movie. The other one being the very convenient choosing of time period for the film. In 1823 the south-Americans can be the bad slavers, while only a a few years back half of the "civilized" world bought Africans form other Africans, what is quite minorized here.
Poor execution. No character development. Villans are mostly just waiting to be executed.
The most interesting part of the movie is that it says it is based on historic events but it is not.
Dahomey tribe became powerful over a period of time by selling slaves. In the movie the tribe is fighting slave traders. May be they fight some slave traders and help others. The helping part is left out in the movie.
There are high profile actors in the movie but the script does not give them enough screen time to portray their best. But still we can see their acting brilliance in few scenes. I do not want to get in to details of the scenes.
The most interesting part of the movie is that it says it is based on historic events but it is not.
Dahomey tribe became powerful over a period of time by selling slaves. In the movie the tribe is fighting slave traders. May be they fight some slave traders and help others. The helping part is left out in the movie.
There are high profile actors in the movie but the script does not give them enough screen time to portray their best. But still we can see their acting brilliance in few scenes. I do not want to get in to details of the scenes.
Stripped of any context, this movie is decent if rather boring and formulaic action epic that's light on the action. Maybe 5 or 6 out of 10. But this movie isn't presented without context: it purports to dramatize a real group of people in a real historical setting. As such it has to have some connection with reality or the immersion will be broken. (And it only has to be a tenuous connection with historical reality to be enjoyable (e.g. Gladiator and Braveheart.)) The Woman King flies completely off the rails into cloud cuckoo land, characterizing the enforcement arm of one of the worst societies of its era (chattel bondage, human sacrifice, reproductive mutilation) as admirable and heroic. It's as goofy, ill-judged and nauseating as if Hollywood presented the homicidal lunatics running around Munich in black shirts circa 1939 as noble warriors who liberated Warsaw.
I enjoy history and like to see accurate representations in films. I will say straight away that I intensely dislike films that have an agenda and are incredibly historically inaccurate as a result, e.g., Braveheart, 300, The Patriot. However, I can easily accept and enjoy films a bit historically inaccurate as films primarily exist to entertain, i.e., most Hollwood historical films.
Unfortunately, TWK falls into the former category. If they had stuck to the real story, then it could have been an interesting film about a little-known African Kingdom, particularly with the lovely images of Africa. Instead, they decided to make it as a black female empowerment, anti-European propaganda piece. Sure, slavery is central to the film but with a twist, in that slavery was in place to make money from Europeans, for which Dahomey reluctantly supplied slaves to feed a European need. The truth is that Africans had been supplying slaves for thousands of years to Arabs, Egyptians, Romans, etc, and keeping hundreds of thousands for themselves. Europeans had a relatively 'short' involvement with the African slave trade, and Europe's largest contribution (primarily British) was to end the African slave trade, against the wishes of African kings and slave traders. The female warriors are shown as some sort of Spartan elite, which they were not, as they primarily attacked and seized women and children as slaves and were easily defeated by the French in hand-to-hand combat. In fact, the French lost 6 soldiers killed whilst the Dahomey warriors, including the female 'elite', lost many hundreds killed. The female warriors and their general were misrepresented in the same way that the Waffen SS would be misrepresented if portrayed as peace-loving pacifists!
A good film could have been made of court intrigue or the impact of Dahomey slavers on raided villages, but no, propaganda and politics rules the roost in Hollywood.
Unfortunately, TWK falls into the former category. If they had stuck to the real story, then it could have been an interesting film about a little-known African Kingdom, particularly with the lovely images of Africa. Instead, they decided to make it as a black female empowerment, anti-European propaganda piece. Sure, slavery is central to the film but with a twist, in that slavery was in place to make money from Europeans, for which Dahomey reluctantly supplied slaves to feed a European need. The truth is that Africans had been supplying slaves for thousands of years to Arabs, Egyptians, Romans, etc, and keeping hundreds of thousands for themselves. Europeans had a relatively 'short' involvement with the African slave trade, and Europe's largest contribution (primarily British) was to end the African slave trade, against the wishes of African kings and slave traders. The female warriors are shown as some sort of Spartan elite, which they were not, as they primarily attacked and seized women and children as slaves and were easily defeated by the French in hand-to-hand combat. In fact, the French lost 6 soldiers killed whilst the Dahomey warriors, including the female 'elite', lost many hundreds killed. The female warriors and their general were misrepresented in the same way that the Waffen SS would be misrepresented if portrayed as peace-loving pacifists!
A good film could have been made of court intrigue or the impact of Dahomey slavers on raided villages, but no, propaganda and politics rules the roost in Hollywood.
Wusstest du schon
- WissenswertesProducer Maria Bello visited Benin in West Africa to research the Agojie, and returned to the US, convinced she had found a great movie pitch. The project then stayed in development hell for years, first at STX (which only offered $5 million for the budget), then at TriStar. Only after the massive success of Black Panther (2018) was the film greenlit with a $50 million budget.
- PatzerThe Dahomey Mino (or Dahomey Amazons) did not fight to end slavery but were in fact prolific slavers themselves. The Dahomey enslaved thousands of fellow Africans until the kingdom was defeated by the French in 1894.
- Crazy CreditsThere's a mid-credits scene, in which Amenza is seen performing a memorial ceremony for her fallen sisters, pouring salt and whiskey over their weapons. She says their names aloud, and the last name we hear is Breonna.
- SoundtracksTribute to the King
Written and produced by Icebo M
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- La mujer rey
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 50.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 67.328.130 $
- Eröffnungswochenende in den USA und in Kanada
- 19.051.442 $
- 18. Sept. 2022
- Weltweiter Bruttoertrag
- 97.562.514 $
- Laufzeit
- 2 Std. 15 Min.(135 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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