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Greetings again from the darkness. If only the transformation brought on by puberty were half as soft and cuddly as the giant Red Panda in this latest from Pixar, imagine the reduction in slammed doors and the increase in dinner table conversations between parents and young teenagers. Writer-director Domee Shi won an Oscar for her excellent animated short film BAO (2018), and has collaborated with co-writer Julia Cho for the director's first feature. It seems reasonable to assume that much of what we see on screen is taken from their own adolescent experiences, as well as those of countless others.

Meilin (voiced by Rosalie Chiang) is a 13-year-old 8th grader who fancies herself as a free-spirited teenager basking in her independence. However, the real story is that she's a straight-A student obediently following the highly structured life constructed by her mother. Mei's responsibilities include helping her mother clean the temple the family manages ... the oldest temple in Toronto. It not only serves the local Chinese community by paying homage to the Gods, but it also holds a sacred place for Mei's ancestors. Mei's mother keeps her so duty-bound, that she's unable to find time to karaoke with her friends.

One morning, after a particularly vivid and emotional dream, Mei is transformed into a giant Red Panda ... well she pops in and out of Panda state. Her mother Ming (Sandra Oh) quickly reacts assuming her daughter's "change" is the beginning of a menstrual cycle. But things change drastically when Ming finds out about the Red Panda. Her family has considered this a spell from the Gods, one that has followed the women for multiple generations. Mei discovers this when her grandmother and a slew of Aunts show up for the Red Moon ritual - the only way to rid Mei of the Red Panda.

Mei soon realizes her emotional outbursts are what cause the transformation. When she's overly excited or agitated, the Red Panda appears. It's mostly when she's calm and at ease around her friends that she's her 'normal' self. In fact, the friendships are the key to this story. Miriam (Ava Morse), Priya (Maitreyi Ramakrishnan), and Abby (Hyein Park) immediately rally to Mei's defense and accept these startling changes. They even find a way to use it to their advantage, focusing on an upcoming concert by 4-Town, a 5 member (yep) boy band that the girls are gaga about. The music for 4-Town is co-written by Billie Eilish and Finneas O'Connell, and is humorously in line with what we'd expect (and remember) from a 2002 boy band.

We watch as Mei struggles with the emotional rollercoaster that brings out the Red Panda. It's refreshing to see such a portrait of friendship, and also acknowledge that overbearing parents can cause stress, no matter how caring they might be. Mei learns that by letting go of the perfect kid syndrome and wallowing in her messy self, she can truly discover who she is as a young person. It's a Pixar movie, so we fully expect life lessons and psychology to play a role. And that's also part of the problem here. Being a Pixar film means you get compared to other Pixar films, and that's a crazy high standard. This one doesn't come close to the best work from the studio, although we welcome the rare look at female adolescence and friendship, as well as the impact a mother-daughter relationship can have on multiple generations.

Available exclusively on Disney+ beginning March 11, 2022.

It's 2002 Toronto. Meilin is a 13 year-old Chinese-Canadian girl on the verge of adulthood. Her family cares for their temple honorable their ancestor who turned into a red panda to defend her family. One morning, she wakes up to find herself transformed into a red panda.

This is a coming-of-age story from Pixar. It's fun. I love the characters. There is a realism in these characters. They feel very authentic. Aside from the supernatural, this is really a story of a girl trying to find her way through puberty and dealing with her mother-daughter relationship. There are no big name actors other than Sandra Oh which does give this a feeling of non-Hollywood. The Toronto locations are also part of that. This has plenty of fun while dealing with some real tween issues.

Interesting. I thought my 14 year old & her 13 yr old friend would have loved this movie. We waited for it to come out and they had a movie night. 3/4 of the way through they were bored and switched to the Nintendo switch. They said they didn't really "get" what the point of the story was and they lost interest. Head scratcher. I need to watch it myself but if the target audience don't enjoy it - is it really for them?

In the latest Pixar movie, Rosalie Chiang voice a 12-year-old girl in Toronto in 2002. She is the daughter of a tiger mother, has nervous breakdowns when she comes in second in spelling bees, and is securely under the thumb of her mother -- voiced by Sandra Oh -- although she adores a boy band, of which her mother severely disapproves. But being at that age, she finds a change in her body: under great emotional stress, she turns into a giant red panda. This turns out to be true of all the women in her family.

In what may be described as 'fantasy autobiography' -- the director was born in China, moved to Canada at 2, and was twelve for most of 2002 -- we see the expected Pixar combination of technical excellence -- the red panda looks like a plush doll, with every one of its million or two hairs carefully drawn -- and story telling. It hews a little too closely between its literal and figurative meaning -- we're dealing with menarche in some form -- with jokes about her mother bringing tampons and similar products to school, embarrassing the protagonist. But I laughed out loud and leaked some tears, and what more can you demand of any movie?

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"Turning Red is undoubtedly the riskiest, possibly the most divisive work in Pixar history. Without any remorse or restraint, Domee Shi and Julia Cho unapologetically approach the sensitive topic of (female) puberty in a quite shocking, positively impactful manner.

A narrative that unquestionably explores the hormonal, emotional, and sexual developments of its characters, conveying a message of self-acceptance and understanding of human evolution through its metaphors loaded with youthful excitement.

With the well-known technical attributes from the successful studio, this film will serve as an essential companion for all pre-teens who will deal with or are going through this inevitable and "inconvenient" phase of life.

One of the best movies of the year until this day."

Rating: A-