IMDb-BEWERTUNG
5,4/10
3787
IHRE BEWERTUNG
Überlebende eines Rettungsbootes gehen an Bord eines deutschen Bootes, das während des Zweiten Weltkrieges von Vampiren wimmelte.Überlebende eines Rettungsbootes gehen an Bord eines deutschen Bootes, das während des Zweiten Weltkrieges von Vampiren wimmelte.Überlebende eines Rettungsbootes gehen an Bord eines deutschen Bootes, das während des Zweiten Weltkrieges von Vampiren wimmelte.
- Auszeichnungen
- 5 Gewinne & 8 Nominierungen insgesamt
Roman Meyer
- German Radio Voice
- (Synchronisation)
Empfohlene Bewertungen
I had really high hopes for this film after reading many comments. This film both worked and failed for me.
It worked as a thriller more than a horror film, the acting was good on most parts, not all. The story was good to.
The bad, why Tue bickering between characters, this to me fell right from the start and got on my nerves. There was no surprise at the end, so this was a bit of a let down foe me. The main problem I had was the film was slow in some parts and I found myself getting bored waiting for something to happen.
Nearly an above average film but not this time.
"It ain't about luck mate. It ain't. It's how you play the hand you're dealt."
My feelings towards this Aussie horror film are pretty much the same as a year ago when I caught it at a film festival. Generic, if slickly-competent potboiler. It feels like it was taking cues from 'Death Ship' and '30 Days of Nights'. Then trying to add its own spin to the familiar formula, but not completely landing it. By the end the pacing, script and performances probably lets it down.
Set during the end of the Second World War. A small group of survivors of a torpedoed hospital ship adrift at sea in a life raft board a passing Nazi vessel. The Germans were going to be the least of their worries, especially when they find out it homes much more of a threat than they could ever imagined. Something which rid the vessel of its original crew. It's a typical group of cliched caricatures in presenting their personalities and nationalities. The performances of the cast fall into the same pattern as the script. Not awful, just bland and mechanical in delivery.
A lot of the first half is spent on lazy scripted feuding between the characters and wandering dimly lit corridors of a ghost ship figuring out the mystery to what happened to the original crew. Too long is spent on those actions in-spite of the miraculously crafted and photographed set-designs. Very gothic in its vibes. Because when we find out about the real threat, it seems to rush through it without really establishing it properly. So it doesn't feel all that effective when it gets to the bloody carnage. It's one thing to start late, but disappointing when you think there's too little of it for your liking. The FX for the ancient Romanian vampires looked decent enough, but how they presented them in character seemed more laughable then imposing. Too exuberant. You know you're in trouble when the kid feels far more threatening then the adults. I would have been more interested in seeing what happened to the original German crew, then following this ragtag group. Especially with the interesting lore of the Nazi's curiosity in the occult/supernatural.
My feelings towards this Aussie horror film are pretty much the same as a year ago when I caught it at a film festival. Generic, if slickly-competent potboiler. It feels like it was taking cues from 'Death Ship' and '30 Days of Nights'. Then trying to add its own spin to the familiar formula, but not completely landing it. By the end the pacing, script and performances probably lets it down.
Set during the end of the Second World War. A small group of survivors of a torpedoed hospital ship adrift at sea in a life raft board a passing Nazi vessel. The Germans were going to be the least of their worries, especially when they find out it homes much more of a threat than they could ever imagined. Something which rid the vessel of its original crew. It's a typical group of cliched caricatures in presenting their personalities and nationalities. The performances of the cast fall into the same pattern as the script. Not awful, just bland and mechanical in delivery.
A lot of the first half is spent on lazy scripted feuding between the characters and wandering dimly lit corridors of a ghost ship figuring out the mystery to what happened to the original crew. Too long is spent on those actions in-spite of the miraculously crafted and photographed set-designs. Very gothic in its vibes. Because when we find out about the real threat, it seems to rush through it without really establishing it properly. So it doesn't feel all that effective when it gets to the bloody carnage. It's one thing to start late, but disappointing when you think there's too little of it for your liking. The FX for the ancient Romanian vampires looked decent enough, but how they presented them in character seemed more laughable then imposing. Too exuberant. You know you're in trouble when the kid feels far more threatening then the adults. I would have been more interested in seeing what happened to the original German crew, then following this ragtag group. Especially with the interesting lore of the Nazi's curiosity in the occult/supernatural.
Blood Vessel isn't particularly unique or innovative, but it's a solid vampire low-budget horror film. Let's start with the bad. The movie spends almost a full hour and 15 minutes before the vampires start munching on people making the story drag until the action begins. Once the action did start, it was generally quick cuts and shaky cam rather than well-choreographed fights. Now for the good. The set, costumes, creature design, makeup, and practical effects were all excellent for a low-budget film. The eyes of the vampires looked so cool! I really liked the motley crew of characters and their struggle to survive. In the end, Blood Vessel wasn't an outstanding film, but I enjoyed watching it anyway!
My expectations were kind of low, so I was surprised in a good way for a change.
The acting was ok and also were the effects, it has a nice atmosphere wich overall made this movie a nice experience as for myself .
I enjoyed this hour and a half, way more than I thought I would, so for me is a solid 6, for these quarantine days.
Locally made horror thriller Blood Vessel embraces its concept and kookiness to deliver a fun throwback like experience that is sure to have genre fans excited about the proposition of seeing World War 2 citizens take it to a ship full of bloodthirsty nazi vampires.
Directed by Australian special effects/props guru Justin Dix, Blood Vessel overcomes its low-budget origins and DIY nature to end up as a final product that is both proficient as a spectacle piece and as a moody atmospheric horror that will entertain anyone willing to go along with its insanely over the top and schlocky premise.
Everything about the film is no fuss, Dix wastes little time in introducing us to a group of sea-stranded survivors that includes Nathan Philipp's Australian soldier Nathan Sinclair and Alyssa Sutherland's kindly Jane Prescott as they and their fellow raft members find potential rescue aboard a seemingly deserted Nazi minesweeper, that just so happens to be host to some extra-ordinary cargo that would rather suck your blood than say hello.
Taking it slow for the first part of the survivors searching of the ship and quest to uncover why a ship such as the one they find themselves on is devoid of human life bar a young girl, Blood Vessel eventually goes all out as we and the films group come face to face with the true horrors of what lays in store for them becomes increasingly more apparent.
With some great visual effects and make-up work, a committed cast who all "bite" into their roles, a great set courtesy of a real-life docked ship and an atmospheric score from Brian Cachia, Blood Vessel is a well-rounded package that never tries to do anything outside of its reach and while it fails to go to insanely creative levels of B-grade goodness, it remains a home grown affair that horror buffs can be proud of.
Final Say -
A fun and entertaining Australian made horror, Blood Vessel delivers exactly what its premise promises and has a lot of fun along the way in doing so.
3 neck bites out of 5
Directed by Australian special effects/props guru Justin Dix, Blood Vessel overcomes its low-budget origins and DIY nature to end up as a final product that is both proficient as a spectacle piece and as a moody atmospheric horror that will entertain anyone willing to go along with its insanely over the top and schlocky premise.
Everything about the film is no fuss, Dix wastes little time in introducing us to a group of sea-stranded survivors that includes Nathan Philipp's Australian soldier Nathan Sinclair and Alyssa Sutherland's kindly Jane Prescott as they and their fellow raft members find potential rescue aboard a seemingly deserted Nazi minesweeper, that just so happens to be host to some extra-ordinary cargo that would rather suck your blood than say hello.
Taking it slow for the first part of the survivors searching of the ship and quest to uncover why a ship such as the one they find themselves on is devoid of human life bar a young girl, Blood Vessel eventually goes all out as we and the films group come face to face with the true horrors of what lays in store for them becomes increasingly more apparent.
With some great visual effects and make-up work, a committed cast who all "bite" into their roles, a great set courtesy of a real-life docked ship and an atmospheric score from Brian Cachia, Blood Vessel is a well-rounded package that never tries to do anything outside of its reach and while it fails to go to insanely creative levels of B-grade goodness, it remains a home grown affair that horror buffs can be proud of.
Final Say -
A fun and entertaining Australian made horror, Blood Vessel delivers exactly what its premise promises and has a lot of fun along the way in doing so.
3 neck bites out of 5
Wusstest du schon
- WissenswertesScenes were filmed on the HMAS Castlemaine. A fully restored WWII Bathurst Class corvette, currently docked at Gem Pier in Williamstown.
- PatzerStriking an armor-piercing naval shell on its nose would not make it explode. The fuse in the base first needs to be armed, and then the detonator inside fired when the shell strikes its target at an extreme velocity.
- VerbindungenReferences Das Todesschiff (1980)
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- Erscheinungsdatum
- Herkunftsland
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- Laufzeit
- 1 Std. 33 Min.(93 min)
- Farbe
- Seitenverhältnis
- 2.39:1
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