IMDb-BEWERTUNG
5,8/10
19.596
IHRE BEWERTUNG
Ein Monster namens Larry manifestiert sich durch Smartphones und mobile Geräte. Spielfilmversion des Kurzfilms von 2017.Ein Monster namens Larry manifestiert sich durch Smartphones und mobile Geräte. Spielfilmversion des Kurzfilms von 2017.Ein Monster namens Larry manifestiert sich durch Smartphones und mobile Geräte. Spielfilmversion des Kurzfilms von 2017.
- Auszeichnungen
- 1 Nominierung insgesamt
Rodger Bumpass
- Squidward
- (Archivfilmmaterial)
- (Nicht genannt)
Bill Fagerbakke
- Patrick Star
- (Archivfilmmaterial)
- (Nicht genannt)
Kate Fenton
- Rude Shopper
- (Nicht genannt)
Jess Salgueiro
- Sonya
- (Nicht genannt)
Empfohlene Bewertungen
While we all want something terrifying from the horror films we watch, it is nice to get some psychological and emotional aspects intertwined within the scares to give it that extra depth. This particular story is very reminiscent to Mike Flanagan's style where he places just as much importance into the heart and soul of the characters as the amount of detail in the creepy creatures or hauntings. It's definitely a great and promising first feature effort from Jacob Chase.
The film still does have its classic clichés with many predictable timed jump scares and the all too common tech themes of late , but it still wraps everything together nicely with some interesting concepts. There are some tremendous moments of authentic emotion portrayed by the main actors as well which is an underrated aspect especially in horror films. There's also a very interesting entity with a great backstory with some decent enough CGI to present it. The atmosphere and tension is prevalent and there are some clever camera choices.
Overall it's way better than many will think it will be after seeing the very cliche trailer, and people shouldn't take it for just a kids horror. If this is the one wide release horror film we get for Halloween, it does serve its purpose well enough.
The film still does have its classic clichés with many predictable timed jump scares and the all too common tech themes of late , but it still wraps everything together nicely with some interesting concepts. There are some tremendous moments of authentic emotion portrayed by the main actors as well which is an underrated aspect especially in horror films. There's also a very interesting entity with a great backstory with some decent enough CGI to present it. The atmosphere and tension is prevalent and there are some clever camera choices.
Overall it's way better than many will think it will be after seeing the very cliche trailer, and people shouldn't take it for just a kids horror. If this is the one wide release horror film we get for Halloween, it does serve its purpose well enough.
No, it's not a masterpiece that would deserve 10/10 as some have rated it here. But it's not a total crap either so it doesn't deserve 1/10 ratings either.
The story as a whole is actually good, something different. There are few jumps scares, some better than others, there's some creepiness at times. It's supposed to be a horror movie but at times it felt more as fantasy - I think that might be one of the reasons why this movie is rather weak, the director couldn't make up his mind what genre to choose.
The main actors, unfortunately, are terrible. The few ones that are actually ok play only secondary roles. The parents are annoying, you actually hope that at least one of them would die - they're so unlikable (I won't say if anyone dies or not because I don't want to give spoilers). Some the dialogues would make your eyes roll as well. I don't know what went wrong, the movie had so much potential to be so much better. I thought it might have been the budget but for 9mil (to compare: Babadook had only 2mil) I would expect something better.
In short: it's an "ok" movie. Definitely something different. The 5.9 score it has at the moment is fair.
I've seen better and worse, but for what it is, as a PG-13 horror movie, I think it does really well. It's short on scares, so don't go into this hoping to be scared out of your mind, but I think the emotional power that the message conveys is definitely worth a viewing. Definitely struck my heart strings by the ending. It's definitely derivative of several movies, but it's pretty good for sure.
I really enjoyed Come Play, I thought it was orignal and had a really creepy vibe to it. Yes it was a very simple plot but either way it was enjoyable.
I did not have much hope going into this, i thought it was just going to be another haunted child retread but I was wrong, the idea was refreshingly new and had quite a few wrinkles I have not seen before; loved the scene with the paper blowing in the wind and eventually sticking to the Demon and revealing its body in the first few scenes, a rather nice touch, simple but effective.
And that is what the film is, simple but effective, a decent nights horror viewing with at least 2 rather nasty jump scares that did actually make us jump so a fair above average 6 hatchets on the chopping scale for this one!
And that is what the film is, simple but effective, a decent nights horror viewing with at least 2 rather nasty jump scares that did actually make us jump so a fair above average 6 hatchets on the chopping scale for this one!
Wusstest du schon
- WissenswertesDirector Jacob Chase used to make Haunted Houses for Halloween for many years which allowed him to practice making practical props and puppets. He hired the legendary Jim Henson's Creature Shop to create a 9 foot (2.74 meter) puppet for the creature for the film to be used alongside CG effects.
- Patzer@ around 24 minutes a crew member's face can be seen reflected in Oliver's iPad (just before he turns round after hearing noises).
- VerbindungenFeatured in FoundFlix: Come Play (2020) Ending Explained (2020)
- SoundtracksSpongebob Squarepants Theme
From the TV series SpongeBob Schwammkopf (1999)
Lyrics and Music by Blaise Smith, Derek Drymon, Mark Harrison and Stephen Hillenburg
Published by Tunes by Nickelodeon Inc. (Admin. by Sony/ATV Harmony)
Used with permission by Nickelodeon/Viacom Media Networks
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Come Play?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Ven A Jugar
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 10.475.990 $
- Eröffnungswochenende in den USA und in Kanada
- 3.119.875 $
- 1. Nov. 2020
- Weltweiter Bruttoertrag
- 13.182.254 $
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen