IMDb-BEWERTUNG
5,8/10
19.605
IHRE BEWERTUNG
Ein Monster namens Larry manifestiert sich durch Smartphones und mobile Geräte. Spielfilmversion des Kurzfilms von 2017.Ein Monster namens Larry manifestiert sich durch Smartphones und mobile Geräte. Spielfilmversion des Kurzfilms von 2017.Ein Monster namens Larry manifestiert sich durch Smartphones und mobile Geräte. Spielfilmversion des Kurzfilms von 2017.
- Auszeichnungen
- 1 Nominierung insgesamt
Rodger Bumpass
- Squidward
- (Archivfilmmaterial)
- (Nicht genannt)
Bill Fagerbakke
- Patrick Star
- (Archivfilmmaterial)
- (Nicht genannt)
Kate Fenton
- Rude Shopper
- (Nicht genannt)
Jess Salgueiro
- Sonya
- (Nicht genannt)
Empfohlene Bewertungen
And the acting police.
1. For all the crappy movies I have to wade through to actually find something worth watching these days is like finding a particular needle in a stack of needles.
2. This movie had an original plot, decent acting (despite what another "reviewer" had complained), it was creepy, and you didn't know the ending 30 minutes into it.
3. I gave this movie an eight because it's actually one of the better creepy movies I've seen in three months. I don't know about all of you, but indie movies are starting to grind on my nerves. I have to turn on the subtitles because I can't understand what they're saying most of the time. And then you have these user reviewers who critically acclaim movies where there's some hidden meaning in the ending that leaves you asking, "wtf was that and why did I just waste ninety minutes of my life I'll never get back to watch that bunk?"
So, this movie is not fantasy as another review suggests. It's a very decent horror movie that I think most people will enjoy.
So, this movie is not fantasy as another review suggests. It's a very decent horror movie that I think most people will enjoy.
I really enjoyed Come Play, I thought it was orignal and had a really creepy vibe to it. Yes it was a very simple plot but either way it was enjoyable.
While we all want something terrifying from the horror films we watch, it is nice to get some psychological and emotional aspects intertwined within the scares to give it that extra depth. This particular story is very reminiscent to Mike Flanagan's style where he places just as much importance into the heart and soul of the characters as the amount of detail in the creepy creatures or hauntings. It's definitely a great and promising first feature effort from Jacob Chase.
The film still does have its classic clichés with many predictable timed jump scares and the all too common tech themes of late , but it still wraps everything together nicely with some interesting concepts. There are some tremendous moments of authentic emotion portrayed by the main actors as well which is an underrated aspect especially in horror films. There's also a very interesting entity with a great backstory with some decent enough CGI to present it. The atmosphere and tension is prevalent and there are some clever camera choices.
Overall it's way better than many will think it will be after seeing the very cliche trailer, and people shouldn't take it for just a kids horror. If this is the one wide release horror film we get for Halloween, it does serve its purpose well enough.
The film still does have its classic clichés with many predictable timed jump scares and the all too common tech themes of late , but it still wraps everything together nicely with some interesting concepts. There are some tremendous moments of authentic emotion portrayed by the main actors as well which is an underrated aspect especially in horror films. There's also a very interesting entity with a great backstory with some decent enough CGI to present it. The atmosphere and tension is prevalent and there are some clever camera choices.
Overall it's way better than many will think it will be after seeing the very cliche trailer, and people shouldn't take it for just a kids horror. If this is the one wide release horror film we get for Halloween, it does serve its purpose well enough.
I did not have much hope going into this, i thought it was just going to be another haunted child retread but I was wrong, the idea was refreshingly new and had quite a few wrinkles I have not seen before; loved the scene with the paper blowing in the wind and eventually sticking to the Demon and revealing its body in the first few scenes, a rather nice touch, simple but effective.
And that is what the film is, simple but effective, a decent nights horror viewing with at least 2 rather nasty jump scares that did actually make us jump so a fair above average 6 hatchets on the chopping scale for this one!
And that is what the film is, simple but effective, a decent nights horror viewing with at least 2 rather nasty jump scares that did actually make us jump so a fair above average 6 hatchets on the chopping scale for this one!
I thought this movie was just alright, nothing really special about it. The movie felt a little repetitive and predictable at times. I didn't find it very scary either. The monster was cool but didn't really do anything. Mostly just creeped around the entire time. Generous 6 stars.
Wusstest du schon
- WissenswertesDirector Jacob Chase used to make Haunted Houses for Halloween for many years which allowed him to practice making practical props and puppets. He hired the legendary Jim Henson's Creature Shop to create a 9 foot (2.74 meter) puppet for the creature for the film to be used alongside CG effects.
- Patzer@ around 24 minutes a crew member's face can be seen reflected in Oliver's iPad (just before he turns round after hearing noises).
- VerbindungenFeatured in FoundFlix: Come Play (2020) Ending Explained (2020)
- SoundtracksSpongebob Squarepants Theme
From the TV series SpongeBob Schwammkopf (1999)
Lyrics and Music by Blaise Smith, Derek Drymon, Mark Harrison and Stephen Hillenburg
Published by Tunes by Nickelodeon Inc. (Admin. by Sony/ATV Harmony)
Used with permission by Nickelodeon/Viacom Media Networks
Top-Auswahl
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- How long is Come Play?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Ven A Jugar
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 10.475.990 $
- Eröffnungswochenende in den USA und in Kanada
- 3.119.875 $
- 1. Nov. 2020
- Weltweiter Bruttoertrag
- 13.182.254 $
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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