IMDb-BEWERTUNG
6,0/10
8597
IHRE BEWERTUNG
Eine selbstzerstörerische Punkrockerin kämpft mit ihrer Abstinenz, während sie versucht, die kreative Inspiration wiederzufinden, die ihre Band zum Erfolg geführt hat.Eine selbstzerstörerische Punkrockerin kämpft mit ihrer Abstinenz, während sie versucht, die kreative Inspiration wiederzufinden, die ihre Band zum Erfolg geführt hat.Eine selbstzerstörerische Punkrockerin kämpft mit ihrer Abstinenz, während sie versucht, die kreative Inspiration wiederzufinden, die ihre Band zum Erfolg geführt hat.
- Auszeichnungen
- 4 Gewinne & 28 Nominierungen insgesamt
Empfohlene Bewertungen
I kind of liked this movie. The realistic footage and acting were compelling. But ultimately there is just not enough interesting material to sustain such a long movie. What was the director/producer thinking? The same story, the same vibe, the same message, etc. could have easily been told as a 1:30 or 1:40 moved -- a good 40 minuted of filler less. At some point I just got bored, which is a shame as there was a good movie (still nothing amazing, but a 6.5 I want to say) in here somewhere. In the end it rates as just average.
This film is about a rocker who has no respect for anyone.
The rocker in question is a very obnoxious person. It is just not fun to watch her insult everyone and ruin people's lives around her for 90 minutes. The story is a mess, it is not engaging or interesting. There is little build up to the ending either, so there's nothing satisfactory resolution to the story.
The rocker in question is a very obnoxious person. It is just not fun to watch her insult everyone and ruin people's lives around her for 90 minutes. The story is a mess, it is not engaging or interesting. There is little build up to the ending either, so there's nothing satisfactory resolution to the story.
First 1:20 of this movie is exhausting. Same thing over and over and over. Could have accomplished the point in about 30mins. Seems they wanted to say, "look at how well Moss plays her character" by using redundancy.
The real movie, and acting, starts after all this.
The real movie, and acting, starts after all this.
As much I like Moss, I just did not believe her here; she came off as a spoiled, crazed child with no discernible talent, and I could not buy all the sweet, civilized, polite punk rockers in thrall.
I think the problem with this film is less with miscasting and more with the script, or lack thereof, as this could have been an incisive depiction of a musical genius, but instead is just a series of clips tied together without any real music, characters or plot.
I think the problem with this film is less with miscasting and more with the script, or lack thereof, as this could have been an incisive depiction of a musical genius, but instead is just a series of clips tied together without any real music, characters or plot.
Becky Something (Elisabeth Moss) is the lead singer of an once successful punk rock group. She struggles with drugs, drunkenness, instability, personal drama, and professional chaos. She's fighting with ex-husband Danny (Dan Stevens). Her mother Ania (Virginia Madsen) supports her through thick and thin. Ali van der Wolff (Gayle Rankin) and Marielle Hell (Agyness Deyn) are her long suffering bandmates. Their manager Howard Goodman (Eric Stoltz) is desperate to get her to finish her next album and recruits a new band called Akergirls. Its three members are Crassie Cassie (Cara Delevingne), Roxie Rotten (Ashley Benson), and Dottie O.Z. (Dylan Gelula).
It's an applaudable performance from Moss but the problem is that it gets rather monotonous. The constant chaos becomes the same thing over and over again until it stops being interesting. The shaman threatens to push it over into silliness. Like the band, she needs a bigger second to bounce off with narratively. Agyness Deyn is given a section which helps a lot but she may be better as the straight man lead. At one point, I assume that the movie is setting up Cara Delevingne as the second character but then she fades into the background. It's over two hours and much of it has Becky's chaos. It needs a second character to provide stable story telling.
It's an applaudable performance from Moss but the problem is that it gets rather monotonous. The constant chaos becomes the same thing over and over again until it stops being interesting. The shaman threatens to push it over into silliness. Like the band, she needs a bigger second to bounce off with narratively. Agyness Deyn is given a section which helps a lot but she may be better as the straight man lead. At one point, I assume that the movie is setting up Cara Delevingne as the second character but then she fades into the background. It's over two hours and much of it has Becky's chaos. It needs a second character to provide stable story telling.
Wusstest du schon
- WissenswertesIn an interview on National Public Radio, Elisabeth Moss said that none of the film is improvised. Despite the fact that some of her dialog feels spur-of-the-moment, even nonsensical, Moss said that everything she says on screen was on the page, and that it was the hardest dialogue she'd ever had to memorize.
- Zitate
Becky Something: Promise me mama, when I die, have the coffin arrive half an hour late and on the side written in gold letters: "Sorry for the delay."
- VerbindungenFeatured in MsMojo: Top 10 BEST Fake Songs from Movies (2023)
- SoundtracksAnother Girl, Another Planet
Written by Peter Albert and Neil Perrett (PRS)
Performed by Elisabeth Moss, Gayle Rankin and Agyness Deyn
Published by Domino Publishing Company USA (ASCAP)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Onun Kokusu
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 255.599 $
- Eröffnungswochenende in den USA und in Kanada
- 36.941 $
- 14. Apr. 2019
- Weltweiter Bruttoertrag
- 260.481 $
- Laufzeit
- 2 Std. 16 Min.(136 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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