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Luz

  • 2018
  • 12
  • 1 Std. 10 Min.
IMDb-BEWERTUNG
5,4/10
3299
IHRE BEWERTUNG
Luz (2018)
Trailer #1
trailer wiedergeben1:00
1 Video
22 Fotos
Psychologischer HorrorHorrorMysteryThriller

Die junge Taxifahrerin Luz schleppt sich in den hell erleuchteten Eingang einer heruntergekommenen Polizeistation. Ein Dämon folgt ihr, fest entschlossen, der Frau, die er liebt, endlich gan... Alles lesenDie junge Taxifahrerin Luz schleppt sich in den hell erleuchteten Eingang einer heruntergekommenen Polizeistation. Ein Dämon folgt ihr, fest entschlossen, der Frau, die er liebt, endlich ganz nahe zu sein.Die junge Taxifahrerin Luz schleppt sich in den hell erleuchteten Eingang einer heruntergekommenen Polizeistation. Ein Dämon folgt ihr, fest entschlossen, der Frau, die er liebt, endlich ganz nahe zu sein.

  • Regie
    • Tilman Singer
  • Drehbuch
    • Tilman Singer
  • Hauptbesetzung
    • Johannes Benecke
    • Jan Bluthardt
    • Kate Dervishi
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,4/10
    3299
    IHRE BEWERTUNG
    • Regie
      • Tilman Singer
    • Drehbuch
      • Tilman Singer
    • Hauptbesetzung
      • Johannes Benecke
      • Jan Bluthardt
      • Kate Dervishi
    • 35Benutzerrezensionen
    • 104Kritische Rezensionen
    • 63Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 7 Gewinne & 10 Nominierungen insgesamt

    Videos1

    Luz
    Trailer 1:00
    Luz

    Fotos22

    Poster ansehen
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    Topbesetzung11

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    Johannes Benecke
    • Olarte
    Jan Bluthardt
    Jan Bluthardt
    • Dr. Rossini
    Kate Dervishi
    • Flughafendurchsage
    Lilli Lorenz
    • Margarita
    Keshav Purushotham
    • Barmann
    Julia Riedler
    • Nora Vanderkurt
    Reinhard Singer
    • Polizist am Empfang
    Nadja Stübiger
    • Bertillon
    Omid Tabari
    • Zentrale
    Luana Velis
    • Luz Carrara
    Uwe Michael Witzel
    • Hausmeister
    • Regie
      • Tilman Singer
    • Drehbuch
      • Tilman Singer
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen35

    5,43.2K
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    Empfohlene Bewertungen

    4Xstal

    A Valiant Attempt...

    ... by a self help group from a secure psychiatric asylum to replicate the images they live with when not on their prescribed medication. That, or the cast and crew had discovered and used LSD just before filming began. You may need to do the same to make rhyme or reason of any of this.
    9seriouscritic-42569

    Near Perfect Film for the Right Audience

    I see how this film could be a near perfect little film, or a complete bore, depending on the viewer, so to qualify my comments let me make two observations right up front: this is a film about the supernatural - not the ghostly or the horrifying or the bloody, but the mystery and menace of something that is beyond the natural as we know it. That moment when you realize you might be part of something you never thought was "real" as opposed to being chased by monsters (although there is some blood, and some violence to be fair). And if you are not a viewer who is attuned to the sense of disquiet, or who can find suspense in seeing something not quite right and wondering why or where it may lead, then this movie will not resonate. Do not bother. You'll get impatient or be bored. But if you find yourself intrigued and captivated when, say, someone's behavior in a bar seems weirdly unnatural, then drop everything and gives this film a chance! It is like the best of the early David Lynch before he become a terrible parody of himself; when he could imbue a doorway or a radiator with menace by the intensity of his gaze and the music and sound that accompanies it. In this film, more often then not, it is in the eyes of the characters and how long they stare before they speak. If you are attuned to such nuance this movie will creep you out from the very first shot.

    A comment by another reviewer perfectly sums up the difference between potential viewers: they said that one scene was a man "pointlessly" setting up chairs; however if you are the kind of viewer who would immediately notice he is arranging the chairs like a taxi cab for some sort of re-enactment, and start wondering how any role-playing is going to tie in and where will it lead, then this is definitely your kind of movie.

    I loved every minute of it and I was greatly impressed by the increasingly clever manner in which a simple set-up was being developed. I don't want to spoil any surprises by even hinting at what I mean by that statement; for the right audience the best way to experience this film is in complete ignorance of where it is going and how its going to get there. I had heard only that it was frightening, but it is more of the disturbing uneasy variety as opposed to the jump-scare traditional fashion and I, for one, found it legitimately suspenseful throughout (and that even includes the lengthy single take set-up at the very beginning). Excellent performances, assured direction, effective use of limited locations - this film has everything going for it in addition to a familiar concept developed in a completely original and stimulating fashion.

    For the right audience, that is.
    6youngcollind

    Great atmospheric 80s feel, needlessly confusing storytelling

    I was in the mood for a heavy art flick, so I was already bracing myself for a lot of languid pacing and droning shots. Luz definitely scratched the itch and aesthetically I really enjoyed it. It feels very much like vintage Cronenberg, using 16mm film and a lot of well framed slow pans as well as a wonderfully moody synth score.

    The way the narrative is expressed is vague and nonlinear. I realize this is part of the overall style, but can't help but feel it was taken a step too far. I'll admit I lost track of what was going on at points, and it was only through digging online and re-watching scenes afterwards that I was able to piece it all together. It's aim isn't for "anything goes" surrealism, there's actually a cohesive plot that's steeped in horror/sci-fi tradition, you just gotta do some work to put it together. If you enjoy unravelling riddles, this might be up your alley, but I personally prefer films you can decipher on the first watch. At only 70 minutes, there certainly was room to spell things out a little bit without fully loosing the abstract edge.

    I've heard this was a student film, if so, great work, keep it up! I love your vibe, but can you help me out and explain things a little more next time?
    7stephenherman

    Intriguing. Great visuals. But...

    An impressive little artsy film. Some really haunting imagery. I personally just needed a little more story. I mean, it's there. There is a narrative thread in there, but I personally would have enjoyed a more flushed out story. Nevertheless, it's a intriguing watch. Definitely some things in here I've never seen before. Enjoyed it.
    5ericritter-01765

    Stylish, but No Heart

    The visual look of Luz is out of this world and has a vibe all its own. If you just happened upon this film on cable one night, you could easily think someone like Dario Argento had a hand in producing this at some point in the mid or late 80's. It has a gritty, 16mm aesthetic that's hypnotizing and makes the film hard to shake once its over. I only wish I could say the same about the threadbare story that does anything but linger with the viewer.

    Acting is strong across the board with everyone giving convincingly wild and bizarre performances and there are some great images that will stick with you, but Luz could have used a few more drafts of the script before it went into production. Also, at barely 70 minutes, there are moments of the film that seem endless. It's pretty lightweight in terms of story, but it's a great exercise in style and mood.

    Verwandte Interessen

    Daniel Kaluuya in Get Out (2017)
    Psychologischer Horror
    Mia Farrow in Rosemaries Baby (1968)
    Horror
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystery
    Cho Yeo-jeong in Parasite (2019)
    Thriller

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    FAQ15

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    Details

    Ändern
    • Erscheinungsdatum
      • 21. März 2019 (Deutschland)
    • Herkunftsland
      • Deutschland
    • Offizieller Standort
      • Official site (Germany)
    • Sprachen
      • Deutsch
      • Spanisch
    • Auch bekannt als
      • 超異能入侵
    • Drehorte
      • Köln, Nordrhein-Westfalen, Deutschland
    • Produktionsfirma
      • Kunsthochschule für Medien Köln (KHM)
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    Box Office

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    • Budget
      • 120.000 € (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 10 Min.(70 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.35 : 1
      • 2.39 : 1

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