The Last Tree

Yes it's slow, in the sense of no big explosions or high drama, but it keeps it's footing and draws you into the deeper story. A story of a young boy growing into a man and the trials and tribulations he goes through to get there. He starts off in an idyllic countryside setting, lots of friends, lots of fun outdoors, a loving Mother figure helping him learn right from wrong. His birth Mother comes to visit him and tells his foster Mother that she is working hard to get a place for herself and her son. This hits the Foster Mother hard, she loves the boy she has raised thus far and his real Mother is mostly unknown to him. His Mother comes to bring him to London, into a whole new world of strange food, strange home (with extra responsibilities), and no friends. It's the story of him trying to navigate drug dealers, bullies, and bad influences to come out with his self respect intact. I loved it. It's not for everyone maybe, but it was awesome to me. Very heartfelt and uplifting. It's a hard world he is thrown into, and don't we all know it!

People have compared this to Moonlight but I thought Moonlight was a lesser version of Boyhood, The Last Tree by comparison stands alone as a more thoughtful musing on the nature of identity, the struggle with being black in Britain (in all it's shades), and the nature of manhood, masculinity, and authority. Femi's struggle to find an identity that fits him is something that truly resonated with me and his threat to spiral into a life of violence is something all too real. I also really appreciated his visit to his homeland at the end, and a sense of connecting with something wholly alien and yet familiar at the same time. The writing was a tad spotty but the ability to engage in both timeless and timely themes, dealing with a segment of British society undervalued and underrepresented made this a truly moving picture.

A quiet and contemplative coming of age story that steers clear of "big" moments, with a focus more on the intimate and every day, The Last Tree is an impressive calling card for director Shola Amoo and lead actor Samuel Adewunmi.

There are many beats of Tree that feel familiar, outsider finds themselves in new surroundings, coming of age dramas and racial prejudices are all found here and are by no means wholly unique in their existence but Amoo's carefully considered telling of Adewunmi's Femi's trials and tribulations growing up in London with his Nigerian birth mother Yinka, after a seemingly idyllic childhood in the laid back countryside, is a film that appears to come directly from the heart.

Beautifully filmed and captured, when we first meet Femi as nothing more than a carefree member of a "wolf-pack" of youngsters, roaming the farmlands of their homes and caring little about the colour of skin or cultural differences we are very much caught in the spell of Femi's life, a life that is uprooted in stark visual and vibe contrasts when he is moved to London, a city far less welcoming to the love and nurture his come accustomed to in his early years.

From here Tree takes on a more generic storytelling arc as Femi battles to keep his head in school mode, while he battles relationship issues with his mother and the lure of a life of crime with local petty criminals who promise him brotherhood and financial gain should he care to join them in their way of life.

The tropes that are covered off in this time-frame of Femi's life don't create much in the way of surprises or unexpected plot turns but despite this and the fact we aren't always allowed access into Femi's subconscious and thought processes, Amoo's film is engaging throughout, highlighted by a strong finale that doesn't provide hard answers, but displays much with merely a simple hug or letting loose of one's inner torment by an animalistic yell.

In many ways the film's final section is representative of all that has come before it, a story that never feels the need to tell us everything or showcase every beat of its characters as it goes along its way, a film content with allowing its audience to discover its debatable intricacies for themselves as we get an insight into the nature of growing up around a society that doesn't always make it easy.

Final Say -

A strong independent offering that suggests its young director and star are ones to keep a very close eye on, The Last Tree is a polished human interest drama that is worth hunting down.

3 ½ blue braids out of 5

'The Last Tree (2019)' is certainly coloured in shades of 'Moonlight (2017)', taking inspiration from that award-winning flick in its story, structure, aesthetic and, even, final moments. It isn't some kind of 'rip-off', though; the similarity between the two texts is, essentially, circumstantial. This piece has its own distinct identity, telling a tale that's often left untold in a relatively bold and stylistic way. Sometimes, the very 'indie' nature of the production becomes rather evident. There are some movements in which the generally good performances aren't quite as refined as usual and a few directional choices don't pay off as well as you'd expect. Still, the film is typically confident and compelling. The narrative does feel kind of 'basic', I suppose, but it also touches on some themes that are rarely touched upon at all - such as the effect, and even existence, of shadeism, for example. Occasionally, it does accidentally conflate race with class and perceived quality of life, but I suspect that writer-director Amoo is just trying to reflect the world as he sees it and he's not wrong for doing so. The protagonist's journey is believable and engaging, providing several genuinely enjoyable scenes. There are times when it evokes the kind of nostalgia that seldom fails to tug at one's heart. Of course, it has its share of nastier sequences, too. Everything is quite subtle, relying on a gritty, realist tone that makes even the mundane seem impactful. Towards the end, the movie takes a slight detour and the pacing really slows. The content of this finale is good but it just feels 'tacked on', in a way, and takes you out of the flick's flow. It's not a massive deal, though. The experience is entertaining at large and succeeds in what it's trying to do. It's not brilliant, as it never reaches the levels of impact needed to glue you to your seat, but it's good enough. It's a decent effort. 6/10

This was such a fantastic film. The score and cinematography tied in beautifully with the story and Sam Adewunmi's acting was phenomenal. Still, the sound mixing struggled in places and some shots seemed forced in unnecessarily.