Eine Frau, die nach 10 Jahren in einer erstickenden Ehe mit einem Tech-Milliardär auf der Flucht ist, merkt plötzlich, dass ihr Mann ihr ein Überwachungsgerät ins Gehirn implantiert hat, mit... Alles lesenEine Frau, die nach 10 Jahren in einer erstickenden Ehe mit einem Tech-Milliardär auf der Flucht ist, merkt plötzlich, dass ihr Mann ihr ein Überwachungsgerät ins Gehirn implantiert hat, mit dem er jeden ihrer Schritte verfolgen kann.Eine Frau, die nach 10 Jahren in einer erstickenden Ehe mit einem Tech-Milliardär auf der Flucht ist, merkt plötzlich, dass ihr Mann ihr ein Überwachungsgerät ins Gehirn implantiert hat, mit dem er jeden ihrer Schritte verfolgen kann.
- Für 1 Primetime Emmy nominiert
- 1 Gewinn & 5 Nominierungen insgesamt
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This show was so good! A role we actually got to see "the Mother" in (same Actress plays "the Mother" in How I met your Mother). I want to see Christin Milloti in more and I want to see her projects thrive (Another favorite of hers is Palm Springs). Billy Magnussen is truly freaky as a tech mega millionaire Gogol. Such an interesting exploration of relationships, love, and technology, especially in this day and age, and from the perspective of the woman. This show highlights how nuanced interpersonal abuse is, that it is more than just violence and hostile language, but financial and emotional manipulation. So disappointed that HBO didn't give this show a proper chance, or push for it, and that they took it off HBO Max. There are people who like this show (and MINX) and we want to still be able to watch the shows on your platform!!
I've seen the first four episodes. My guess is the other reviewer has seen just the first episode. I don't think the pacing is a bit of a problem, but deeply flawed and makes for an unenjoyable experience. Also the show dropping the viewer into the middle of the timeline and going forward and backwards comes as an artificial and compensatory gimmick that makes a mess of the narrative. (that is not a spoiler it is obvious in the first 30 seconds)
The set up is pretty much dystopian rom-com, and it has been done better elsewhere. Really instead of subtle dark humor, the vibe is just generally a drawn out creepiness. This all comes down to bad writing. The acting is quite adequate. Yoeman talent level for TV acting. The lead actress overdoes the quirkily schtick just a bit much, but it looks like that is more bad directing than an acting problem. The dialogue and screenplay are not clever by golden age of TV standards. Not even a sliver or bronze effort. There is an unevenness and a lot of tedious sections. Once gets the sense that the writers take the audience for granted. 4/10.
The set up is pretty much dystopian rom-com, and it has been done better elsewhere. Really instead of subtle dark humor, the vibe is just generally a drawn out creepiness. This all comes down to bad writing. The acting is quite adequate. Yoeman talent level for TV acting. The lead actress overdoes the quirkily schtick just a bit much, but it looks like that is more bad directing than an acting problem. The dialogue and screenplay are not clever by golden age of TV standards. Not even a sliver or bronze effort. There is an unevenness and a lot of tedious sections. Once gets the sense that the writers take the audience for granted. 4/10.
Cristin Milioti plays the charismatic, yet acerbic Hazel in this creative non-linear story about the ethics of technology, agency and relationships. It is an extended Black Mirror episode, a union of The Collector (movie) and Upload (TV series), presented with a cynical, sinister core wrapped in flippant humour.
MfL tackles serious issues without being preachy or pulpit polemic and the half-hour episodes allow for a brisk pace and regular changes of tack. Ray Romano is fabulous as Hazel's father and his issues reflect Hazel's from a different viewpoint.
This is well worth the watch.
MfL tackles serious issues without being preachy or pulpit polemic and the half-hour episodes allow for a brisk pace and regular changes of tack. Ray Romano is fabulous as Hazel's father and his issues reflect Hazel's from a different viewpoint.
This is well worth the watch.
3 episodes in, I cannot think of anything negative to say.. The cast is solid, the production solid, the story (get ready) is entertaining, funny, interesting, timely, relevant, well done, well told and, unfortunately in a sense, necessary.
But if you disagree, I'd respect that.
But if you disagree, I'd respect that.
Sometimes a show that doesn't take itself too seriously and is weirdly (sci-fi) fun is entertaining escape from stress. The 3 main characters, Hazel, Byron, Hebert do some really good acting...that made a huge difference in making up for the few cheesy parts (most of the scenes with the nun). I laughed it off or didn't care about it and just let myself be entertained!
Wusstest du schon
- WissenswertesIn an April 2021 Collider interview by Liz Shannon Miller, show-runner Christina Lee and creator Alissa Nutting revealed that "Diane," the sex doll that is Herbert's "synthetic companion," is modeled after Nutting (who in addition to being one of the show's creators also wrote the source novel it is based on): "when it came time to pick out the doll, I decided to get my face cast for it. So, my face is actually Diane's face. That really extended that sense of, this is a person on set. I did it for, like, proprietary copyright reasons, and so that we weren't objectifying any doll that's based on another real person. I was game for any possible objectification that would occur. But we really wanted Diane to be thought of in the same way as all of our human cast members."
- VerbindungenFeatured in MsMojo: Top 10 HBO Max Shows You Should Be Watching (2021)
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