Dublin Murders

It's a very complex, multi layered mystery, there are lots of strands, and lots of jumping back in forth in time, so don't think you can watch this and fiddle with your phone, you have to concentrate as you could easily lose it.

It isn't going to be for everyone, because it is dark, it's bleak, and does contain some very tough to watch scenes. It has been criticised for being ambiguous, but I would argue that all loose ends are tied up, the last scene provides a lot of answers.

The only real dip comes in Part 6, the only episode I didn't like, the best, the following episode, as so often, it's the penultimate episode that I enjoyed most of all.

Terrific acting, Sarah Greene and Killian Scott are both incredible, they are well supported by a great cast.

I'm someone that always loves a continuation of a series, but in this instance I'd be disappointed if they brought it back, this needs to be left alone. Gripping, 8/10

A good start but it became apparent that this was really two unconnected plots shoehorned together. I note from the credits it was based on two books and this seemed to come through quite clearly in the TV adaptation. In the end the show dabbled with some supernatural elements but never had the courage to develop them or the writing to develop plot points that otherwise stretched all credulity. The suspension of disbelief was overcome by a sense of annoyance & the ending was an unsatisfactory cop out with both plot lines left with significant gaps. It was atmospheric & technically well put together but ultimately the writing wasn't strong enough. There were also far too many flashbacks which became intrusive & seemed like unnecessary padding.

To the person who reviewed this and didn't even watch it. You base your review on the plot description, you people are ruining IMBd for everyone else. Please don't review titles if you have not even watched it. Good start to this show.

If I hadn't recently read both books I think this would have been even more confusing. This series takes liberal adaptations in order to shoehorn both stories concurrently into one series. There is a nice symmetry between the storylines, of abandoned children and the aftermath. And loss.

I'm a big fan of Tana French, especially "The Likeness" so I'll focus on that story line; I enjoyed seeing how others envision the characters, and above all, that manor house of Whitethorn. The novel lets you worm your way into Lexie's head and it's seductive. However, film gives us those atmospheric images of Ireland: lush green, dark and sinister woods, and that manor house. The dialog, the Irish slang and accents are terrifiic; fast, sharp, and wickedly smart.

Read the books, especially "The Likeness."

This show has been very up and down by pretty much every metric. The pace seems to speed up and slow down, with long stretches of very little happening but then new developments frantically thrown into the mix. I understand the producers crammed two books into one series which accounts for the weird pacing, and two investigations happening (which gets confusing and they bog each other down). The script also had some well-written funny moments, but then the very next scene will feature horrible dialogue. Hard to blame the actors, who do a good job in the main, but a lot of their emotions seem turned up to 11 all the time, which is exhausting and not hugely realistic. The characters' behaviour is downright bizarre at times. Coppers lose their rag constantly and seem to have no idea how to run an investigation that is remotely effective or follows any kind of professional standards. The plotting is also all over the place and requires some pretty major suspension of disbelief over daft left turns and enormous coincidences. All that said, I find myself needing to watch the final episode to see if they can wrap it all up in a way that isn't either a total cop-out or just a daft resolution that comes out of left field.