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IMDbPro

Mirada de cristal

  • 2017
  • 1 Std. 22 Min.
IMDb-BEWERTUNG
5,7/10
234
IHRE BEWERTUNG
Mirada de cristal (2017)
Horror

Füge eine Handlung in deiner Sprache hinzuBuenos Aires, 1985. It's the first anniversary of the death of Alexis Carpenter, the unstable supermodel who died tragically when she was set on fire while closing a runaway show. Lucia L'uc... Alles lesenBuenos Aires, 1985. It's the first anniversary of the death of Alexis Carpenter, the unstable supermodel who died tragically when she was set on fire while closing a runaway show. Lucia L'uccello - Editor-in-Chief of the most important magazine in Buenos Aires - chooses supermode... Alles lesenBuenos Aires, 1985. It's the first anniversary of the death of Alexis Carpenter, the unstable supermodel who died tragically when she was set on fire while closing a runaway show. Lucia L'uccello - Editor-in-Chief of the most important magazine in Buenos Aires - chooses supermodels Eva Lantier and Irene del Lago to honor Alexis on the cover of the anniversary issues d... Alles lesen

  • Regie
    • Ezequiel Endelman
    • Leandro Montejano
  • Drehbuch
    • Ezequiel Endelman
    • Leandro Montejano
  • Hauptbesetzung
    • Silvia Montanari
    • Anahí Politi
    • Erika Boveri
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,7/10
    234
    IHRE BEWERTUNG
    • Regie
      • Ezequiel Endelman
      • Leandro Montejano
    • Drehbuch
      • Ezequiel Endelman
      • Leandro Montejano
    • Hauptbesetzung
      • Silvia Montanari
      • Anahí Politi
      • Erika Boveri
    • 5Benutzerrezensionen
    • 37Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Fotos7

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    Topbesetzung27

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    Silvia Montanari
    Silvia Montanari
    • Lucía L'uccello
    Anahí Politi
    • Eva Lantier
    Erika Boveri
    • Irene del Lago
    Ernesto Claudio
    Ernesto Claudio
    • Antón Dubois
    • (as Claudio Armesto)
    Valeria Giorcelli
    • Bárbara Lager
    Camila Pizzo
    • Alexis Carpenter
    Diego Benedetto
    • Matías Carpenter
    Nacho Joshas
    • Hernán Carpenter
    Adriana Salgueiro
    Adriana Salgueiro
    • Ofelia Della Fontaine
    Nerina Balza
    • Ursula Valdés
    Lux Valladolid
    • Greta Gavin
    Agustina Del Rosal
    • Nadia
    Victoria del Rosal
    • Nidia
    • (as Victoria Del Rosal)
    Claudia Lapacó
    Claudia Lapacó
    • Dra. Alves
    Diana María
    • Bianca Domani
    Fanny Mandelbaum
    • Manny Fandel
    Silvia Fernández Barrio
    • Angela Fletcher
    Adriana Pregliasco
    • Sra. Garner
    • Regie
      • Ezequiel Endelman
      • Leandro Montejano
    • Drehbuch
      • Ezequiel Endelman
      • Leandro Montejano
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen5

    5,7234
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    Empfohlene Bewertungen

    6nick121235

    great

    Definitely one of the better neo gialli. There were a few details that took me out of the time period but overall this felt very true to the 80s, more than most big budget throwbacks, and did a great job recapturing that giallo vibe and style. It's also very interesting that they opted to look back at 80s gialli rather than 70s (although they took cues from several of the latter as well) seeing as how 80s films of that type were usually less highly regarded and the trend was over, meaning less of them were being made. Most neo gialli are set in the 70s so this is definitely something new. It has a very obvious low budget which was a bit disappointing as one of the main keys of the subgenre is lavish and opulent set design but they did a good job nonetheless, going for the art noveau style of argento's most popular period. That last building was the real thing though, and gorgeous.
    6thomasellery

    Camp cult and colourful

    Think Susperia on a low budget but as Ru Paul runway challenge and you have this movie.

    This one is all about its style, even our serial killer is voguing whilist they stalk. For the most part they pull this off. The outfits are great. The set design although low budget, completely ooozes 80's Italian horror and they really did a good job on the use of colour.

    The kills and the acting are a bit of a let down. Kind of a stand there and scream whilst you are stabbed. However they do the set up each one really stylish, it's just the final executions that are a bit lame. (Death by wings is excluded from this - that was a goody).

    I did find it hard to remember which character was which and I cared more about their wardrobe than their safety.

    I loved the aesthetics, the America's Next Top Serial Killer look and turning walking down the street into a runway experience.

    Not so keen on the over all story or script - it's worth a watch just to play spot the Suspiria references, but visually it impressively holds it own as well.

    If I was an influencer I'd copy its look for my Halloween story, but as a movie watcher and horror fan, I'm glad I saw it but I wouldn't go out of my way to watch it again.
    BA_Harrison

    An homage to gialli of the '80s.

    Crystal Eyes is a homage/pastiche of the giallo -- not so much the classic '70s movies of Argento, Bava and Martino, but rather the glossy, somewhat tacky '80s music-video-inspired efforts that went straight to video: films such as Too Beautiful To Die, Nothing Underneath, and Fulci's Murder Rock, which were set in the world of high fashion, populated by semi-clad women sporting big hair and bad make-up, swathed in neon and smoke, the action accompanied by a pop/rock synth soundtrack.

    Directors Ezequiel Endelman and Leandro Montejano get the aesthetic spot on, and add knowing nods to the classics of the genre to please avid fans. The killer is particularly impressive, dressed as a mannequin and striking model poses whilst pursuing the staff and models working at fashion magazine Atilla. If I have one complaint, it's that the murders aren't very elaborate: they're staged well enough, with plenty of blood (the throat slashings are juicy), but they lack imagination -- at least until the ending, where a woman is impaled by a large crystal bird ornament (geddit?). More of that would have been good.

    Verwandte Interessen

    Mia Farrow in Rosemaries Baby (1968)
    Horror

    Handlung

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    Wusstest du schon

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    • Wissenswertes
      [Seen in the drawer] The book "Alfred Hitchcock presenta Prohibido a Los Nerviosos" is the 1973 Bruguera 3rd edition.
    • Verbindungen
      References Das Geheimnis der schwarzen Handschuhe (1970)

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 31. August 2018 (Deutschland)
    • Herkunftsland
      • Argentinien
    • Offizieller Standort
      • Official Facebook (Argentina)
    • Sprache
      • Spanisch
    • Auch bekannt als
      • Crystal Eyes
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    Technische Daten

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    • Laufzeit
      • 1 Std. 22 Min.(82 min)
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