Füge eine Handlung in deiner Sprache hinzuTwo oddball Berliners discover the abandoned appendages of a mannequin. Separately, and with grotesque consequence, they come to terms with their disjointed mate.Two oddball Berliners discover the abandoned appendages of a mannequin. Separately, and with grotesque consequence, they come to terms with their disjointed mate.Two oddball Berliners discover the abandoned appendages of a mannequin. Separately, and with grotesque consequence, they come to terms with their disjointed mate.
- Auszeichnungen
- 8 wins total
Miklos Königer
- Trashman
- (Archivfilmmaterial)
- …
Henry Akina
- Dress Shop Owner
- (Archivfilmmaterial)
- …
Sushila Day
- Mannequin Arm
- (Archivfilmmaterial)
- …
Emil Kio
- Lady in Dress Shop
- (as Kio)
- …
Empfohlene Bewertungen
In Michael Bartlett's haunting feature, "The Berlin Bride" we enter a strange new world, not unlike the one David Lynch brought us to in "Eraserhead," some 40 years ago. The visual aesthetic that inhabits the film, truly makes it feel out of time, like we're watching a long-lost 70's film that has just been unearthed. The art direction and set design was also very impressive - so many rich details to pour over, like a single egg in the refrigerator or a stack of VHS tapes next to a naked Barbie doll. There were even moments where "Stalker" came to mind, when the characters were walking outside, and the outside world (trees, old apartment buildings) had a sort of unwordly feel to them. Definitely for fans of the occult and strange, but also for anyone looking for something a little bit different.
The film is a crazy ride of loneliness, jealousy, betrayal and loss... but told in an almost upside down way, with the female lead being played by a mannequin. There is nothing predictable about this film. It pays homage to many art films of old, and is clearly helmed by a very talented director.
I enjoyed this film but be warned it is not for everybody. If you don't enjoy surreal, off the wall art films than this is not for you. If you have never watched a film in the genre, you should give it a try. A potential cult classic.
I enjoyed this film but be warned it is not for everybody. If you don't enjoy surreal, off the wall art films than this is not for you. If you have never watched a film in the genre, you should give it a try. A potential cult classic.
This charming and beautiful fairytale of a movie tells its story in an unusual fashion. Our attention gets drawn to every day sights and sounds that are put together in a way that lets us rethink our own perception.
This works out particularly well because there is hardly any dialogue.
The contrast between the unique subject matter and the quiet dramaturgy is quite compelling and the music very much adds to the dreamlike quality.
Let this film take you on a wild journey and within the strange Berlin city life you will find the beauty of a fairy tale.
This is very much an art house film, but with a strong and compelling narrative. The sparse use of dialogue, the 4:3 aspect ratio that's acknowledged by the curtains ...and the freaking cat which I love!!!... celebrates the medium of film.
If you ever took a film class in college, or ever deep-dived at a film festival, you'll not only appreciate this film, but you're sure to enjoy it too.
If you ever took a film class in college, or ever deep-dived at a film festival, you'll not only appreciate this film, but you're sure to enjoy it too.
What an interesting vision of Berlin in what seems like the 80s. Each shot, from the first to the last, was unique to the film's vision. I absolutely love the haunting soundtrack, with gorgeous violin lines throughout. What grace we see in both the music as well as the visuals of all of the hands that make up this story. There is a beautiful blend throughout the film of non-diegetic sound that becomes diegetic. This is done seamlessly. Amazing job throughout!!
Wusstest du schon
- WissenswertesSteve Buscemi, visiting Berlin with his girlfriend at the time, spent a quiet evening alone with Bartlett reviewing early footage of what would become today's The Berlin Bride. Bartlett's apartment was on Seesener Strasse, No. 23, where the young director not only lived but also where most of the film's interiors were shot. Buscemi, a street performer and off-Broadway actor at that time, sat with Bartlett on the carpet, a few beers between them, watching the rough 16mm footage Bartlett had copied to VHS tapes for review. Bartlett was preparing for another project when a friend, who had caught Buscemi performing in New York, thought he might be good for the lead in the new film. Nothing ever came of the new project, just good memories of a fun evening in West Berlin.
- VerbindungenEdited from Konzert für die rechte Hand (1987)
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