IMDb-BEWERTUNG
6,2/10
3336
IHRE BEWERTUNG
Nina ist eine Stand-Up-Comedianin, die ihr Leben auf den Kopf stellt, als sie Rafe trifft.Nina ist eine Stand-Up-Comedianin, die ihr Leben auf den Kopf stellt, als sie Rafe trifft.Nina ist eine Stand-Up-Comedianin, die ihr Leben auf den Kopf stellt, als sie Rafe trifft.
- Auszeichnungen
- 3 Nominierungen insgesamt
Empfohlene Bewertungen
An honest and moving film. Winstead is the heart of this performance. Do not miss it.
Nina Geld (Mary Elizabeth Winstead) is a troubled standup comic in New York City. She's in an abusive sexual relationship with married obsessive cop Joe (Chace Crawford). She finally decides to escape to Hollywood to audition for a comedy show. She lives with weird west coast type Lake (Kate del Castillo). She gets picked up by nice guy Rafe (Common).
I really like the New York part of the movie. It's dark and troubled. Nina is damaged and Winstead is better than expected. I like her standup. While it's not truly funny, it does highlight her anger issues. Then she heads out to the west coast. Lake is a Hollyweird stereotype. I can live with her. The more problematic character is Rafe. Common is playing too straight and nice. In a way, he's too bland and the initial meeting is a little creepy. The movie tries to do something with Ganja but that actress is doing a comedy bit. Rafe also has some false notes injected into him. The punch feels like a fake incident intended on generating drama. If it wants to do real drama, Joe would get his police brothers to put Rafe in jail. I am a little uncertain about this movie like Larry Michaels. It's a compelling character study. Winstead surprised me with her performance.
I really like the New York part of the movie. It's dark and troubled. Nina is damaged and Winstead is better than expected. I like her standup. While it's not truly funny, it does highlight her anger issues. Then she heads out to the west coast. Lake is a Hollyweird stereotype. I can live with her. The more problematic character is Rafe. Common is playing too straight and nice. In a way, he's too bland and the initial meeting is a little creepy. The movie tries to do something with Ganja but that actress is doing a comedy bit. Rafe also has some false notes injected into him. The punch feels like a fake incident intended on generating drama. If it wants to do real drama, Joe would get his police brothers to put Rafe in jail. I am a little uncertain about this movie like Larry Michaels. It's a compelling character study. Winstead surprised me with her performance.
"All About Nina" (2018 release; 98 min.) brings the story of Nina, a struggling stand-up comedian looking to break through. As the movie opens, Nina is doing a very R-rated gig in New York, and afterwards we see her with her abusive (and married) boyfriend. Nina decides that she needs a complete change of scenery, and moves to LA. After her first stand-up show there, she gets to know Rafe, a guy who seems to be too good to be true.... At this point we are 10 min. into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this is the feature film writing and directing debut of Eva Vives (from Spain). Here, she takes some of her own life experiences and turns them into what initially appears to be a very raunchy comedy. However, the movie changes gear several times. As Nina (who claims she doesn't date) and Rafe get to know each other better, Nina finds herself in a confused spot."You keep being honest, what is wrong with you?", Nina exasperates early on. Later, Nina confesses to a friend that "He's just the right amount of screwed-up". Yet deeper into the movie, we find out more about Nina... All of this might be a bit too much or even suspicious, if it weren't for the dazzling performance of Marie Elizabeth Winstead as Nina. She leaves it all out there (literally) for this role. Common plays the mysterious Rafe a little too aloof in my book. The stand-up scenes (of which there are quite a few) feature both Nina and a number of other wannabe's and are quite good actually. Bottom line: this lil' movie turns out to be quite the character study (as deeply flas as that character may be), with along the way quite a few raunchy stand-up comedy.
"All About Nina" premiered at this year's Tribeca Film Festival, and it finally opened at my local art-house theater here in Cincinnati this past weekend (for a limited 1 week run, according to the theater). The Sunday early evening screening was attended so-so (about 10 people). That's a shame, but maybe the movie will do better when it opens on other platforms. If you are interested in a character study that is at times dark and at times raunchy funny, I'd readily suggest you check this out, be it at the theater (if you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.
Couple of comments: this is the feature film writing and directing debut of Eva Vives (from Spain). Here, she takes some of her own life experiences and turns them into what initially appears to be a very raunchy comedy. However, the movie changes gear several times. As Nina (who claims she doesn't date) and Rafe get to know each other better, Nina finds herself in a confused spot."You keep being honest, what is wrong with you?", Nina exasperates early on. Later, Nina confesses to a friend that "He's just the right amount of screwed-up". Yet deeper into the movie, we find out more about Nina... All of this might be a bit too much or even suspicious, if it weren't for the dazzling performance of Marie Elizabeth Winstead as Nina. She leaves it all out there (literally) for this role. Common plays the mysterious Rafe a little too aloof in my book. The stand-up scenes (of which there are quite a few) feature both Nina and a number of other wannabe's and are quite good actually. Bottom line: this lil' movie turns out to be quite the character study (as deeply flas as that character may be), with along the way quite a few raunchy stand-up comedy.
"All About Nina" premiered at this year's Tribeca Film Festival, and it finally opened at my local art-house theater here in Cincinnati this past weekend (for a limited 1 week run, according to the theater). The Sunday early evening screening was attended so-so (about 10 people). That's a shame, but maybe the movie will do better when it opens on other platforms. If you are interested in a character study that is at times dark and at times raunchy funny, I'd readily suggest you check this out, be it at the theater (if you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.
This movie was alright, it featured strong performances from the lead actors but ultimately ends up falling short of its potential.
It has a few chuckles throughout but plays out as more of a romantic drama than any form of an actual comedy. By trying to navigate between multiple genres, it loses potency in both.
Also, while Mary Elizabeth Winstead does an excellent job in her role, Nina is written as such a profoundly unlikeable character that it makes it somewhat difficult to empathize with her even after the big twist.
Common also does a great job with his role but his character comes across as more of a Dogged Nice Guy trope than a realistic depiction of a person.
It has a few chuckles throughout but plays out as more of a romantic drama than any form of an actual comedy. By trying to navigate between multiple genres, it loses potency in both.
Also, while Mary Elizabeth Winstead does an excellent job in her role, Nina is written as such a profoundly unlikeable character that it makes it somewhat difficult to empathize with her even after the big twist.
Common also does a great job with his role but his character comes across as more of a Dogged Nice Guy trope than a realistic depiction of a person.
Saw Mary Winstead in Brain Dead, which is the only reason I watched this film. She absolutely killed it in that role, so there was a lot of good will and openness for me going in. 6/10 is generous, but for some reason I still like her.
For starters, she was playing a stand-up comic and I didn't think she was all that funny, and to go out of your way to bring up gross images that are supposedly funny regarding women may be part of the point of the film, but I didn't like it at all. Maybe women try to be as gross as men with comedy, I don't know 'cause I don't go to comedy clubs, the other female comediennes seemed to be going for that effect as well.
And, once again, maybe this was deliberate, but to have her pacing around topless in her apartment rehearsing for her act was a real turn off. I would guess that 10% of the population at large looks good naked or nearly naked (at least for me), and it takes away somewhat from my seeing her as attractive, as in an attractive leading lady. Guys are guys (unfortunately, I wish I wasn't so affected by the visual), but a film is a visual medium, I didn't appreciate having that bit of mystic removed.
That it was revealed this film was a vehicle for victims of abuse towards the end explained alot. But overall, I didn't feel that much for this character, I didn't feel like I got to know her, just saw mostly her acting out and having a very defensive approach to life- overall something women may relate to more, but it sure wasn't entertaining.
For starters, she was playing a stand-up comic and I didn't think she was all that funny, and to go out of your way to bring up gross images that are supposedly funny regarding women may be part of the point of the film, but I didn't like it at all. Maybe women try to be as gross as men with comedy, I don't know 'cause I don't go to comedy clubs, the other female comediennes seemed to be going for that effect as well.
And, once again, maybe this was deliberate, but to have her pacing around topless in her apartment rehearsing for her act was a real turn off. I would guess that 10% of the population at large looks good naked or nearly naked (at least for me), and it takes away somewhat from my seeing her as attractive, as in an attractive leading lady. Guys are guys (unfortunately, I wish I wasn't so affected by the visual), but a film is a visual medium, I didn't appreciate having that bit of mystic removed.
That it was revealed this film was a vehicle for victims of abuse towards the end explained alot. But overall, I didn't feel that much for this character, I didn't feel like I got to know her, just saw mostly her acting out and having a very defensive approach to life- overall something women may relate to more, but it sure wasn't entertaining.
Wusstest du schon
- WissenswertesNina's last name is "Geld," which means 'to castrate a male animal,' which reflects much of her emotions toward men.
- PatzerAt about 09:30, Nina gets into New York City taxi 9T58 and emerges from taxi 9X24 at her destination.
- VerbindungenReferences Die Faust im Nacken (1954)
- SoundtracksHow Many Times
Performed by Patti LaSalle
Courtesy of Fervor Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Chuyện Về Nina
- Drehorte
- New York, USA(Washington Square Park)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 100.335 $
- Eröffnungswochenende in den USA und in Kanada
- 26.468 $
- 30. Sept. 2018
- Weltweiter Bruttoertrag
- 100.335 $
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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