Als sich in einem Stadtteil von Buenos Aires merkwürdige Dinge ereignen, beschließen eine Ärztin, die gleichzeitig auch Parapsychologin ist, ihr Kollege und ein Ex-Polizeibeamter, weitere Na... Alles lesenAls sich in einem Stadtteil von Buenos Aires merkwürdige Dinge ereignen, beschließen eine Ärztin, die gleichzeitig auch Parapsychologin ist, ihr Kollege und ein Ex-Polizeibeamter, weitere Nachforschungen anzustellen.Als sich in einem Stadtteil von Buenos Aires merkwürdige Dinge ereignen, beschließen eine Ärztin, die gleichzeitig auch Parapsychologin ist, ihr Kollege und ein Ex-Polizeibeamter, weitere Nachforschungen anzustellen.
- Auszeichnungen
- 3 Gewinne & 8 Nominierungen insgesamt
Maximiliano Ghione
- Comisario Funes
- (as Maxi Ghione)
George L. Lewis
- Rosentock
- (as George Lewis)
Natalia Señorales
- Clara
- (as Natalia Señoriales)
Fernando Díaz
- Razzioni
- (as Fernando Diaz)
Fabián Forte
- Enfermero Fulero
- (as Fabian Forte)
Empfohlene Bewertungen
Jam-packed with genuinely effective & downright terrifying jump scares, Terrified (also called Aterrados) doesn't waste any time in bringing the horror element into play and is unsettling from its opening moments. The plot & characters are barely serviceable and yet when it comes to scaring the audience, it is a relentless assault on the senses.
Written & directed by Demián Rugna, the film is far more interested in leaving its viewers a startled mess instead of refining its story or fleshing out the characters. The set-up is simple, pacing is brisk, and instead of steadily escalating the tension by gradually intensifying the paranormal activities, Rugna introduces it on screen in full measure from the beginning.
Much of the explanation regarding ghost encounters rarely makes sense but one is less inclined to be bothered by it when it keeps throwing an endless barrage of frights with zero respite. Still, the middle & final acts fail to enrich the experience further and it is never clear about who is supposed to be the main character here. As for its atmosphere & sound, both aspects are praiseworthy.
Overall, Terrified manages to leave most of its audience in the titular state, and is a fast, frenetic & frightening chiller that unleashes absolute terror with its spooky imagery and leaves a lasting mark in the scary department. A stronger narrative & compelling characters would've benefitted it some more but what it set out to do, it delivers that in terrifying doses. In short, this Argentinian horror is worth a shot.
Written & directed by Demián Rugna, the film is far more interested in leaving its viewers a startled mess instead of refining its story or fleshing out the characters. The set-up is simple, pacing is brisk, and instead of steadily escalating the tension by gradually intensifying the paranormal activities, Rugna introduces it on screen in full measure from the beginning.
Much of the explanation regarding ghost encounters rarely makes sense but one is less inclined to be bothered by it when it keeps throwing an endless barrage of frights with zero respite. Still, the middle & final acts fail to enrich the experience further and it is never clear about who is supposed to be the main character here. As for its atmosphere & sound, both aspects are praiseworthy.
Overall, Terrified manages to leave most of its audience in the titular state, and is a fast, frenetic & frightening chiller that unleashes absolute terror with its spooky imagery and leaves a lasting mark in the scary department. A stronger narrative & compelling characters would've benefitted it some more but what it set out to do, it delivers that in terrifying doses. In short, this Argentinian horror is worth a shot.
Seriously, this movie is one of the best horror films in years. It was a great and scary surprise when i watched on the theatre (i never except nothing of a horror movie).
I hope this movie can be released in other countries, it worth it. By the way, the plot did not answer all of the questions the movie created, so I am waiting for the second part. Please producers and director, do not let me down.
Actually not just thinking. But you do have to bend your mind to follow this movie. If you want to that is. Because it really is freaky and makes quite a story. The characters don't seem to know where this is going and as a viewer you may feel lost quite a few times.
The horror feels real and might get to you. Especially because it is so hard to grasp. You can't really tell where it will be coming from, where it will be going. Add to that an enhanced sense of dreadness. The photography and sound design is amazing. Having said all that, it still will bore some people. People who like flashy jump scares. This is not ordinary, which may either be considered good or bad. I think movies that take risks are worth watching, especially when they are done so well ...
The horror feels real and might get to you. Especially because it is so hard to grasp. You can't really tell where it will be coming from, where it will be going. Add to that an enhanced sense of dreadness. The photography and sound design is amazing. Having said all that, it still will bore some people. People who like flashy jump scares. This is not ordinary, which may either be considered good or bad. I think movies that take risks are worth watching, especially when they are done so well ...
This is a really enjoyable, strange, low-key horror film from Argentina. Many scenes are filmed in a sickly yellow light, and the horrific prosthetics are often *just* out of focus. When they are dwelt upon, they look truly horrific.
The story, as has been said elsewhere, comes second to the scares - which is acceptable for the most part, because the film *is* scary, both in terms of jump scares and the overriding feeling of unease, which is beautifully conveyed.
The narrative sometimes descends into a tumble, with it being made unclear which moments are being told in flashback, and which characters to invest in. Truth be told though, this might even be deliberate to enhance the delirium.
A terrific film; happily, both a remake and an Argentinean sequel appear to be in the works. My core is 8 out of 10.
The story, as has been said elsewhere, comes second to the scares - which is acceptable for the most part, because the film *is* scary, both in terms of jump scares and the overriding feeling of unease, which is beautifully conveyed.
The narrative sometimes descends into a tumble, with it being made unclear which moments are being told in flashback, and which characters to invest in. Truth be told though, this might even be deliberate to enhance the delirium.
A terrific film; happily, both a remake and an Argentinean sequel appear to be in the works. My core is 8 out of 10.
Ahh, a breath of fresh air! Can you feel it too? You the one about to read some movie info in order to make the best decision: see it or not?
Of course you have to see it! Even its name is on point, as it seriously delivers a massive quantity of fear and panic.
I can't go into too many details with this one as I fear i might ruin it for you, so just understand that it is a big step up from your average horror/supernatural, with lovely elements from both worlds, combined into a small gem.
Aterrados is proof that Latin countries are starting to develop better horror than our casual Hollywood productions, because if you put this next to Silent House (Uruguay) and a big list of Mexico and Spanish movies, well, the future looks bright and world wide.
Cheers!
I can't go into too many details with this one as I fear i might ruin it for you, so just understand that it is a big step up from your average horror/supernatural, with lovely elements from both worlds, combined into a small gem.
Aterrados is proof that Latin countries are starting to develop better horror than our casual Hollywood productions, because if you put this next to Silent House (Uruguay) and a big list of Mexico and Spanish movies, well, the future looks bright and world wide.
Cheers!
Wusstest du schon
- WissenswertesWhen Juan mentions to Clara that the dog they ran over turned up to be alive, he says that the animal was like 'Highlander'. This is a metaphor for "eternal", much like the character from the film Highlander: Es kann nur einen geben (1986).
- PatzerAt 13m 45s when Walter lays back onto his bed, a boom mic becomes visible in the reflection of the mirror behind him.
- Zitate
Comisario Funes: Don't ever turn off the lights again.
- VerbindungenFeatured in Cineficción Radio: Horror cósmico (2020)
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Details
Box Office
- Weltweiter Bruttoertrag
- 367.173 $
- Laufzeit
- 1 Std. 27 Min.(87 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39:1
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