Skate Kitchen

This film shows young women shredding on skateboards as well as forming friendships with other young women. It's great to see independent films like these that show girls doing something strong and powerful and in a very male-dominated arena.

2018 is turning out to be a great year for skateboarding films. Bing Liu's "Minding the Gap" was an unrelentingly honest take on the violent family situations that often surround young skateboarders (everyone should see it!), Jonah Hill's directorial debut "Mid90's" looks like it'll be kickass, and now we have Crystal Moselle's "Skate Kitchen", which is an energetic and funny story about a group of real-life skateboarding crew of girls in NYC. This film felt like a semi-documentary, as all of the girls in the film appear to be playing themselves, recreating moments that have been posted on their active social media accounts. Living in NYC myself, it was refreshing to see a film that didn't use the typical aerial establishing shot of the city every time the scene changed. Everything related to the setting felt grounded rather than self-indulgent, as if the director was set on creating a mood that felt like a valid New York experience. Riding the subway, dealing with random catcallers, and dodging the incessant traffic of the streets, it all feels authentic. However, while the mood and visuals of the film remain consistently great, the story beats are unfortunately not as strong. The two big emotional conflicts in the film are essentially solved off-screen, and it feels like a missed opportunity to flesh out the awesome theme of positive relationships between women. It could be said that the director was making a point about how the struggles of our youth are often blown out of proportion and easily solved, but in practice it sometimes messed with the flow of the movie, at least for me. Basically, it was somewhat distracting to have the emotional plotline simmering in the background of a movie that was otherwise wildly fun, only for it to be solved with minimal effort. However, where the drama aspect of the movie falls short, that actual friendship and chemistry between the girls of the movie is so on point, it's basically worth the price of admission. The skate crew jokes around about things that are exclusive to women, has fun messing around in skate parks, and overall are just entertaining to be around. "Skate Kitchen" was a fun ride that felt progressive as a non-exploitative celebration of female friendships, and I wish there were more films like it.

Also Jaden Smith is in this movie and acts exactly how you'd expect him to act. I can't stress how fun/funny this movie is. If you can deal with a lack of dramatic payoff and you like to have fun, go see this movie.

Skate Kitchen is a decent coming-of-age film for young women in their late teens/early 20s. It doesn't have much of a plot or a story, but that won't bother the target audience. While it wasn't for me, it will suit some just fine.

//Revelation Film Festival Review//

Watching Skate Kitchen is like reconnecting with a group of friends you haven't seen for ages but upon meeting up its like not even a day has passed. It's a breezy, relentlessly entertaining coming of age story that's a delight to watch.

Set amongst the New York subculture, the story focuses on Camille (newcomer Rachelle Vinberg), an 18 year-old Long Island teen who runs away from home to join a female skateboarding posse called Skate Kitchen. Connecting with the group as a kindred spirit, Camille struggles to reconcile her strained relationship with her mother with her newfound sense of belonging. Much like this year's best picture nominee Lady Bird, Skate Kitchen will prove instantly relatable to anyone who struggled to fit in during their formative years.

'Skate Kitchen (2018)' can be slow and it tends to meander but there's almost constantly a palpable sense of chemistry between its core players, the eponymous 'Skate Kitchen' (who each essentially play fictionalised versions of themselves). There's also a tangible, quite inviting atmosphere that perforates pretty much every scene, from the subtle and harmonious moments to the brash and loud ones. The flick falls into the category of film where the plot essentially comes second to the characters, as we're pretty much just put in the same space as them and allowed to experience what they do and how they feel when they're at they're most vulnerable. This works wonders purely because it all feels markedly 'real', not to mention suitably inclusive. This is helped by the fact that everyone except Jaden Smith does their own skating and that it's all suitably impressive, to boot. Everything just feels somewhat relaxed and it's easy to get drawn into the world. However, the narrative does wrap itself up pretty quickly and conventionally in a way that doesn't feel all that natural to what was previously established. There is also some unfortunate glamorisation of drug use. The experience isn't exactly riveting, either, even if it's usually engaging and generally entertaining. 7/10