IMDb-BEWERTUNG
7,3/10
2846
IHRE BEWERTUNG
Der Dokumentarfilmer Talal Derki und sein Kameramann Kahtan Hasson begleiten den Alltag von Clan-Chef Abu Osama und seiner Familie über einen Zeitraum von ungefähr zwei Jahren im salafistisc... Alles lesenDer Dokumentarfilmer Talal Derki und sein Kameramann Kahtan Hasson begleiten den Alltag von Clan-Chef Abu Osama und seiner Familie über einen Zeitraum von ungefähr zwei Jahren im salafistischen Nordwesten Syriens.Der Dokumentarfilmer Talal Derki und sein Kameramann Kahtan Hasson begleiten den Alltag von Clan-Chef Abu Osama und seiner Familie über einen Zeitraum von ungefähr zwei Jahren im salafistischen Nordwesten Syriens.
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In the post-9/11 world that we all live in, there is a lot of talk thrown around about jihadism. Some of it in historical context, some of it in war-mongering context, and pretty much everything in between. However, one thing that rarely (if ever) gets scene is the day-to-day life activities of people who consider themselves to be jihadists. That is what documentarian Talal Derki accomplishes, somewhat remarkably, in "Of Fathers and Sons".
The setup to this documentary is that Derki returns to his homeland of Syria (where he was born) under the pretense of being a "war photojournalist" and is harbored by Abu Osama and his family. In reality, though, his goal is to film this subversive doc and give viewers a portrait of jihadist life in Syria.
Besides opening and closing narrations, this entire film is presented essentially "without comment". The camera never turns back to Derki or includes any sort of monologue or opinion on the matters at hand. That is completely left up to the viewer, and in this case there is much to think about.
On one hand, it is easy to see why this type of lifestyle could be considered "backwards" or misconstrued into hatred. Abu names his son Osama in honor of the 9/11 attacks, an immediate window into the Osama family outlook. One's entire lifespan seems to be devoted to a war cause, women are nonexistent at best and heavily persecuted at worst, while the children are raised in an environment of constant bullying and physical confrontation. One gets the sense that these people are sort of "brainwashed into their cause" with no hope for peace even existing.
But then, there is the more human side of things portrayed just as stark. Despite harboring ideologies that are likely extremely different (if not usually outright offensive) to most Americans, Abu clearly loves his children and they him. After experiencing one instance of severe physical hardship, Abu comforts his children as they weep for him. His two oldest sons eventually are sent off to a military camp, and I challenge any viewer not to feel at least something as they cry themselves to sleep at night.
In the end, I think the hallmark of "Of Fathers and Sons" is the humanizing effect it has on jihadists. Am I completely sympathetic to their cause? Absolutely not. However, inside access like this does indeed show them to be individuals capable of love and emotion. I would argue they are extremely misguided in many key ways, but yet still human down at their base level.
So often, America/Islam relations are all about "us vs. them", and often for good reason (wars have been perpetuated by both sides of that coin). What Derki shows here, though, is that it truly is only political/theological ideology that separates "us from them". Strip down the layers to the barest human selves, and you'll find yourself caring for their plight (self-inflicted as it may be) perhaps more than you ever realized.
The setup to this documentary is that Derki returns to his homeland of Syria (where he was born) under the pretense of being a "war photojournalist" and is harbored by Abu Osama and his family. In reality, though, his goal is to film this subversive doc and give viewers a portrait of jihadist life in Syria.
Besides opening and closing narrations, this entire film is presented essentially "without comment". The camera never turns back to Derki or includes any sort of monologue or opinion on the matters at hand. That is completely left up to the viewer, and in this case there is much to think about.
On one hand, it is easy to see why this type of lifestyle could be considered "backwards" or misconstrued into hatred. Abu names his son Osama in honor of the 9/11 attacks, an immediate window into the Osama family outlook. One's entire lifespan seems to be devoted to a war cause, women are nonexistent at best and heavily persecuted at worst, while the children are raised in an environment of constant bullying and physical confrontation. One gets the sense that these people are sort of "brainwashed into their cause" with no hope for peace even existing.
But then, there is the more human side of things portrayed just as stark. Despite harboring ideologies that are likely extremely different (if not usually outright offensive) to most Americans, Abu clearly loves his children and they him. After experiencing one instance of severe physical hardship, Abu comforts his children as they weep for him. His two oldest sons eventually are sent off to a military camp, and I challenge any viewer not to feel at least something as they cry themselves to sleep at night.
In the end, I think the hallmark of "Of Fathers and Sons" is the humanizing effect it has on jihadists. Am I completely sympathetic to their cause? Absolutely not. However, inside access like this does indeed show them to be individuals capable of love and emotion. I would argue they are extremely misguided in many key ways, but yet still human down at their base level.
So often, America/Islam relations are all about "us vs. them", and often for good reason (wars have been perpetuated by both sides of that coin). What Derki shows here, though, is that it truly is only political/theological ideology that separates "us from them". Strip down the layers to the barest human selves, and you'll find yourself caring for their plight (self-inflicted as it may be) perhaps more than you ever realized.
When you start with children...the hate will go on forever. Very enlightening...the depths people will kill in the name of God.
An unbiased, unprejudiced & unfiltered observation of jihadist life and how extremist ideology is passed down through generations, Of Fathers and Sons paints a brutally honest & unflinching portrait of children being brainwashed into following the path of hatred & violence by their own fathers, and it does so by capturing the everyday life of a radical Islamist family.
An undiluted portrayal of inherited Islamist fervour, the documentary achieves a rare first-hand access by thoroughly observing religious fundamentalism from up close & with an uncompromising lens. Although it focuses on jihadist fanaticism in Syria, the mechanics of it can be applied to any extremist movement out there, for the cycle of hatred, prejudice & violence always starts at home first before surfacing elsewhere.
As admirable as it is unshakeable, Of Fathers and Sons is essential viewing.
An undiluted portrayal of inherited Islamist fervour, the documentary achieves a rare first-hand access by thoroughly observing religious fundamentalism from up close & with an uncompromising lens. Although it focuses on jihadist fanaticism in Syria, the mechanics of it can be applied to any extremist movement out there, for the cycle of hatred, prejudice & violence always starts at home first before surfacing elsewhere.
As admirable as it is unshakeable, Of Fathers and Sons is essential viewing.
Not sure if insight is the right word.....a look at a world that remains foreign to Westerners - I have watched it a few times and tried to pick up small pieces of info and imagine how the view of the world is presented when growing up in that environment. The story for me presented a look at how the world looks from inside a family that has had the same views presented over generations - I did not try to analyze any political meaning...to me that is not what the film was about.
Talal Derki's homeland is in disarray. He travels back to uncover the complex web Jihadists from ISIS and al-Nusra have spun in response to the enemies of God. Following the family of one minesweeper for the al-Nusra front, the film has a disturbing yet enlightening effect. This father passes his core fanatical beliefs onto his three sons. They are a tightly knit family, but the father's teachings play out in more consequential ways than he might have imagined.
The eldest son, Osama, named after the mastermind behind the 9/11 attacks, is particularly disruptive among his schoolmates. The two younger sons are fostered to think violence for the sake of violence is acceptable because God willed it so. It is very tragic to witness the path these boys are led down only to become part of a war machine that may never succeed against more technologically advanced world superpowers. I highly recommend watching this documentary if you want to take a much deeper look into the Global War on Terrorism and how Islamist extremists are cultured.
Wusstest du schon
- WissenswertesTalal Derki mentioned in an interview that he stayed there about 2 years and half and the effective filming days were 330 days.
- Zitate
[the war planted seeds of hatred between neighbors and brothers, and now Salafi Jihadism is harvesting the fruits]
- VerbindungenFeatured in The Oscars (2019)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Die Kinder des Kalifats
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 12.579 $
- Eröffnungswochenende in den USA und in Kanada
- 340 $
- 25. Nov. 2018
- Weltweiter Bruttoertrag
- 12.579 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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