Ein Schlittenhund kämpft um sein Überleben in der alaskanischen Wildnis.Ein Schlittenhund kämpft um sein Überleben in der alaskanischen Wildnis.Ein Schlittenhund kämpft um sein Überleben in der alaskanischen Wildnis.
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- 1 Gewinn & 8 Nominierungen insgesamt
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This is a great family movie. It has all the aspects of what makes kids smile. However, this is not the adaption of Jack London's book that I was looking for. In my opinion, in searching for that feel good vibe, it lost the character that defined the original story. Everything was made PG and the raw unforgiving reality of the book was lost in translation. Additionally, the CGI was good, but over used to the nth degree. Its worth a watch, just keep in mind that this movie is a rather loose adaptation.
The Call of the Wild is a familiar but heartwarming adventure that's surprisingly funny and emotional. The CG dog is great and conveys lots of emotions and the CG in general is also great, though it has moments where it dips in quality. Harrison Ford is amazing and Omar Sy gives a really good supporting performance. Chris Sanders' direction is great and there are some thrilling set pieces. It's well filmed, well paced and the music by John Powell is fantastic.
As it's dads 92nd birthday we went to see a movie I knew he'd love, Call of the Wild. Based on the classic novel by Jack London the movie tells the story of Buck the dog and his adventures as a comfortable city dog to a working dog in The Yukon, this is squarely aimed at the family market, playing down the cruel treatment of sled dogs and the harsh life. The CGI animals were good but didn't take me out of myself. It's schmalzy and cheesy but good fun and I shed a few tears. 3.5 stars
George: A very dramatic movie with fantastic scenery of The Yukon! The animal animation was fantastic and Harrison Ford played a good role as the curmudgeonly loner. I remember reading Jack London's novels and I enjoyed this adaptation very much. 4 stars
PS Meredith cried several times.
When I first started watching this movie, I didn't think I was going to enjoy it, due to some of the scenes at the start, but as the movie went on, it got more and more BRILLIANT
Before writing anything about the film itself let it be noted following.
(1) Screenplays are usually related to source materials (works of fiction or documentary depictions of factual events and experiences) with the phrase *based on*, which is mostly read as *copied from* (whether a fictitious depiction or reality) although fully faithful account of events and their protagonists almost never happens, so, in all fairness, it might be safer to understand such relation simply as *altered from*.
(2) Furthermore, CGI has erased strict distinction between live action and animation, introducing a new method and a whole new form of cinematography by blending realistic imagery and kinematics of existing animals (and other fantastic beasts) with anthropomorphic expressions and gestures given to their stylized representation in the world of animation, a trend probably started in 1970's by ILM servicing Star Wars saga, getting (over)exploited in recent followers of the kind, most notably Disney's The Lion King (2019).
That having been said, in the latest take on Jack London's classic novel, screenwriter Michael Green and director Chris Sanders--apparently intentionally not bound by faithfulness to the original text, particularly avoiding its darker overtones, certainly counting with receptiveness from the audience, especially from those (among us) who have read the novel--have succeeded in meeting a great deal of expectations from the film seeking to be labeled with family entertainment attribute.
The Call of the Wild is the story of Buck (as main human character, John Thornton, described it), a dog like no other, he'd been spoiled, and he'd suffered, but he could not be broken... Buck's life gets turned upside down during the gold rush of the 1890s, when he was suddenly banished from his home in California and moved, first to Yukon, and then deep into the heart of Alaska, reaching Arctic Circle. *As a newcomer to the dog team delivery service - soon their leader - Buck is having adventure of a lifetime, finally finding his rightful place in the world and becoming the master of his own destiny.*
By smoothening London's honest account and description of--pursuant to extreme conditions easily understandable--truly violent interaction between people, animals and nature, primarily by minimizing cruel dog beatings at the hands of their masters and brutal, often fatal dog fights, film makers have altered such survival seeking Darwinian world, in which dog eats dog and a man is (often) a wolf to another man, by promoting rather-friends-then-foes approach towards strangers, and, whenever possible, insisting rather on gentleness than harshness of the great wild outdoors, overhauling the classic story to an easier digestible, ergo family friendlier.
Other qualities include good acting, with Harrison Ford as a stand-out, whose husky calm voice offers narration throughout the film, providing vulnerable yet soothing, almost comforting presence in his appearance as John Thornton, seemingly a gold prospector, but in fact, after losing his loved ones, a son to a deadly fever, and a wife to subsequent collapse of his marriage, no more than a grief-stricken redemption seeker. Also, in the first half of the movie, as a far north delivery service running couple, Omar Sy and Cara Gee are joy to watch in their often, despite all difficulties, comic relief providing roles.
Film demonstrates commendable seamless integration of CG imagery of beasts and beautiful environments into spectacular cinematography provided by Janusz Kaminski.
Joyful music, scored by John Powell, is well-paced to follow the speed of onscreen action and reflect the highs and lows in the moods of characters.
All in all, it is nicely crafted film with the fast-paced story, providing enough dramatic excitement and fun, especially for the younger ones.
My rating score stops short of perfect, due to a trend described in my second opening note that I cannot easily fall in with, too.
Finally, on a lighter note, having film menagerie of animals fully CGI-ed renders monitors from American Humane Association superfluous, as even in their absence we can rest assured that *no (real) animals were harmed during the making of this film.*
(1) Screenplays are usually related to source materials (works of fiction or documentary depictions of factual events and experiences) with the phrase *based on*, which is mostly read as *copied from* (whether a fictitious depiction or reality) although fully faithful account of events and their protagonists almost never happens, so, in all fairness, it might be safer to understand such relation simply as *altered from*.
(2) Furthermore, CGI has erased strict distinction between live action and animation, introducing a new method and a whole new form of cinematography by blending realistic imagery and kinematics of existing animals (and other fantastic beasts) with anthropomorphic expressions and gestures given to their stylized representation in the world of animation, a trend probably started in 1970's by ILM servicing Star Wars saga, getting (over)exploited in recent followers of the kind, most notably Disney's The Lion King (2019).
That having been said, in the latest take on Jack London's classic novel, screenwriter Michael Green and director Chris Sanders--apparently intentionally not bound by faithfulness to the original text, particularly avoiding its darker overtones, certainly counting with receptiveness from the audience, especially from those (among us) who have read the novel--have succeeded in meeting a great deal of expectations from the film seeking to be labeled with family entertainment attribute.
The Call of the Wild is the story of Buck (as main human character, John Thornton, described it), a dog like no other, he'd been spoiled, and he'd suffered, but he could not be broken... Buck's life gets turned upside down during the gold rush of the 1890s, when he was suddenly banished from his home in California and moved, first to Yukon, and then deep into the heart of Alaska, reaching Arctic Circle. *As a newcomer to the dog team delivery service - soon their leader - Buck is having adventure of a lifetime, finally finding his rightful place in the world and becoming the master of his own destiny.*
By smoothening London's honest account and description of--pursuant to extreme conditions easily understandable--truly violent interaction between people, animals and nature, primarily by minimizing cruel dog beatings at the hands of their masters and brutal, often fatal dog fights, film makers have altered such survival seeking Darwinian world, in which dog eats dog and a man is (often) a wolf to another man, by promoting rather-friends-then-foes approach towards strangers, and, whenever possible, insisting rather on gentleness than harshness of the great wild outdoors, overhauling the classic story to an easier digestible, ergo family friendlier.
Other qualities include good acting, with Harrison Ford as a stand-out, whose husky calm voice offers narration throughout the film, providing vulnerable yet soothing, almost comforting presence in his appearance as John Thornton, seemingly a gold prospector, but in fact, after losing his loved ones, a son to a deadly fever, and a wife to subsequent collapse of his marriage, no more than a grief-stricken redemption seeker. Also, in the first half of the movie, as a far north delivery service running couple, Omar Sy and Cara Gee are joy to watch in their often, despite all difficulties, comic relief providing roles.
Film demonstrates commendable seamless integration of CG imagery of beasts and beautiful environments into spectacular cinematography provided by Janusz Kaminski.
Joyful music, scored by John Powell, is well-paced to follow the speed of onscreen action and reflect the highs and lows in the moods of characters.
All in all, it is nicely crafted film with the fast-paced story, providing enough dramatic excitement and fun, especially for the younger ones.
My rating score stops short of perfect, due to a trend described in my second opening note that I cannot easily fall in with, too.
Finally, on a lighter note, having film menagerie of animals fully CGI-ed renders monitors from American Humane Association superfluous, as even in their absence we can rest assured that *no (real) animals were harmed during the making of this film.*
Wusstest du schon
- WissenswertesEach sled dog on Buck's team (besides Spitz) was given the personality of one of the dwarfs from the Disney classic Schneewittchen und die sieben Zwerge (1937): Dolly is Bashful, Pike is Grumpy, Joe is Happy, Billy is Sleepy, Dave is Dopey, Dub is Sneezy, and Sol-Leks is Doc.
- PatzerThe message on the telegram that Perrault receives has a uniformity and cleanness that demonstrates that this was produced not on a typewriter, but by a modern laser printer. Also, the telegram's text uses a modern Courier font not present on typewriters of that period.
- Zitate
[last lines]
John Thornton: [narrates] Some say that's the legend. Not so. You see, I knew him once, when he was just a dog at a men side. And even all this land is his, every summer, when he comes down to the valley, he remembers kind hands and old masters... before he went to his own... became his own master... before he heard the call.
- Crazy CreditsThis is the first film released under the 20th Century Studios banner (previously known as 20th Century Fox).
Thus, there is a new 20th Century Studios logo, which is an updated version of the classic Fox logo.
- Alternative VersionenPrior to re-shoots, Mercedes, Charles, and the remaining dog team die (off-screen) on the broken-up river; only Hal survives to return to Dawson and confront John Thornton in the Argonaut saloon. (Paraphrased: "I lost everything because of you: my dogs... my sister...") Despite successful test screenings, studio heads changed this to Hal saying, "My dogs ran off" -- indicating the team and (one assumes) Mercedes and Charles survived -- in an attempt to keep children from being upset.
- SoundtracksJohnny Todd
Traditional
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El llamado salvaje
- Drehorte
- Yukon, Kanada(Klondike Gold Rush)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 135.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 62.342.368 $
- Eröffnungswochenende in den USA und in Kanada
- 24.791.624 $
- 23. Feb. 2020
- Weltweiter Bruttoertrag
- 111.166.669 $
- Laufzeit
- 1 Std. 40 Min.(100 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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