Ein Schlittenhund kämpft um sein Überleben in der alaskanischen Wildnis.Ein Schlittenhund kämpft um sein Überleben in der alaskanischen Wildnis.Ein Schlittenhund kämpft um sein Überleben in der alaskanischen Wildnis.
- Auszeichnungen
- 1 Gewinn & 8 Nominierungen insgesamt
Empfohlene Bewertungen
Not sure what the critics saw that was so bad with the CGI on buck the dog... if anything the ability of having animal like emotions displayed felt much better than looking at lions trying to speak...I thought the movie was well put together. Harrison Ford does a very simple yet good performance, the narrative is simple and easy to figure out for adults but still very relate-able and, the whole journey of the protagonists is really good a true adventure of self-discovery... What really told me that the movie nailed it, was when in the end I asked my 9 year old, what was it all about... and she goes it's about being you, not letting others tell you what you can or cannot do... and my 12 years old, goes like it's about finding your place in the world...take the kids, have them be quite and listen...they might just get some life lessons out of it.
When I first started watching this movie, I didn't think I was going to enjoy it, due to some of the scenes at the start, but as the movie went on, it got more and more BRILLIANT
There have been several movies "Call of the Wild" but this is the first time one has told the entire story in Jack London's book. The real main character is the big dog, Buck, and his transformation from house pet to sled dog to alpha male of his own hybrid Timberwolf pack.
This movie in its form could not have been made with real dogs. Instead they used state of the art motion capture to generate realistic animation for the animals. This is covered quite nicely in a series of "making of" extras on the movie disc.
Harrison Ford, almost 80 now, is very effective as the narrator and the old prospector that befriends Buck. This is a really good movie, at first the sight of an animated Buck threw me off but soon it made no difference, the story is so good.
I watched it at home on BluRay from my public library, my wife skipped, not her kind of movie.
This movie in its form could not have been made with real dogs. Instead they used state of the art motion capture to generate realistic animation for the animals. This is covered quite nicely in a series of "making of" extras on the movie disc.
Harrison Ford, almost 80 now, is very effective as the narrator and the old prospector that befriends Buck. This is a really good movie, at first the sight of an animated Buck threw me off but soon it made no difference, the story is so good.
I watched it at home on BluRay from my public library, my wife skipped, not her kind of movie.
For a $135 million dollar costing financial flop that stars a much ridiculed CGI dog as its main protagonist, The Call of the Wild is a surprisingly watchable family affair that is nowhere near as bad as its terrible trailers or marketing campaign made it look to be.
Marking his first foray into non-animated feature film-making after well-liked efforts Lilo and Stitch, The Croods and How to Train Your Dragon, director Chris Sanders had a difficult task adapting Jack London's famed source material for the big screen and you can sense the film is never completely comfortable within itself as our computer generated furry friend Buck sets out on an Alaskan adventure filled with life lessons, gold and a grizzled Han Solo.
It takes us as viewers sometime too warm up to Buck in his current form, something that would not have been the case had Buck been played by some real life pooches (just look at recent effort Togo as an example) and it hurts Call of the Wild in the long run as Sanders tries to invest us into Buck's journey that takes him from spoiled pooch to mistreated captive on his quest to be partnered with Harrison Ford's isolated alcoholic John Thornton.
On the way to this inevitable pairing, there's a somewhat enjoyable if not overly well-established sub-plot with Omar Sy's mail delivery sled team owner Perrault, which is fine if not particularly memorable and a terrible Dan Steven's appearance as the horrid extremely overplayed villain of the piece Hal but once Thornton arrives on the scene, Call of the Wild becomes a far more enticing experience that showcases the potential of London's source material, too display a likeable scenario of man and dog's friendship.
It helps that Ford seems as invested in this role as much as his been in the last few decades, delivering one of his better all-round performances in some time as his on screen charisma and enthusiasm helping us forget that Buck is only ever mildly believable in his imaginary form, no doubt necessitated by a raft of situations in the film that would've been impossible to pull off with a real life canine in the role.
There's not a lot of surprises to be found narratively here, with London's story pillaged and pilfered from in the many years since it was published but with the film's latter half more than making up for a rough beginning and weak segments, this pretty to look at example of financial failure on a big-scale is a film that many will still find highly entertaining and enjoyable.
Final Say -
Overcoming some at times hard to take CGI and a poor opening half, The Call of the Wild isn't a new canine classic but its central relationship between a lost human soul and a caring four legged friend makes it an adventure you won't regret taking.
3 gold nuggets out of 5
Marking his first foray into non-animated feature film-making after well-liked efforts Lilo and Stitch, The Croods and How to Train Your Dragon, director Chris Sanders had a difficult task adapting Jack London's famed source material for the big screen and you can sense the film is never completely comfortable within itself as our computer generated furry friend Buck sets out on an Alaskan adventure filled with life lessons, gold and a grizzled Han Solo.
It takes us as viewers sometime too warm up to Buck in his current form, something that would not have been the case had Buck been played by some real life pooches (just look at recent effort Togo as an example) and it hurts Call of the Wild in the long run as Sanders tries to invest us into Buck's journey that takes him from spoiled pooch to mistreated captive on his quest to be partnered with Harrison Ford's isolated alcoholic John Thornton.
On the way to this inevitable pairing, there's a somewhat enjoyable if not overly well-established sub-plot with Omar Sy's mail delivery sled team owner Perrault, which is fine if not particularly memorable and a terrible Dan Steven's appearance as the horrid extremely overplayed villain of the piece Hal but once Thornton arrives on the scene, Call of the Wild becomes a far more enticing experience that showcases the potential of London's source material, too display a likeable scenario of man and dog's friendship.
It helps that Ford seems as invested in this role as much as his been in the last few decades, delivering one of his better all-round performances in some time as his on screen charisma and enthusiasm helping us forget that Buck is only ever mildly believable in his imaginary form, no doubt necessitated by a raft of situations in the film that would've been impossible to pull off with a real life canine in the role.
There's not a lot of surprises to be found narratively here, with London's story pillaged and pilfered from in the many years since it was published but with the film's latter half more than making up for a rough beginning and weak segments, this pretty to look at example of financial failure on a big-scale is a film that many will still find highly entertaining and enjoyable.
Final Say -
Overcoming some at times hard to take CGI and a poor opening half, The Call of the Wild isn't a new canine classic but its central relationship between a lost human soul and a caring four legged friend makes it an adventure you won't regret taking.
3 gold nuggets out of 5
This is a great family movie. It has all the aspects of what makes kids smile. However, this is not the adaption of Jack London's book that I was looking for. In my opinion, in searching for that feel good vibe, it lost the character that defined the original story. Everything was made PG and the raw unforgiving reality of the book was lost in translation. Additionally, the CGI was good, but over used to the nth degree. Its worth a watch, just keep in mind that this movie is a rather loose adaptation.
Wusstest du schon
- WissenswertesEach sled dog on Buck's team (besides Spitz) was given the personality of one of the dwarfs from the Disney classic Schneewittchen und die sieben Zwerge (1937): Dolly is Bashful, Pike is Grumpy, Joe is Happy, Billy is Sleepy, Dave is Dopey, Dub is Sneezy, and Sol-Leks is Doc.
- PatzerThe message on the telegram that Perrault receives has a uniformity and cleanness that demonstrates that this was produced not on a typewriter, but by a modern laser printer. Also, the telegram's text uses a modern Courier font not present on typewriters of that period.
- Zitate
[last lines]
John Thornton: [narrates] Some say that's the legend. Not so. You see, I knew him once, when he was just a dog at a men side. And even all this land is his, every summer, when he comes down to the valley, he remembers kind hands and old masters... before he went to his own... became his own master... before he heard the call.
- Crazy CreditsFilm title at the end of closing credits
- Alternative VersionenPrior to re-shoots, Mercedes, Charles, and the remaining dog team die (off-screen) on the broken-up river; only Hal survives to return to Dawson and confront John Thornton in the Argonaut saloon. (Paraphrased: "I lost everything because of you: my dogs... my sister...") Despite successful test screenings, studio heads changed this to Hal saying, "My dogs ran off" -- indicating the team and (one assumes) Mercedes and Charles survived -- in an attempt to keep children from being upset.
- SoundtracksJohnny Todd
Traditional
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El llamado salvaje
- Drehorte
- Yukon, Kanada(Klondike Gold Rush)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 135.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 62.342.368 $
- Eröffnungswochenende in den USA und in Kanada
- 24.791.624 $
- 23. Feb. 2020
- Weltweiter Bruttoertrag
- 111.166.669 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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