IMDb-BEWERTUNG
7,1/10
3733
IHRE BEWERTUNG
Die Liebesgeschichte von zwei Romafrauen.Die Liebesgeschichte von zwei Romafrauen.Die Liebesgeschichte von zwei Romafrauen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 13 Gewinne & 33 Nominierungen insgesamt
Carolina África
- Pastora
- (as Carolina África Martín)
Javier I. Bustamante
- Padre de Rafa
- (as Javier Iglesias)
Juan José Hernández
- Pastor
- (as Juan José Hernández 'Chaleco')
Empfohlene Bewertungen
It was a waste of story for me and some parts could have been worked out better like the parents part.
Also it was a hell to watch the actors having no what so ever chemistry in this movie and I can sincerely say that I probally would have liked it better without any of the romance.
I have no clue why critics rate this movie so high, maybe they are so stuck to be confronted with a "reality" that they are so out of, who knows? For me this was a really bad representing what such a story should be in a romantic way.
I have no clue why critics rate this movie so high, maybe they are so stuck to be confronted with a "reality" that they are so out of, who knows? For me this was a really bad representing what such a story should be in a romantic way.
Two women fall in love within a culture/community that condemns lesbians. Said community is moreover itself discriminated as a whole: gitanos (gypsies) in Spain.
Found the execution of such thorny abstract not only realistic, also truly poetic. Specially the very last scenes, to the very last millisecond of footage. Both visually, and also sound-wise. Measured, exquisitely beautiful, flooring.
Some emotional reactions and storms, as well as very spontaneous, joyful moments, feel almost like parts of a documentary. They ended up captured quite naturally, non-pretentiously. Surprised to learn afterwards that the actors (at least some?) were non-professionals. Many other movies with professional actors do not approach the level this one does. Imho it gives you that sense of having just witnessed a true work of art.
Found the execution of such thorny abstract not only realistic, also truly poetic. Specially the very last scenes, to the very last millisecond of footage. Both visually, and also sound-wise. Measured, exquisitely beautiful, flooring.
Some emotional reactions and storms, as well as very spontaneous, joyful moments, feel almost like parts of a documentary. They ended up captured quite naturally, non-pretentiously. Surprised to learn afterwards that the actors (at least some?) were non-professionals. Many other movies with professional actors do not approach the level this one does. Imho it gives you that sense of having just witnessed a true work of art.
Zaira Romero is Lola. When her cousin gets engaged, it starts conversations about what gypsy women do when they get married and start families. But Lola doesn't want to be a housewife. She doesn't want kids. She wants to be her own person and go to school for a degree and have her own career. The girl she likes happens to be her cousin's fiancee, Carmen (Rosy Rodríguez ). They spend time alone together, but Carmen has doubts. Will she have the courage to call off the wedding and spend more time with Lola? This was released in 2018, but of course this was still a huge deal in her culture. A great performance by Lola's mom... you can really feel the pain as her parents yell and make a scene in the town square when they find out. Of course, most of the LGBTQ community went through this rejection, to some degree; some parents handle it with more kindness than others. It's good, if a little dated. Spain was the third country to legalize same sex marriage, back in 2005. Written and directed by Arantxa Echevarría. Showing on hbomax streaming channel... it won numerous awards at the film festivals.
A brilliant account of the love story between two young women overcoming obstacles that may be stronger in this particular culture, but are certainly not exclusive to it. Those who accuse the film of racism and stereotypical visions should listen to the stories of non-gypsy young lesbians who have also heard their mothers cry and beg them to say it's not true. Excellently performed by all its non-professional gypsy actors, the film is definitely worth seeing.
I absolutely loved this movie. It addresses a difficult subject, essentially a minority within a minority, being a woman in a deeply male-dominated society, being a lesbian in a culture with strongly predestined roles of wife and mother and being a Gypsy in a white society. In all three aspects that define who they are, they are discriminated. In this harsh milieu, two girls fall in love. I found the movie positive and hopeful. Carmen and Lola were realistic, their love was belivable. The two lead girls were great despite being non-professional actresses.
Wusstest du schon
- WissenswertesReceived the ministerial commendation as "especially recommended to promote gender equality" (especialmente recomendada para el fomento de la igualdad de género).
- Crazy CreditsThe movie's title isn't shown until the start of the end credits, followed by: "Para Max y Álex" (for Max and Álex).
- VerbindungenFeatured in Premios Goya 33 edición (2019)
- SoundtracksMe vas a extrañar
Written by Paco de la Rosa
Top-Auswahl
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- Auch bekannt als
- Carmen y Lola
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- Budget
- 700.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 342.699 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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