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München: Im Angesicht des Krieges

Originaltitel: Munich: The Edge of War
  • 2021
  • 12
  • 2 Std. 10 Min.
IMDb-BEWERTUNG
6,8/10
38.124
IHRE BEWERTUNG
Jeremy Irons, George MacKay, and Jannis Niewöhner in München: Im Angesicht des Krieges (2021)
Based on the international bestseller by Robert Harris. It is Autumn 1938 and Europe stands on the brink of war. Adolf Hitler is preparing to invade Czechoslovakia and Neville Chamberlain's government desperately seeks a peaceful solution. With the pressure building, Hugh Legat, British civil servant, and Paul von Hartmann, German diplomat, travel to Munich for the emergency Conference. As negotiations begin, the two old friends find themselves at the centre of a web of political subterfuge and very real danger. With the whole world watching, can war be averted and, if so, at what cost?
trailer wiedergeben2:24
1 Video
99+ Fotos
SpionBiographieDramaGeschichteThriller

Ein britischer Diplomat und dessen ehemaliger deutscher Klassenkamerad aus Oxford reisen nach München, um an einer Notfallkonferenz teilzunehmen, und verstricken sich dabei in eine politisch... Alles lesenEin britischer Diplomat und dessen ehemaliger deutscher Klassenkamerad aus Oxford reisen nach München, um an einer Notfallkonferenz teilzunehmen, und verstricken sich dabei in eine politische Intrige.Ein britischer Diplomat und dessen ehemaliger deutscher Klassenkamerad aus Oxford reisen nach München, um an einer Notfallkonferenz teilzunehmen, und verstricken sich dabei in eine politische Intrige.

  • Regie
    • Christian Schwochow
  • Drehbuch
    • Ben Power
    • Robert Harris
  • Hauptbesetzung
    • George MacKay
    • Jannis Niewöhner
    • Jeremy Irons
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    38.124
    IHRE BEWERTUNG
    • Regie
      • Christian Schwochow
    • Drehbuch
      • Ben Power
      • Robert Harris
    • Hauptbesetzung
      • George MacKay
      • Jannis Niewöhner
      • Jeremy Irons
    • 265Benutzerrezensionen
    • 92Kritische Rezensionen
    • 53Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 2 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 2:24
    Official Trailer

    Fotos120

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    Topbesetzung56

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    George MacKay
    George MacKay
    • Hugh Legat
    Jannis Niewöhner
    Jannis Niewöhner
    • Paul von Hartmann
    Jeremy Irons
    Jeremy Irons
    • Neville Chamberlain
    Liv Lisa Fries
    Liv Lisa Fries
    • Lenya
    Paul Flanagan
    • Foreman Frank Wright
    • (as Paul Ernest Flanagan)
    Nick Wymer
    • Maitre D'
    Jessica Brown Findlay
    Jessica Brown Findlay
    • Pamela Legat
    Raphael Sowole
    Raphael Sowole
    • Cecil Syers
    Mark Lewis Jones
    Mark Lewis Jones
    • Sir Osmund Cleverly
    Alex Jennings
    Alex Jennings
    • Sir Horace Wilson
    Ludwig Simon
    Ludwig Simon
    • Café Man Jakob
    Nellie Thalbach
    • Café Woman Charlotte
    Hannes Wegener
    Hannes Wegener
    • Captain Eric Kordt
    Sandra Hüller
    Sandra Hüller
    • Helen Winter
    Aidan Hennessey
    • Arthur Legat
    August Diehl
    August Diehl
    • Franz Sauer
    Nicholas Farrell
    Nicholas Farrell
    • Sir Alexander Cadogan
    Tara Nome Doyle
    • Singer
    • Regie
      • Christian Schwochow
    • Drehbuch
      • Ben Power
      • Robert Harris
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen265

    6,838.1K
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    7DJM26

    A Failed Attempt To Re-Write History

    I read Robert Harris's novel, about the 1938 Munich Agreement, and I loved it. Harris is a very good writer and I love historical fiction. Of course, I was well aware that Harris was trying to alter and improve Chamberlain's image and place in history, with which I vehemently disagreed. Chamberlain's egotism and stubbornness blinded him to the fact that you cannot appease or negotiate with a madman, as Churchill intuitively and correctly realized.

    I read the book a second time and thought it would make an excellent film. Of course, I thought, the film makers should not make Chamberlin the hero of the piece in any way, shape or form. I even cast Jeremy Irons, as Chamberlain, in my head.

    Irons is, of course, excellent, as are the two young leads played by George MacKay and Jannis Niewöhner. Niewöhner is especially one to watch. The film has enhanced the roll of Helen Winter (Sandra Hüller) I suppose for woke purposes of having a women in a central supporting role. I thought Hitler was miscast. Again, when I cast the film in my minds eye, after reading the book, I thought Steve Buscemi would make a great Hitler.

    I said to myself, when I read the book, that the scene they must cut, if the make a film, is the midnight drive to see the old girlfriend. My instincts were 100% correct as it kills all the tension that has been building. They could have trimmed the running time and improved the film.

    The film, as does the book, completely downplays the very inconvenient declaration, by Chamberlain at the airport, of "peace in our time." The film also posits, as does the book, that Chamberlain bought time to properly prepare for war when it did come and this contributed to the German defeat. This is an absolute lie. When Churchill took over, as PM, the army was woefully underprepared and under equipped. In fact, had the Allied Forces acted forcefully in 1938, Hitler might have been stopped by an internal coup from the German Army.

    "An appeaser is one who feeds the crocodile, hoping it will eat him last." -Winston Churchill.
    7VP-IND

    Another Gem of WWII

    Movie has many ups Acting, Location, Direction, Writing all up to the mark and George and Jannis's acting stole the show. Although i didn't like casting of Fuhrer it felt like they wanted to make a mockery of Hitler and i would say they succeeded in it. Apart from that movie is very good.
    7deltta8

    Enjoyed the acting

    The final lines of the movie, saying that the time won by Chamberlain enabled the allies to prepare for the war and defeat Germany, spoiled a bit an impression of the film. The fascism was stopped at the cost of millions and millions of Russians killed (incommensurable losses: they were practically cannon fodder) in the first place. Nowadays it's convenient to forget it.

    Overall, the movie is produced very well. The leading actors were great.
    7TheLittleSongbird

    Very interesting

    The subject is a fascinating one and part of me was intrigued in seeing what 'Munich: The Edge of War' would do with the much maligned Neville Chamberlain, here given a more sympathetic treatment than what is often said and written about him. Robert Harris' book is a hugely compelling read, George McKay impressed me hugely in '1917' (one of 2019's best films) and Jeremy Irons is one of my all time favourite actors and has been ever since his iconic voice work in 'The Lion King'.

    Watching 'Munich: The Edge of War' earlier last year (am behind with reviewing so it's taken a while to get round to talking about films seen last year), it turned out to be very interesting and well done. It did have potential to be better than it was, as not all the storytelling is there and there is a major casting blunder. But it does well with maintaining the book's intrigue and tension and there is one performance in particular that one could spend all night raving about. 'Munich: The Edge of War' was good if not great, but is one of those films that should be taken on its own terms for anybody expecting historical truth will be disappointed.

    'Munich: The Edge of War' has many good things. The best aspect being the phenomenal performance of Irons in one of his best ever performances as Chamberlain (who he bears an uncanny resemblance to here), he brings wit, nuance and gravitas to an interestingly sympathetically written interpretation of a maligned figure in history. In the film though, it and the book do make a good case for him not being as bad as reputed in my view (something that won't be shared by others). One of my favourite performances of the year actually and that it didn't get any awards attention is a crime. McKay carries the film very commandingly, loved his increasingly tense chemistry with Jannis Niewohner.

    Also thought that the costumes and sets/scenery were handsome and atmospheric, with a good sense of period. The music is haunting and doesn't over emphasise the mood. The film is very intelligently scripted (apart from some anachronistic language), especially Chamberlain's dialogue and had no problem with the German or the subtitles. Everything with the agreement has intrigue and tension and all of Chamberlain's scenes are a delight, both when more eventful and in smaller moments.

    It's not a perfect film though. The camera work is rather dizzying and had a very feeling sick on a ship feel to it in some of the second half. All the female roles are severely underwritten, as is the too brief and not that necessary family/romance subplot that could have been excised.

    Do have to agree with everybody panning Ulrich Matthes, whose casting as Hitler is one big catastrophic miscast. Too old, too thin/gaunt and nowhere near sinister enough, perfect for Goebbels but completely wrong for Hitler.

    Overall, interesting and well done, with Irons being reason alone to see it, but it could have been more. 7/10.
    random-70778

    Leave history to historians, not novelists. Chamberlin was weak and was duped

    I am all for revising understanding of history for the better as we learn more. But this film, like the novel it is based on, is not that at all, but rather an apologia and whitewash of Chamberlin's very real, naïve and ghastly mistake at Munich.

    Robert's Harris' novel, Munich, on which this film is based isn't simply somewhat wrong, it is totally wrong. In fact Chamberlin was not thoughtful, and was NOT a skilled diplomat. He was a vain, pompous and petty dupe. The idea that he somehow outsmarted Hitler is ludicrous, Hitler got everything he wanted.

    We even see in the crawl text at the of the film the claim that "The extra time bought by the Munich agreement enabled Great Britain and her allies to prepare for the war and ultimately led to Germany's defeat." Errr.. no. That is completely wrong. All the data on industrial capacity trends, submarine production, armored vehicle and aircraft production tends, as well as oil and other fuel reserves, shows that the UK and France were in a stronger position in 1938 than in 1939. The Munich agreement also had a massively deleterious effect on both strategic and popular views in the US and the USSR. It convinced Stalin to ally with Hitler. Which was the only way Hitler could invade Poland. The delay of the inevitable war resulted in the annihilation of Poland, the actualization of Japan's closer and more effective alliance with the Nazi's, and by all analysis made the holocaust 3x more effective by allowing the Germans to ally with the Soviets giving the Nazi more control of more of E. Europe where they mass murdered the Jewish populations. American isolationists got a massive boost from the blunder at Munich as well.

    We know from Hitler's "second book" (go to youtube and search "Gerhard Weinberg Hitler's second book. For an excellent panel talk on it) we know that Hitler for considered the United States as the ultimate enemy of Nazis. He thought Great Britain would fold (and it initially did due to Chamberlin), that France would be easy to defeat if the war with them started in 1939 instead of 1938 (and it was), that he could fool the Soviets (and he he did for several key years). He thought the non-racial based nationalism of the US, which is to say the US's people's love of democracy, was the ultimate threat to the Nazis.

    So in "Edge of War" we are left with a film that has some nice period elements, certainly fine acting, but is also severe disinformation on what went on at Munich. We know for a fact that Goering wrote the agreement, that no British changes were accepted, and that Chamberlin signed off without an argument which stunned even the Nazis.

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    • Wissenswertes
      Though Hartmann and Legat are fictional, Harris confirms that they are partially inspired by the diplomat Adam von Trott zu Solz and the scholar AL Rowse. The latter, who was gay, wrote about his intense platonic attachment to Trott at Oxford. Trott, though a considerably less amiable character than the fictional Hartmann, went on to join Claus von Stauffenberg's 1944 plot to assassinate Hitler. It failed and Trott was executed.
    • Patzer
      When in Munich, Paul is clearly paranoid about not being heard or seen with Hugh, yet they both speak publicly, in German, about stopping Hitler's plans right next to a table of German military members. He even makes himself noticeable by borrowing their newspaper, yet no one addresses nor questions his actions.
    • Zitate

      Paul von Hartman: We don't choose the times we live in. The only choice we have is how we respond.

    • Soundtracks
      Fruitie Patootie
      Written by Sascha Bachmann and Malte Tönissen

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    Details

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    • Erscheinungsdatum
      • 21. Januar 2022 (Deutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Vereinigte Staaten
    • Offizieller Standort
      • Official Netflix
    • Sprachen
      • Englisch
      • Deutsch
    • Auch bekannt als
      • Munich: The Edge of War
    • Drehorte
      • Liverpool, Merseyside, England, Vereinigtes Königreich
    • Produktionsfirmen
      • Turbine Studios
      • Netflix
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      • 2 Std. 10 Min.(130 min)
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    • Seitenverhältnis
      • 2.39 : 1

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