18½

It's 1974. White House transcriptionist -- someone who takes recordings and converts them into written records -- Willa Fitzgerald has the missing tape recording of Nixon that everyone is hot for. She meets up with reporter John Magaro and they go to a motel in Maryland to listen to the tapes, but his reel-to-reel player is broken. However, Vondie Curtis-Hall and Catherine Curtain at the cabin next to theirs have been listening to a tape of bossa nova non-stop.

It plays more like an extended anecdote than a story, so it's good they have some talent in place that can play it for comedy, like Richard Kind as the one-eyed motel owner, and Alexander Woodbury as a fisherman.

It's certainly an entertaining satire, if not particularly deep. Still, who knew that Bruce Campbell could do such a good Nixon impersonation?

The film has a great premise but it is very poorly executed. The film should be a thriller but it dissappears into weird sub plots which add nothing to the story and rather then draw you in just make you think what the hell has this got to do with anything.

It spins off direction so much that you lose interest in what should have been an interesting subject.

The extra characters are ridiculous left wing stereotypes that are just annoying and wish weren't in the film. It hard to tell whether this was aimed at discrediting left wing politics or if the director actually believes this.

Such a waste of a good idea.

When a transcriber obtains the only copy of Nixon's infamous 18 and a half minute long tape. Enlisting the help of a reporter, Connie sets to work in trying to undercover the truth behind the Watergate scandal, but she soon finds several obstacles in her path....

Whilst 18 1/2 starts off quite serious and seems intent on following a narrative path that the audience expects it to follow, it quickly goes from being intriguing to being surreal and somewhat bizarre...

The main focus of the film lies with Connie and Paul and their desire to find a reel to reel tape player in order to be able to fully understand the corruption with Nixon and his government. Whilst this is running in the background, it seems to take a back seat to the weird array of characters that we are introduced to; they aren't there for any real purpose other than to confound and baffle...

The picture really becomes messy in its second half with its multiple reveals; which have to be seen to be believed; it's at this point that the picture goes from being real to being surreal. It becomes too goofy in its second half and ends up being impossible to take seriously. The two leads are OK, but don't seem to have much of a dynamic and they also have an awkward chemistry about them too.

I really tried getting my head round this film and tried to get into the mind-set of those that made it and despite my best efforts I simply couldn't. I presume it's supposed to be a light-hearted take on the events leading up to the Watergate scandal, but I'm not entirely convinced that this was the right material to be given goofball treatment too. It's a shame as it started so well and ended so badly.

The only other time I can remember a film beginning with such promise and ending so badly was From Dusk till Dawn, but at least that film had some decent acting talent.

It is in the heat of the Watergate scandal and everybody is commenting on the missing tape controversy. Connie (Willa Fitzgerald) is a lowly government stenographer. She had stolen a tape that she was transcribing. On the tape, it has the President discussing erasing the tape as well as other shocking revelations. She has recruited reporter Paul Marrow (John Magaro) to listen to the tape before returning it after the weekend.

This movie wants the audience to look at all the other guests and Jack with suspicion. It wants to be a mystery, but there is really only one solution that makes sense. I guess it could be all coincidences and that's not fun. It becomes a game of waiting until the movie does the reveal. At least, the reveal is fine, but the waiting is not.

I haven't enjoyed a Watergate film this much since "Dick!" Understand, 18 1/2 (A clever play on Fellini's 8 1/2 and the infamous 18 1/2 minute gap in the Nixon Watergate tapes) is not in out and out comedy. There's funny parts, but also suspenseful, thrilling aspects, as well as romance. But it is a fun ride, from beginning to end. Well written and directed, with a wonderful Robert Altman influence. And some great twists along the way. A terrific cast, with stellar young actors and a wonderful supporting turn by the always great Richard Kind. I'm ready to watch it again right now!