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IMDbPro

Shakespeare's Sh*tstorm

  • 2020
  • 1 Std. 34 Min.
IMDb-BEWERTUNG
6,5/10
415
IHRE BEWERTUNG
Shakespeare's Sh*tstorm (2020)
Two decades after "Tromeo and Juliet", Lloyd Kaufman and The Troma Team go Back to The Bard for a TROMAtic adaptation of Shakespeare's "The Tempest".
trailer wiedergeben2:11
1 Video
68 Fotos
ComedyHorrorMusical

Zwei Jahrzehnte nach "Tromeo und Julia" gehen von Lloyd Kaufman und das Troma-Team zurück zum Barden für eine TROMAtic Adaption von Shakespeares "Der Sturm".Zwei Jahrzehnte nach "Tromeo und Julia" gehen von Lloyd Kaufman und das Troma-Team zurück zum Barden für eine TROMAtic Adaption von Shakespeares "Der Sturm".Zwei Jahrzehnte nach "Tromeo und Julia" gehen von Lloyd Kaufman und das Troma-Team zurück zum Barden für eine TROMAtic Adaption von Shakespeares "Der Sturm".

  • Regie
    • Lloyd Kaufman
  • Drehbuch
    • Brandon Bassham
    • Lloyd Kaufman
    • Gabriel Friedman
  • Hauptbesetzung
    • Lloyd Kaufman
    • Catherine Corcoran
    • Debbie Rochon
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    415
    IHRE BEWERTUNG
    • Regie
      • Lloyd Kaufman
    • Drehbuch
      • Brandon Bassham
      • Lloyd Kaufman
      • Gabriel Friedman
    • Hauptbesetzung
      • Lloyd Kaufman
      • Catherine Corcoran
      • Debbie Rochon
    • 4Benutzerrezensionen
    • 22Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Gewinne & 2 Nominierungen insgesamt

    Videos1

    Trailer
    Trailer 2:11
    Trailer

    Fotos68

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 62
    Poster ansehen

    Topbesetzung99+

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    Lloyd Kaufman
    Lloyd Kaufman
    • Prospero…
    Catherine Corcoran
    Catherine Corcoran
    • Miranda's Mom
    Debbie Rochon
    Debbie Rochon
    • Senator Sebastian
    Tommy Pistol
    Tommy Pistol
    • Orgy Person
    Nadia White
    • Gonerill
    Genoveva Rossi
    Genoveva Rossi
    • VIP Party Person
    Julie Anne Prescott
    Julie Anne Prescott
    • Hippolyta
    Monique Dupree
    Monique Dupree
    • Caliban
    Brimstone
    Brimstone
    • Meltstone
    • (as William Kucmierowski)
    Zac Amico
    • Lindy West - Social Justice Warrior
    Ming Chen
    Ming Chen
    • Busty Executive
    Alexandra Faye Sadeghian
    Alexandra Faye Sadeghian
    • Millennial
    Dai Green
    Dai Green
    • Cordelia
    Dante
    Dante
    • Talent Manager
    Dwayne Mendez
    • VIP Party Animal
    Kyle Rappaport
    Kyle Rappaport
    • Social Justice Warrior
    Lisa Gaye
    • Professor Holt
    John Patrick Brennan
    John Patrick Brennan
    • Jeffrey Lipton…
    • Regie
      • Lloyd Kaufman
    • Drehbuch
      • Brandon Bassham
      • Lloyd Kaufman
      • Gabriel Friedman
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen4

    6,5415
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    Empfohlene Bewertungen

    10kevinpately

    Disturbingly Funny

    Disturbingly funny and over the top gross out bits and boobs everywhere

    First film by Uncle Lloyd to be filmed on digital I think

    Hope it gets a physical release soon.
    8killerreviewsldn

    Now this is what I call a Troma movie

    After the disappointing taste which the Troma film Eating Miss Campbell left in my mouth I got to watch this in Brazil and thankfully leave it to Lloyd Kaufman to bring an actual genuinely funny, crazy drug like trip of a film to the world. Going into this I thought it would be a lot like Tromeo & Juliet in its structure and style but I was pleasantly surprised as it is more like the first Return To Nuke Em High film in its style and humour. I would recommend this highly to any Troma fan and to any horror fan in general. I would put this at the top of any list of best film from the wacky Troma studios. If you can get the chance to go and watch it you should.
    1bajiir

    Disgusting movie that pokes fun at Liberals, Millennials and Gen Z

    I'm one to give a movie a decent chance and watch through, but this one was so awful I couldn't even get partway through it. From the get-go it's very obviously poking fun at Millennials, Gen-Z and anyone with a more progressive mindset. That'd be fine if it was at least halfway thoughtful in it's approach but like most right-wing type humor it is heavy-handed and dumb with a lot of shock value mixed in. As an example they distill safe spaces into a drug, and those execs eagerly jizz over disabled people in what's clearly meant to be a 'over the top 'Liberal' party'.

    If you're a big fan of Trump or like right-wing humor Babylon Bee style, this is probably your movie. If you're literally anyone else it's a revolting watch that's a waste of time.
    9stevenny-31348

    Lloyd at his best

    If you know Troma, you are fully aware of what to expect however this movie provides an over deliverance on all expectations.

    Lloyd has said that this is very likely his last movie and Shakespeare Shitstorm very much encapsulates the energy of a director giving his loyal fanbase a grand finale that they will not soon forget.

    The movie takes aim at cancel culture, social justice warriors and the daily outrage we see in modern times. Whilst these are themes we generally see ridiculed by right wing media, Lloyd approaches it in a manner that highlights how the public focusing on the trivial issues rather than the wider problems actually divides people further.

    Kate McGarrigle was a real standout with a strong performance demonstrating perfect comedic timing. Additionally, Monique Dupree was fantastic and I can see them both landing roles in major productions and continuing the tradition of Troma alumni graduating into stardom.

    Insane amount of blood, effects that delight and disgust and incredible amounts of whale fecal matter with surprising levels of corn. Sex, drugs and rock and roll.

    Check it out.

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    • Wissenswertes
      Frazer Brown, known for his role as William Shakespeare in Troma Entertainment's Shakespeare's Shitstorm, has become the center of a major controversy within the comics community. In 2020, Brown launched a Kickstarter campaign for a charity comic anthology titled Tales from the Quarantine, featuring contributions from over 400 creators. The campaign raised £37,185 (approximately $47,000 USD at the time), nearly three times its original goal of £13,000 (around $16,500 USD). Despite the strong financial backing, the project quickly fell into disarray. Years later, the physical books-both hardcover and paperback-remain undelivered. While a few backers received peripheral items like trading cards and posters, the core anthology never arrived. A digital version was eventually released but was widely criticized for being incomplete and riddled with errors.

      Compounding the fulfillment problems were serious concerns about Brown's treatment of both backers and contributors. Many individuals who inquired about the status of the project were met with hostility-some were blocked on social media, while others received threats of legal or even police action simply for asking questions or raising public concerns. Brown's communication throughout the process has been inconsistent, with frequent excuses involving lost emails and vague promises of imminent shipments that never materialized.

      The charitable aspect of the project has also come under intense scrutiny. Brown had pledged to donate a portion of the proceeds to NHS Charities and The Hero Initiative, yet no public evidence of any donations has ever surfaced. The absence of transparency around the nearly $47,000 raised has significantly eroded trust among backers and creators.

      In response to the growing backlash, Kickstarter's legal department reportedly conducted an investigation, ultimately placing restrictions on Brown's account. The Tales from the Quarantine debacle has since become a cautionary tale in the crowdfunding world, highlighting the need for transparency, accountability, and respect for supporters in creator-led campaigns.
    • Patzer
      While in the restroom, Big Al gets strangled with a beer funnel. The position of his hands around his neck changes between shots.
    • Zitate

      William Shakespeare: Censorship's a bitch.

    • Crazy Credits
      Before the credits a dictionary-type entry is shown to explain the words "tempest" and "shitstorm".
    • Verbindungen
      Edited from Seargeant Kabukiman (1990)
    • Soundtracks
      Renaissance in my Underpants
      Vocals performed by Kate McGarrigle

      Music written, performed, and produced by Seth Persons and Filipe Melo

      Lyrics by Lloyd Kaufman and Seth Persons

      Published by Troma Entertainment

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    FAQ

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    Details

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    • Erscheinungsdatum
      • 20. August 2020 (Kanada)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • Film's official site
      • Official Site - YouTube - TromaMovies
    • Sprache
      • Englisch
    • Auch bekannt als
      • Шекспировская говнобуря
    • Produktionsfirma
      • Troma Entertainment
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 34 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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