Going Attractions: The Definitive Story of the Movie Palace

I am a member of the Cinema Theatre Association in the UK. About fifteen years ago our group made a number of trips to see many of the great cinemas featured in this film.

I remember the Christmas show at Radio City,the Oriental cinema in Chicago the Fox in Detroit and Graumanns Chinese. Mosyly the faded grandeur of the Downtown,I do hope they complete it's restoration. Sadly here in the UK we have very few remaining super cinemas. Those that remain are not used for showing films.

I also remember many members at the time who are no longer with us.

I really enjoyed seeing these buildings again.

At the end someone said there were no similar buildings in Europe, however that is not the case.

"Going Attractions" is a documentary celebrating the great old movie palaces of yesterday...mostly built in the 1920s-40s. Unlike a typical theater, these places were HUGE and FANCY...far, far nicer than the nicest modern movie theaters. But, over the years, these places have mostly been torn down and this movie explains why as well as provides hope that some of them might be preserved.

I enjoyed this film but am sure many viewers will think of an old movie palace near them that is never mentioned in the documentary (such as the Tampa Theater near me or Grauman's Egyptian Theater). Additionally, occasionally some of the details are off...such as talking about films by the famous Lumière Brothers while showing a film of Georges Méliès. Another minor detail is talking about how theaters resorted to giveaways to get folks into the place...something which actually was practiced in previous decades. Still, these quibbles are minor and the show features some lovely archtitecture and history.

First half was pretty interesting (although I got way too much Ross Melnick and too little Lennie Maltin). I am old enough to remember when the best part of going to see "Ben Hur" was gazing at the outside and inside of the Egyptian Theater on Hollywood Blvd where it was shown. For a ten year old whose architectural experience was limited to suburban housing and shopping centers (malls weren't happening yet) it was, to put it mildly, a real trip.

Second half majorly drags with the final third pretty much a litany of various restorations of various movie palaces. Certainly a worthwhile endeavor but a bit repetitive and enervating to watch. And too much time throughout was spent on the movie biz rather than the movie theater. I didn't need to be told once again about D. W. Griffith's making the movies a mass medium or the rise of United Artists or Mary Pickford's business acumen.

As I watched this doc from the comfort of my pandemic couch I kept wondering if movie theaters will survive COVID. They survived TV, so there's some hope, but I worry that this particular "shared human experience", even though it can involve obnoxious humans who won't shut up or silence their phones or sandwich wrappers, may be a thing of the past. Give it a C plus.

Nice look at old movie houses with plenty of historical info and tours of places that would be awesome to see. It's not going to blow your mind, but it's fine.

Certain decades are explored regarding the evolution of the movie palace in general, but there are several decades completely omitted. Most notably, the '30s and '40s when they thrived. I think this documentary would have been elevated if it not only focused on the genesis and decline of the movie palace but also on its heyday.

Other than that, I found it an interesting watch; and of course, seeing the amazing architecture in both original and decaying forms is a real testament to the magnificence of the movie palace as a whole, as an experience and not just a place. Although I enjoyed the interviews, it would have been nice to have heard from more than just a handful; but that's nitpicking.

I was left feeling terribly sad not just because of the unfortunate decline of the movie palace, but because it's a depressing reminder that we are more and more becoming a society of autonomous and anonymous individuals rather than a collective of our own race. Recommended for those who love movies and the nostalgia surrounding them.