IMDb-BEWERTUNG
5,1/10
3814
IHRE BEWERTUNG
Safeknacker Red wurde gerade aus dem Gefängnis entlassen und versucht, seine Familie zusammenzuhalten. Doch der psychopathische Auftragsmörder Luc, der Rache für den Tod seines Bruders sucht... Alles lesenSafeknacker Red wurde gerade aus dem Gefängnis entlassen und versucht, seine Familie zusammenzuhalten. Doch der psychopathische Auftragsmörder Luc, der Rache für den Tod seines Bruders sucht, ist ihm auf den Fersen.Safeknacker Red wurde gerade aus dem Gefängnis entlassen und versucht, seine Familie zusammenzuhalten. Doch der psychopathische Auftragsmörder Luc, der Rache für den Tod seines Bruders sucht, ist ihm auf den Fersen.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Empfohlene Bewertungen
This was a fun movie and the acting was great. Yes, there was some weird unnecessary attachment to pulp fiction (25 years later!) but I'm pretty sure that was intentional. I can tell Roger Avary was almost doing an homage to Pulp Fiction and it didn't weaken the film for me. Crispin Glover was awesome, the actor that played Red was solid, the female lead was great too. The over-the-top bits were perfectly executed, finding the balance between absurd and comical while keeping the story flowing. I didn't know what to expect going into this, but I left the theatre wanting to see it again. It packed a lot of action and great acting into a film that was probably 10 mil budget (low in this day and age.)
The crazy frenchman is on a revenge streak and fresh-outta-jail is trying to protect his family. The movie has an identity crisis / like a dark action that can't decide if it wants to be funny.
First, I appreciate this kind of movies from time to time that tries hard to copy the original style from Pulp Fiction or Lock and Stock.
Second, this one tries hard but fails soon, as soon as the script create weird situations and decisions from the characters.
Lastly, some movie characters could have been great, with a more risky script, but the movie fails on originality and sinks by itself. The ending is a cheesy joke.
Overall watchable but not a great one. I suggest to watch it if you're a great fan of Guy Ritchie's movies or Tarantino. I didn't love as I would this one honey bunny.
I think this is quite a fun crime comedy. There's blood, action, love and jokes. The French madman is a memorable character, while the art by the wife quite resembles what I think of the modern art world. I enjoyed watching this film.
Violent, gory, crude and vulgar. If this is your kind of thing, you will probably enjoy "Lucky Day". Roger Avary directs and writes this film. He co-wrote Pulp Fiction and also wrote screenplays for Silent Hill and Beowulf. He directed Killing Zoe and The Rules of Attraction (both underrated in my opinion).. He has done some good stuff and I enjoyed all those movies. That being said, I was expecting a little more with this one. It wasn't great but it definitely wasn't bad either. It diverted my attention for a solid 95 minutes. If you ask me, the reason to watch this movie is for Crispin Glover's performance as the psychopathic hit man with a crazy French accent. So over the top but it makes the movie that much better. I'm not saying the other actors weren't good in it because they work with what they are given and they do a good job. Luke Bracey and Nina Dobrev (who puts on a convincing accent as well), were both solid in their roles. The movie could have had a little more storyline added in there, but it was watchable. I'll give it a 6.75/10
Wusstest du schon
- WissenswertesWriter/Director Roger Avary had announced the sequel to Killing Zoe (1993) would be called Lucky Day more than 20 years prior to the release of this film.
- PatzerAfter Luc steals the yellow car he forgets his briefcase is on the roof before peeling out and racing away.
- VerbindungenFeatured in 2020 Canadian Screen Awards for Cinematic Arts (2020)
- SoundtracksLes Nuits d'une Demoiselle
Music by Raymond Legrand and Colette Renard
Lyrics by Guy Breton
Performed by Aude Taillandier (as Ô de mon Chéri)
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- Ngày May Mắn
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- Budget
- 8.800.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 222.945 $
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