Emma ist eine Frau, die in die Augen eines gefährlichen Mörders geschaut hat, John war ein Serienmörder, der verzweifelt nach Erlösung suchte, und Mary versucht, ihre vermisste Tochter zu fi... Alles lesenEmma ist eine Frau, die in die Augen eines gefährlichen Mörders geschaut hat, John war ein Serienmörder, der verzweifelt nach Erlösung suchte, und Mary versucht, ihre vermisste Tochter zu finden.Emma ist eine Frau, die in die Augen eines gefährlichen Mörders geschaut hat, John war ein Serienmörder, der verzweifelt nach Erlösung suchte, und Mary versucht, ihre vermisste Tochter zu finden.
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If ever there was a title that represented truth in advertising, this is that title. All the characters in this limited series have their secrets, and in some cases, their their own hearts and minds keep secrets from themselves. The series features very good writing and excellent acting, especially from the principals: Lily Rabe, Amy Brenneman, and Hamish Linklater. Plenty of twists and turns for fans of murder mystery thrillers. So why did I rate this only 7 out of 10? Because the last couple of episodes start to spiral down a bizarre rabbit hole of secrets and conspiracies that are not plausible. "Heroes" become "villains" and vice versa. Certain secrets that we finally thought that we had learned and understood, turn out to not be true. That's all well and good if my disbelief and trust in "Occam's Razor" can be suspended, but everybody has their own limits in that regard, and mine were exceeded. Plus, I have a pet peeve about the last scene/shot of a drama being used to set up a "sequel" (or a second season, in this case), and not to provide any closure to the original story/season. Hence, a potential 9/10 shrinks by two.
Good show. Addictive rhythm. Good screenplay.
Acting is outstanding with a few exceptions and a couple of very weak scenes.
Script is fine. But everything is so twisted that need to work back to back with good editing
Bad editing. Too many open issues. Not every single question must be answered but at least the final edition needs to provide some closure or light to some of them.
Reasons... Backgrounds Come on! You can do better.
Acting is outstanding with a few exceptions and a couple of very weak scenes.
Script is fine. But everything is so twisted that need to work back to back with good editing
Bad editing. Too many open issues. Not every single question must be answered but at least the final edition needs to provide some closure or light to some of them.
Reasons... Backgrounds Come on! You can do better.
I spent all day watching this series. I really enjoyed it. There were so many storylines, you think you're waiting to find out what happens during one story line and then it crosses with another. Definitely kept me on my toes. As far as I'm concerned, Hamish stole every scene he was in. More please.
This series is better than many of the reviews here. The last two episodes were all over the place and rushed but the build up was good and the initial premise was fine. There were some wonky twists towards the end that went overboard but it's a limited series so I guess they didn't feel constrained to reign anything in for seasons that are never gonna happen.
Amy Brenneman Lily Rabe and Hamish Linklater all started on the stage before graduating to "character actors" on film and television. They know how to steal a scene.
In this series, Brenneman plays a grieving mother who will (quite literally) do anything to find out what happened to Theresa, her missing daughter. Rabe is the woman who was there when her serial killer boyfriend snatched Theresa, and cannot forgive herself for not stopping him. Linklater is a serial predator who hopes to stop looking for prey. Meanwhile, someone is killing young girls, and a local foster home is full of potential victims.
The show is helmed by Harriet Warner of "Call the Midwife," but its Louisiana setting, subject matter, and pacing seem more rooted in the gloomy "True Detective." Fear and depression follow each of the three lead characters through the steamy swamps and grimy buildings.
They all have something to hide, and the series gives us the slow, plodding revelation of their secrets. Sadly, the pacing is uneven, with more happening in the first episode than in the next three.
The production values are generally good, but the sound is at time uneven. Music drowns out voices, and the dark sets made it hard for me to watch in a well lit room.
There are multiple plots, which mean it is best seen as a binge stream over a few days.
I enjoyed most of it, and thought the acting was phenomenal. The plot? Unbelievable, but THIS IS TV.
In this series, Brenneman plays a grieving mother who will (quite literally) do anything to find out what happened to Theresa, her missing daughter. Rabe is the woman who was there when her serial killer boyfriend snatched Theresa, and cannot forgive herself for not stopping him. Linklater is a serial predator who hopes to stop looking for prey. Meanwhile, someone is killing young girls, and a local foster home is full of potential victims.
The show is helmed by Harriet Warner of "Call the Midwife," but its Louisiana setting, subject matter, and pacing seem more rooted in the gloomy "True Detective." Fear and depression follow each of the three lead characters through the steamy swamps and grimy buildings.
They all have something to hide, and the series gives us the slow, plodding revelation of their secrets. Sadly, the pacing is uneven, with more happening in the first episode than in the next three.
The production values are generally good, but the sound is at time uneven. Music drowns out voices, and the dark sets made it hard for me to watch in a well lit room.
There are multiple plots, which mean it is best seen as a binge stream over a few days.
I enjoyed most of it, and thought the acting was phenomenal. The plot? Unbelievable, but THIS IS TV.
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- WissenswertesLily Rabe (Emma Hall) and Hamish Linklater (John Tyler) are a couple in real life and have two children together.
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