Liverleaf

Before the movie even gets 15 minutes in, it is already difficult not to feel bad for Haruka. The bullies are relentless, and the teachers do nothing to help as the school will be closing in one year, and they want to "maintain the peace".

Her parents are absolutely disgusted by this, and try to console her, and keep an eye out by going to look for her if she doesn't get home at her usual time. They even tell her she can quit attending the school as the burden has grown so intense. Haruko's parents are very loving, as is her sister who always keeps an eye out for her. When offered the opportunity to quit going to school, she accepts it, but this only ends up shifting the bullying to another person.

After a few days of being away from school, Haruko and Mitsuru, the only person who stands up for her at school, go out together. During which time, the person who has now fallen victim to the bullying sets her house on fire, killing her beloved parents, and injuring her sister greatly.

That is essentially the synopsis and beginning fleshed out, after that, the story truly begins. As you can imagine, the rest of the movie is a complete revenge flick once she truly snaps.

When she does snap, it is something that makes the viewer think, "you go Haruka!". The antagonists were written for us to hate them, for us to side with Haruka. Morals go out the window when you are dealing with things this intense, and that is probably why the writers wrote the antagonists to be such easy to hate characters.

While she was essentially a very caring, compassionate, and strong young woman prior to this all, once this happened she became a truly intense force with no intention of stopping until she has exacted her revenge.

There are a few surprises in the movie to say the least, despite how straightforward the plot is. One of the twists is a bit smaller, but still interesting and explains some things, and the other twist is much bigger. This twists ends up leading to an even more unexpected ending. These kinds of movies obviously don't have happy endings, so don't expect to be smiling after this is over!

Revenge horror films are not uncommon in any country. There are plenty of them made in many countries, but Japan can really take it to the next level with revenge flicks usually. I mean, realistically many J-Horror are revenge flicks in a sense given that even in ghost movies it is for revenge. Revenge and vengeful spirits plays a major role in Japanese horror and psychological movies.

Gore wise, it does get fairly gory at some parts, but nothing too intense like certain another movies...

As for the acting, most of the actors did pretty good.

Cinematography wise, the element of snow and blood went quite nicely together, but the snow in general made it more atmospheric.

There could have definitely been more atmospheric setup if some music was implemented...That part in particular is a let down, because some unsettling music would've really helped to make the atmosphere more intense. The music is very subtle and almost nonexistent. Honestly, I'd probably give this 9 stares if there had been a more of a soundtrack. Like I stated, it really has very little music, and none really serves to highlight the intensification of the story.

It is a good movie, but I'm not sure how soon I'll be re-watching it! As you can imagine, such films are ones you have to be in the mood for, or just checking out, or showing to someone else, etc. If I am ever in the revenge flick mood though, this will probably be on the list of what to watch!!

One of those movies that you are expecting a boring movie about teenagers been bullying but this was an existing one for all of those like me that enjoy Japanese manga incredible and unexpected.

Nozaki is a recent transfer at a junior high school in rural Japan. Most the other students are indifferent towards her, but some are beyond cruel. After her parents convince her to stay away from school until graduation, the bullies (Taeko, Rumi, Hide, Tsutomo, Risa and Kyoko) decide to ramp up their efforts and burn her house down, killing her family and gravely injuring her baby sister. Nozaki returns in silence some time after to exact revenge on all those who crossed her.

This is a by the numbers revenge thriller, similar to Kevin Bacon's "Death Sentence" or even "Leon," if Natalie Portman had been both Mathilda and Leon. Sadly, the plot has very little beyond watching the worst children ever be bloodily murdered. It does give us a little extra in seeing how most of the children live with their families, hinting at story that would have been explored more fully in the manga, but most of it is predictable (head bully Taeko has a rich but neglectful parent, the most violent female has an abusive alcoholic father, the crazy one has a nice, useless mum). In a moment of humour, the parents arrive at the school to harass the homeroom teacher, each day more and more of them appearing as more of their children disappear, all culminatin in one of the more bizarre deaths of the film.

The major fault, though, is the cinematography. Typical of Japan, the palettes and styling are all very clean and lovely to look at (blood on snow always is a winner, and Nozaki's red pea coat beneath her flowing hair as she stalks victims in the winter is quite the evocative image), but the director and photographers really struggle with everything else. The use of CGI is jarring because it does not blend well with the real footage, the special effects make up for some of the injuries goes beyond cartoonish to just plain poorly executed, and the actors react so confusingly to the violence (all done in an effort to show the cuts and wounds being inflicted). It looks amateurish and clumsy at times. The dialogue is beyond simple, as well.

With a runtime of just under 2 hours, it definitely outstays its welcome. However, with a penchant for severed achilles tendons and rusty spikes going into eyes, there's plenty of visceral carnage for gore lovers to enjoy.

"Liverleaf" (2018) directed by Eisuke Naitô based this story on a teen dystopian view on "bullying" and angst. The film is a cinematic interpretation of the manga comic, "Misumisô" by Rensuke Oshikiri. The main target of the bullying is focused on "Haruka Nozaki" (helmed by Anna Yamada) and her family in a nondescript small town.

Naitô stays true to the type of overtop violence found in Japanese graphic novels. Most of violence was filmed in a stylish manner, even to the clothing and injuries endured onto the teen characters.

"Liverleaf" or "Misumisô" refers to a beautiful purple flower that blooms in the winter landscapes, which why many outdoor scenes were in amidst the social snowy landscape. Nozaki's revenge on her bullies starts to toil when a snowstorm appears.

Teen actors were good at delivering psychotic behavior, like the character, "Rumi" played by Rena Ôtsuka. Aside from the celluloid teen assaults, it is a teen love story, or stories. As the film proceeds to a dwindling number of teen survivors, there are plot discovery of a triangle appears.

I had viewed it at an international film festival where most of the viewers were starting to laugh when the violent scenes came up. I feel that their laughing was to deal with the on-screen gore; I would think that Naitô would please to see these reactions.

I liked the progressively more violent and gore turn of this movie. The scenes are really pleasant and aesthetic and the plot itself it's interesting. It talks about bullying but takes it to an exponential level of caos, along with some nice unexpected turns.