Eine Mary Ann mittleren Alters kehrt nach San Francisco zurück und trifft sich wieder mit den exzentrischen Freunden, die sie zurückgelassen hat.Eine Mary Ann mittleren Alters kehrt nach San Francisco zurück und trifft sich wieder mit den exzentrischen Freunden, die sie zurückgelassen hat.Eine Mary Ann mittleren Alters kehrt nach San Francisco zurück und trifft sich wieder mit den exzentrischen Freunden, die sie zurückgelassen hat.
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Having read all the books several times I was looking forward to this series on Netflix.
I'm so glad Olympia Dukakis, Laura Linney, Paul Gross and Barbara Garrick came back. Shame one of the original 'Michael' actors didn't return.
The story was ok but hardly resembled the story in the last 3 books that would be appropriate for the passing of time for the characters. Anna's flashback story was a good addition however but the ending was quite underwhelming.
I feel that it missed an opportunity to tell the real story of the characters as there was a wealth of story available from 'Michael Tolliver Lives' 'Mary Ann in Autumn' and 'The Days of Anna Madrigal' to make a brilliant season.
Shame they got the timing wrong! Michael and Mary Ann should be in their 60s now! It would have sat better if it was set in the late 90s yearly 00s.
Also a shame they didn't keep the original theme music. It would have helped to retain some of the magic of the original. Netflix seem to have aimed the series at a new audience but forgetting the existing fans of the books and first 3 series.
A good watch that filled a rainy day.
We wait now for the next book by Maupin about Mona as he announced on Radio 2 last week.
Also a shame they didn't keep the original theme music. It would have helped to retain some of the magic of the original. Netflix seem to have aimed the series at a new audience but forgetting the existing fans of the books and first 3 series.
A good watch that filled a rainy day.
We wait now for the next book by Maupin about Mona as he announced on Radio 2 last week.
I was really looking forward to the updated version, as I have seen every episode as it originally aired on PBS. The story-line was great, it was awesome to see the original actors'actresses reprising their iconic roles. Then came "the twins". Absolutely not even needed to be a part of the series. Those characters ruined it for me. I understand that perhaps the creator wanted to include Millennials to introduce the series to a new generation, but OMG, the extreme stereotypes of our youth and their digital habits seem to have gone too far, and the outcome that was in the show was not only extremely annoying but downright ridiculous. And to think I was worried about the stereotypes of the LGBTQ community.
I was very excited about this new series on Netflix, where love is standing central. Love told in many ways... new love, family love, love for friends. There are quite a lot of characters passing by in a short time, but in some way you get easily connected to their stories and all lead actors try to bring as many depth to their characters as possible. It doesn't want to be pretentious, which I was afraid of. Tales of the City does deliver some great stories. This should be clearly a series which needs more story and episodes to give some characters more space to tell their story. But, it's all heart warming and just the sort of series what we need these days. If your heart isn't made of stone, I'm sure you will melt in a heartbeat.
I thought this production was done well and was really poignant, although at times the acting was a bit contrived. However, speaking as one who was born and raised in The City, I found this to be very "San Franciscan"... the gay, the straight and the in between. I found myself getting nostalgic and teary eyed, especially with the night scenes from the roof showing North Beach....I could just feel and smell that night air. All in all, enjoyed it.
I live in San Francisco, I read all the books, and loved the original P.B.S. series. I'm definitely in the target audience. There are parts of the series that they get right and enjoy. From a nostalgic point of view, it's fun and delightful seeing the original actors: Olympia Dukakis and Laura Linney playing Mrs Madrigal and MaryAnne Singleton. Murray Bartlett and Ellen Page are welcome additions and fit right in to the cast as Michael Tolliver and Shauna. Armistead Maupin's story has always had a whimsical "alternative, somewhat idealized reality " that you have to somewhat suspend reality to be on board for both the books and the television series. The new writers have maintained this tone which has it's pros and cons. The pros are: it's cute and whimsical. Gay men also enjoy it for being able to see men actually doing more than kissing. The P. C. sex scenes of all genders are plentiful throughout the episodes. The overall story lines seem slow and very drawn out over the 10 episodes. I'm an attempt to please everyone, particularly a younger maybe more progressive crowd, there's the young kids storyline with the trans and gender fluid kids. A 2 hour movie would have moved the story along in a more smooth and succinct way, instead of "way to many " conversations about people and past events. (The worst stereotypes of the daytime soaps when fans complain about the snails pace of stories). If you're stuck home with the flu or it's bad weather outside, it's not a bad way to pass the time. If you want an entertaining well written, cohesive plot drive show with characters you're invested in, try something like "Schitts Creek ". I was really disappointed with this one!
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- WissenswertesLaura Linney's first involvement with the works of friend Armistead Maupin occurred 25 years earlier in the writer's first filmed series Armistead Maupin's Geschichten aus San Franzisko (1993).
- PatzerIn the final episode, Michael reminisces about when he first moved to 28 Barbary Lane after he saw an ad in a newspaper. In actual fact, he moved in with his friend Mona Ramsey, who was already living in the building, and he chose to remain in the apartment after she left.
- VerbindungenFeatured in Disclosure: Hollywoods Bild von Transgender (2020)
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