Nachdem sie an einer seltsamen Krankheit gestorben ist, an der sie drei Jahre lang litt, kehrt eine Mutter nach Hause zurück, um ihre Kinder abzuholen.Nachdem sie an einer seltsamen Krankheit gestorben ist, an der sie drei Jahre lang litt, kehrt eine Mutter nach Hause zurück, um ihre Kinder abzuholen.Nachdem sie an einer seltsamen Krankheit gestorben ist, an der sie drei Jahre lang litt, kehrt eine Mutter nach Hause zurück, um ihre Kinder abzuholen.
- Auszeichnungen
- 12 Gewinne & 22 Nominierungen insgesamt
Empfohlene Bewertungen
This is my first Indonesian horror film n what an awesome horror film it turned out to b. After reading that it is a slow burner my excitement dropped but once I played the dvd, from the settings I cud smell that it's gonna b creepy.
A big ol house situated next to the cemetary in the rural Jakarta is sufficiently eerie.
The performances, from the star cast, especially the small kid n the elder sis are grounded and very convincing.
The director's approach to the suspense and horror is slow-building but very very creepy. He shud b given a chance to direct a part of the franchise from the Insidious, Conjuring, Annabelle series. The story is very intriguing. The stark imagery and demonic cutaways were implemented to marvelous effect. Indeed a very scary, spine-tingling n dreadful film.
The interior lighting and shading at the house to some of the daytime n nighttime cemetary exteriors provided some beautiful photography.
The old house with the many rooms, a water well inside its premise n an olden era bathroom all added an eerie feel.
The demons with their umbrella's in the cemetary was top notch scary stuff.
Some solid jump scares as well as some other stylish cuts help create a sense of terror.
The film is full of non cliches jump scares which r creepy n terrifying. There is one very violent n detailed gruesome scene which i don't wanna spoil.
Usually if characters "act" in a certain way (meaning not really smart or favourable), I tend to dislike the movie and won't have really a good time watching it. This movie walks that fine line and also walks another very difficult line masterfully: combining horror and comedy (or light moments to be more specific).
There are certain moments, that really made my skin crawl. The ideas they had at some parts were really good. It may have the trappings of most horror movies, but you can either hold this against the movie or just roll with it. I can really recommend to do the latter, even if you are a bit of a cynic. The mood the cinematography captures is riveting ...
There are certain moments, that really made my skin crawl. The ideas they had at some parts were really good. It may have the trappings of most horror movies, but you can either hold this against the movie or just roll with it. I can really recommend to do the latter, even if you are a bit of a cynic. The mood the cinematography captures is riveting ...
This remake horror movie is fantastic. I like this kind of horror. Very spooky atmosphere. Good job to director. Jump scare everywhere. Good acting and storyline. Recommended. Well done looking for next sequel.
THIS was a breakthrough for Indonesian horror? In that case they have a looooong way to go in terms of storytelling.
You've seen everything on display here. Without giving up any spoilers, suffice it to say, most of these scenes can be seen in "The Exorcist," "The Omen," "Zombie," and countless other horror films. In fact, "Satan's Slaves" is so derivative that it simply seems like an Indonesian version of countless other South Korean horror films.
The film had a slow build with a few jump scares, but the ending was a let down. Anyway, it is what it is. I suppose that coming from Indonesia, a religious country rife with censorship laws, "Satan's Slaves" would probably have been a breakthrough in that sense. Otherwise, meh. Nothing to see here, folks.
You've seen everything on display here. Without giving up any spoilers, suffice it to say, most of these scenes can be seen in "The Exorcist," "The Omen," "Zombie," and countless other horror films. In fact, "Satan's Slaves" is so derivative that it simply seems like an Indonesian version of countless other South Korean horror films.
The film had a slow build with a few jump scares, but the ending was a let down. Anyway, it is what it is. I suppose that coming from Indonesia, a religious country rife with censorship laws, "Satan's Slaves" would probably have been a breakthrough in that sense. Otherwise, meh. Nothing to see here, folks.
With many costume changes for Rini, must have had a big wardrobe or was prone to spillage. That said, a visit to Indonesia pays dividends in a genuinely jumpy Horror film with great special effects that pinches plots a plenty: only to be expected living next to a cemetery, but just about gets away with it.
Wusstest du schon
- WissenswertesThis is director Joko Anwar's pet project. Mesmerized and completely terrified by the original upon sneaking up in a theater to watch it when he was a kid in the 80s, he had been lobbying Rapi Films to give him the directing duty if they ever decide to remake it. Fortunately for him, they did.
- PatzerThe son's head crushed by a truck, is intact when his body is taken to family.
- VerbindungenFollowed by Pengabdi Setan 2: Communion (2022)
- SoundtracksKelam Malam
Performed by The Spouse and Aimee Saras and 'Tony Marle'
Written by Joko Anwar and 'Tony Marle'
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Pengabdi Setan
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 2.000.000.000 IDR (geschätzt)
- Weltweiter Bruttoertrag
- 431.730 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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