Christian Wolff setzt seinen brillanten Verstand und seine illegalen Methoden ein, um das ungelöste Rätsel um den Mord an einem Finanzminister zu rekonstruieren.Christian Wolff setzt seinen brillanten Verstand und seine illegalen Methoden ein, um das ungelöste Rätsel um den Mord an einem Finanzminister zu rekonstruieren.Christian Wolff setzt seinen brillanten Verstand und seine illegalen Methoden ein, um das ungelöste Rätsel um den Mord an einem Finanzminister zu rekonstruieren.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Alison Wright
- Voice of Justine
- (Synchronisation)
Fernando Chien
- Sorkis
- (as Fernando Funan Chien)
Empfohlene Bewertungen
7/10. The Accountant 2 serves as a worthy sequel. Leaning more into brotherly banter, tighter action, and plays into a lighter and humorous tone.
The plot and character arcs, much like the first, leave a lot to be desired. The story isn't as convoluted as the first but still gets murky. The villains are one dimensional, generic, and quite forgettable. Sadly, Anna Kendrick doesn't return.
The film heavily relies on bringing Jon Bernthal into a bigger role and it works. His strained relationship and funny lines with Affleck are the heart of the movie. Crazy stuff always happens when Bernthal and Affleck show up. Their actions scenes are fun to watch. They are brothers who are trying to get along and get past their messed up childhood trauma. This results in the humor being less dry; for better or worse.
Ben Affleck again does a splendid job in his role as a Aspergers man with his different tics and mannerisms. He is smart, nerdy, and a killing machine. Yes, the Hollywood portrayal of Asperger's is kind of cliché for the sake of the plot. Not all of us are genius computer hackers. Or killers for that matter. But the film did a respectable job with depicting the thinking, psyche, and social struggles on a personal level.
I think Ben got the weirdness down well by being around Matt Damon for too long. Haha, just kidding Matt, you're great. In the one trillion chance you read this, please don't be mad.
Thank you, Regal Cinemas, for showing this early on Tax Day. No, I didn't see this at a film festival but that would have been awesome. (Hint, hint). Ben Affleck awkwardly line dancing was very hilarious. Kudos to suggesting the band play a Metallica song.
The plot and character arcs, much like the first, leave a lot to be desired. The story isn't as convoluted as the first but still gets murky. The villains are one dimensional, generic, and quite forgettable. Sadly, Anna Kendrick doesn't return.
The film heavily relies on bringing Jon Bernthal into a bigger role and it works. His strained relationship and funny lines with Affleck are the heart of the movie. Crazy stuff always happens when Bernthal and Affleck show up. Their actions scenes are fun to watch. They are brothers who are trying to get along and get past their messed up childhood trauma. This results in the humor being less dry; for better or worse.
Ben Affleck again does a splendid job in his role as a Aspergers man with his different tics and mannerisms. He is smart, nerdy, and a killing machine. Yes, the Hollywood portrayal of Asperger's is kind of cliché for the sake of the plot. Not all of us are genius computer hackers. Or killers for that matter. But the film did a respectable job with depicting the thinking, psyche, and social struggles on a personal level.
I think Ben got the weirdness down well by being around Matt Damon for too long. Haha, just kidding Matt, you're great. In the one trillion chance you read this, please don't be mad.
Thank you, Regal Cinemas, for showing this early on Tax Day. No, I didn't see this at a film festival but that would have been awesome. (Hint, hint). Ben Affleck awkwardly line dancing was very hilarious. Kudos to suggesting the band play a Metallica song.
Ben Affleck's portrayal of Christian Wolff in The Accountant 2 feels noticeably different this time around. His character's autism traits seem more exaggerated, which comes off as a disservice to the subtle brilliance of the original performance. The addition of more overt comic relief also feels jarring and out of place-it shifts the tone from the gritty, tightly wound thriller of the first film into something less focused. That said, there are a handful of scenes that are exceptionally well shot, with crisp choreography and dark, gritty visuals. Ultimately, the film struggles to balance its identity, wavering between serious character study and action-comedy hybrid. It's watchable, but not nearly as satisfying as the first.
The Accountant 2 doubles down on the action and humor over the first film. It does however try to juggle too many subplots that are poorly connected, leading to a less coherent film and a lack of a singular, hateable villain.
On the plus side, making Jon Bernthal a co-lead this time was incredibly smart. He and Affleck have great chemistry and Bernthal's Braxton is both a lethal threat and downright hilarious. This is easily his best role since The Punisher.
Like the first film, action isn't the primary focus, with a lot of time spent on enjoyable character moments. But when the action does arrive, it really delivers. Depending on what the new Mission: Impossible has in store for us, the Juarez shootout in this film may go down as the best action sequence of the year.
Again, I wish more of the character development had been focused on the villains, so we'd have a central antagonist who seems like a real threat. Instead we get several boring micro-villains.
I also wish the writing and editing were working in better harmony to bring us a more coherent story.
But all that said, Affleck and Bernthal have charm to spare, the final act is awesome, and this is a decent follow up to the admittedly better first film. 7/10.
On the plus side, making Jon Bernthal a co-lead this time was incredibly smart. He and Affleck have great chemistry and Bernthal's Braxton is both a lethal threat and downright hilarious. This is easily his best role since The Punisher.
Like the first film, action isn't the primary focus, with a lot of time spent on enjoyable character moments. But when the action does arrive, it really delivers. Depending on what the new Mission: Impossible has in store for us, the Juarez shootout in this film may go down as the best action sequence of the year.
Again, I wish more of the character development had been focused on the villains, so we'd have a central antagonist who seems like a real threat. Instead we get several boring micro-villains.
I also wish the writing and editing were working in better harmony to bring us a more coherent story.
But all that said, Affleck and Bernthal have charm to spare, the final act is awesome, and this is a decent follow up to the admittedly better first film. 7/10.
I really enjoyed the first 'The Accountant' so had high expectations for the follow up.
Sadly, I was very dissappointed.
The first film had some logic, it made sense, it had a story. So made the all action nonsense plausible and therefore excusable as 'artistic license.
The Accountant 2 is all action nonsense.
It makes very little sense. Very weak on story and logic i.e. Not believable for the audience to invest in it.
E.g. Why would Ray King in retirement, spend all his money 'investigating' alone and particularly for one child ?
Why would Chris (Affleck) reveal his computer help source (Justine) and her location so glibly.
It was absurd how the woman assassin was supposed to be the woman in the picture, It was also absurd how she was more like a terminator than a person.
And there are many more such issues, that prevent the story from flowing logically and therefore immersing the audience in a journey.
Instead you are repeatedly 'jolted' out, asking what? Why? When? Sort of questions, which don't have answers.
Ben Affleck is looking a bit aged and gaunt, but he and the guy who plays Braxton , played their parts compentently, but were let down by the weak script.
It does have some laughs, It's not terrible, just very mediocre, certainly nowhere near as good as the first film.
Would I watch this again ? No, it's too glib and lacks cohesion.
Yet, I have watched the first film several times and I will watch it again.
Very dissappointed and I felt this was a missed opportunity.
Not worth a full price cinema ticket.
Sadly, I was very dissappointed.
The first film had some logic, it made sense, it had a story. So made the all action nonsense plausible and therefore excusable as 'artistic license.
The Accountant 2 is all action nonsense.
It makes very little sense. Very weak on story and logic i.e. Not believable for the audience to invest in it.
E.g. Why would Ray King in retirement, spend all his money 'investigating' alone and particularly for one child ?
Why would Chris (Affleck) reveal his computer help source (Justine) and her location so glibly.
It was absurd how the woman assassin was supposed to be the woman in the picture, It was also absurd how she was more like a terminator than a person.
And there are many more such issues, that prevent the story from flowing logically and therefore immersing the audience in a journey.
Instead you are repeatedly 'jolted' out, asking what? Why? When? Sort of questions, which don't have answers.
Ben Affleck is looking a bit aged and gaunt, but he and the guy who plays Braxton , played their parts compentently, but were let down by the weak script.
It does have some laughs, It's not terrible, just very mediocre, certainly nowhere near as good as the first film.
Would I watch this again ? No, it's too glib and lacks cohesion.
Yet, I have watched the first film several times and I will watch it again.
Very dissappointed and I felt this was a missed opportunity.
Not worth a full price cinema ticket.
I really like The Accountant. It dared to change the action movie lead role with an autistic character, providing a very interesting role. How would the combination of strengths and weaknesses that The Accountant's condition play out in the dangerous world of international criminals and hitmen?
It was this combination of obsessive/compulsive need for order and completion, combined with an inability to empathise or understand social interactions, that made Affleck's character, Christian Wolff, so interesting.
In the sequel, the writing is not as focused on Affleck in the same way. Instead the focus is on the relationship between him and his brother (Bernthal). While well acted, this simply does not have the same appeal. The movie shines when Wolff's neurodivergence is front and centre, but otherwise it feels like any other generic action-thriller (albeit a well-done one).
It was this combination of obsessive/compulsive need for order and completion, combined with an inability to empathise or understand social interactions, that made Affleck's character, Christian Wolff, so interesting.
In the sequel, the writing is not as focused on Affleck in the same way. Instead the focus is on the relationship between him and his brother (Bernthal). While well acted, this simply does not have the same appeal. The movie shines when Wolff's neurodivergence is front and centre, but otherwise it feels like any other generic action-thriller (albeit a well-done one).
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
Wusstest du schon
- WissenswertesIn February 2020, Ben Affleck revealed there were talks about a follow-up to The Accountant (2016), but they had yet to nail down a script. At the same time, he also mentioned there were talks of developing a TV series based on the film.
- PatzerWhen the hackers gain access to the selfie lady's computer, they have no reason to distract her. With anything close to the level of access they have at that point they would just copy the files out. Taking over her desktop is completely pointless.
- Zitate
Christian Wolff: The fall didn't kill him. It was the abrupt stop.
- VerbindungenFollows The Accountant (2016)
- SoundtracksSee-Line Woman
Written by George Bass and Nina Simone
Performed by Danielle Ponder and Bryce Dessner
Produced by Bryce Dessner
Courtesy of Saddest Factory Records
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- El contador 2
- Drehorte
- Cowboy Palace Saloon - 21635 Devonshire St, Chatsworth, Los Angeles, Kalifornien, USA(Honky Tonk bar scene.)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 80.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 65.523.366 $
- Eröffnungswochenende in den USA und in Kanada
- 24.533.959 $
- 27. Apr. 2025
- Weltweiter Bruttoertrag
- 103.223.366 $
- Laufzeit
- 2 Std. 12 Min.(132 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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