Creation of the Gods I: Kingdom of Storms
Originaltitel: Feng Shen 1: Zhaoge Feng Yun
IMDb-BEWERTUNG
6,7/10
5841
IHRE BEWERTUNG
Ein großartiges östliches High-Fantasy-Epos, das die langwierigen mythischen Kriege zwischen Menschen, Unsterblichen und Monstern wieder aufleben lässt, die vor mehr als dreitausend Jahren s... Alles lesenEin großartiges östliches High-Fantasy-Epos, das die langwierigen mythischen Kriege zwischen Menschen, Unsterblichen und Monstern wieder aufleben lässt, die vor mehr als dreitausend Jahren stattfanden.Ein großartiges östliches High-Fantasy-Epos, das die langwierigen mythischen Kriege zwischen Menschen, Unsterblichen und Monstern wieder aufleben lässt, die vor mehr als dreitausend Jahren stattfanden.
- Auszeichnungen
- 45 Gewinne & 45 Nominierungen insgesamt
Kris Phillips
- King Zhou
- (as Hsiang Fei)
Chen Muchi
- Yin Jiao
- (as Muchi Chen)
Empfohlene Bewertungen
Chinese mythological epics are rare - mainly because cast of characters and their relationships to mystical themes can be overwhelming. Lots of characters and events compete with waning audience attention.
It's surprising how satisfying the film is. There's battles galore, assisted by the support of abundant CGI in nearly every frame; some effects worked (the battles) while others didn't (the flying fox spirit), while a visit to the realm of the immortals was disappointing. While the story itself was irregularly paced, I found it more absorbing than, say, LOTR, and you can't deny that Chinese mythology has never been rendered as well as this film.
There's loud instrumental music from start to finish, with plenty of fights to keep your attention. The sincerity of the narrative is balanced by an amusing trio of spirits who try to prop up a failing Shang dynasty. It's really a miracle of sorts that the narrative coheres so well.
It's surprising how satisfying the film is. There's battles galore, assisted by the support of abundant CGI in nearly every frame; some effects worked (the battles) while others didn't (the flying fox spirit), while a visit to the realm of the immortals was disappointing. While the story itself was irregularly paced, I found it more absorbing than, say, LOTR, and you can't deny that Chinese mythology has never been rendered as well as this film.
There's loud instrumental music from start to finish, with plenty of fights to keep your attention. The sincerity of the narrative is balanced by an amusing trio of spirits who try to prop up a failing Shang dynasty. It's really a miracle of sorts that the narrative coheres so well.
As a Chinese-speaking expat in China and a movie enthusiast, I've had the opportunity to watch the majority of Chinese films released over the past decade since my move here. With a profound respect for Chinese culture, "Creations of the Gods: Kingdom of Storms" was truly the cherry on top for me. It breathed life into my Chinese mythology fantasies, all while maintaining a remarkable level of professionalism. This movie boasts exceptional quality, and I find myself consistently recommending it to those around me. Witnessing the industry progress to such lengths is nothing short of amazing!
This movie deserves a place in cinemas worldwide. I hope it will be appreciated by viewers around the globe.
This movie deserves a place in cinemas worldwide. I hope it will be appreciated by viewers around the globe.
Absolutely a fantastic movie, the storyline, the acting, the virtual images, the music all made this movie an Epic movie.
Let me talk about the conclusion first: this is the best mythical epic movie in China!
As a fan who read Fengshen Yanyi at the age of seven and re-read the original novel countless times in more than 20 years, I can say responsibly that this movie is definitely not a magic reform! On the contrary, it is the first masterpiece among all film and television adaptations.
Some passages that seem magical at first glance are actually well-founded, and they are the optimal solution after careful research and selection. The adaptation of the movie is very good.
This new story from a contemporary perspective can be called a divine script. It is seamless from beginning to end, and echoes before and after the transition.
Can't wait for the 2nd one!! Highly recommend to everyone!
Let me talk about the conclusion first: this is the best mythical epic movie in China!
As a fan who read Fengshen Yanyi at the age of seven and re-read the original novel countless times in more than 20 years, I can say responsibly that this movie is definitely not a magic reform! On the contrary, it is the first masterpiece among all film and television adaptations.
Some passages that seem magical at first glance are actually well-founded, and they are the optimal solution after careful research and selection. The adaptation of the movie is very good.
This new story from a contemporary perspective can be called a divine script. It is seamless from beginning to end, and echoes before and after the transition.
Can't wait for the 2nd one!! Highly recommend to everyone!
This is cinema on a grand scale, everything about it is breathtaking. The cinematography and visuals are stunning, the set pieces are immense, the scope of the story telling is wide and a large cast deliver polished performances. For western audiences, imagine a movie matching the scale and vision of Peter Jackson's Lord of the Rings trilogy. The stories are completely different but there's something about the sheer scale and vision which they share.
The story is quite straightforward, good vs. Evil, the importance of family, moral corruption and the last for power, however it is done extremely well and makes for compelling viewing. The story is based on a classic story, I am not familiar with the original book so cannot comment on how faithful the movie is to the original.
Production values are very high and all of the cast deliver strong performances. If I have a criticism it is that the good vs. Evil story is very heavy. There is no nuance, no grey, the good people are paragons of virtue, the bad people full on over the top villainous caricatures. Although the main villain starts off as quite tragic in falling for the temptations of a demon that is quickly left behind as he becomes crazily over the top evil. That's why I give 9* instead of 10*, a little more nuance in the characters would have added a lot I think.
Overall a terrific movie for those who enjoy fantasy epics on a grand scale. They don't make many like this.
The story is quite straightforward, good vs. Evil, the importance of family, moral corruption and the last for power, however it is done extremely well and makes for compelling viewing. The story is based on a classic story, I am not familiar with the original book so cannot comment on how faithful the movie is to the original.
Production values are very high and all of the cast deliver strong performances. If I have a criticism it is that the good vs. Evil story is very heavy. There is no nuance, no grey, the good people are paragons of virtue, the bad people full on over the top villainous caricatures. Although the main villain starts off as quite tragic in falling for the temptations of a demon that is quickly left behind as he becomes crazily over the top evil. That's why I give 9* instead of 10*, a little more nuance in the characters would have added a lot I think.
Overall a terrific movie for those who enjoy fantasy epics on a grand scale. They don't make many like this.
If you're not put off by subtitles, any fan of war films and heroic fantasy should watch this. Though it seems odd they haven't done an English-dubbed version, which would get it through to a much wider audience.
They could also try a different title. Maybe Superheroes of the Fall of the Shang Dynasty. For Chinese and other East Asians, the idea of mortals becoming gods is familiar and believed by the religious or superstitious. A belief also found in Classical Greece, but confusing for a Western audience.
It is an heroic fantasy, loosely based on the actual fall of the Shang, 3000 years ago. A concubine who was widely blamed in later histories is re-invented as a Fox Demon - another concept unfamiliar in the West. And it is actually simplified from the original legend, which has three spirits sent by an offended goddess to be destructive concubines who made a bad man worse.
Which may be no more historic than Shakespeare's Macbeth, but certainly makes a good drama.
It seems this legend is even better known than Journey to the West / Monkey, which is much better known in the West and had a recent much-rewritten film, as well as a Japanese television series that was popular in the West with dubbing into English. As I said, maybe humans become gods is too odd in the Western view, though the very popular superheroes are essentially the same.
The plot is complex, and I found the palace guards confusingly similar. But it was entertaining, and is the first of three.
They could also try a different title. Maybe Superheroes of the Fall of the Shang Dynasty. For Chinese and other East Asians, the idea of mortals becoming gods is familiar and believed by the religious or superstitious. A belief also found in Classical Greece, but confusing for a Western audience.
It is an heroic fantasy, loosely based on the actual fall of the Shang, 3000 years ago. A concubine who was widely blamed in later histories is re-invented as a Fox Demon - another concept unfamiliar in the West. And it is actually simplified from the original legend, which has three spirits sent by an offended goddess to be destructive concubines who made a bad man worse.
Which may be no more historic than Shakespeare's Macbeth, but certainly makes a good drama.
It seems this legend is even better known than Journey to the West / Monkey, which is much better known in the West and had a recent much-rewritten film, as well as a Japanese television series that was popular in the West with dubbing into English. As I said, maybe humans become gods is too odd in the Western view, though the very popular superheroes are essentially the same.
The plot is complex, and I found the palace guards confusingly similar. But it was entertaining, and is the first of three.
Wusstest du schon
- WissenswertesThe trilogy is Loosely based on the classical fantasy novel "Investiture of the Gods" (Fengshen Yanyi) by Zhonglin Xu and Xixing Lu, which is one of the only two mythical epics in Chinese literature history that originated from real historical events, and was greatly enriched and fabricated with vast imagination and fiction, when it was passed down the generations by storytellers over the last two thousand years, and finally became a classic. All materials came from local Chinese history and culture. It is arguably the No.1 mythical fiction of China.
- VerbindungenFollowed by Creation of the Gods II: Demon Force (2025)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Phong Thần 1: Tam Bộ Khúc
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 800.000.000 CN¥ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.706.355 $
- Eröffnungswochenende in den USA und in Kanada
- 931.140 $
- 24. Sept. 2023
- Weltweiter Bruttoertrag
- 373.021.923 $
- Laufzeit2 Stunden 28 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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What is the Canadian French language plot outline for Creation of the Gods I: Kingdom of Storms (2023)?
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