The Nightmare Gallery

I think horror is probably the wrong category for this movie. It's more of an intellectual thriller and I think that's why so many people seem disappointed by it. Yes, it's a bit long and you have to pay attention to everything that's said for the movie to make any sense, but I think that's kind of the point. Like all indy movies, there are problems, but f you like cult movies that make you think, this is a good watch.

"The Nightmare Gallery" 🌠🌠🌠 This film is a C+ or B- movie across the board. The acting, Music, Cinematography and special FX have the feel of a cheesy made for TV minuscule budget movie. I personally loathe these kind of films so regardless of the storyline or direction these films take it's basically a waste of time when their's a massive amount of good movies to watch and so little time to watch them. I suggest a hard pass on this one.

This is a film about a college anthropology professor who is on the search for her missing student. She begins following clues received in the mail, which puts her career and marriage in jeopardy. The core problem is we never see the relationship between her and the student, so viewers don't feel connected to the plot. Because of this all we know is the main character is rude, disregards her responsibilities, the feelings of those close to her, and comes off and unlikable and weird. Then as we start to get glimpses of Sanjay the missing student, he is just as unlikable and creepy as she is. To sum it up, the music is generic, the actors chew the hell out of the scenery (so many wide eyed head tilts), the characters are unlikable and un-relatable, and the plot is silly and nonsensical for the sake of sounding profound.

Not going to lie, I was disappointed in this. Not because it was bad necessarily, but like others I was expecting more of a budget and more traditional horror elements. That doesn't mean it was terrible, just that it didn't meet my initial expectations. Unfortunately I think a lot of people are going to end up hating this movie due to its budget restraints and 90s made for TV feel. Seems like with this generation low budget is fine for slasher boob and gore flicks, but not for movies that you actually have to pay attention to details to fully grasp the plot. This movie is more of an existential supernatural crossing of realities kind of story that just isn't going to hold viewers attention if they're going to get hung up on subpar effects and acting. That's not to say the acting is bad, but there are a few good performances (namely Amber Benson, Mieko Hillman, and Mat Devine) and a few that are really not. Admittedly the nots can be distracting while they're on screen though. And some of the writing and dialogue could definitely be better. It feels almost soap opera-ish at times.

But I think if you go in knowing the overall production value is going to be more like an episode of some 80s or 90s horror anthology series (think Amazing Stories, Ray Bradbury Theater, Twilight Zone, or Tales From The Darkside) then you'll be better off and more open minded about it. But don't go in expecting theater quality or even Netflix or cable budget. And don't expect anything fast paced either. It's definitely a slow burn psychological mystery thriller, but it does still qualify for the horror genre, just not the hack and slash, torture porn, or even jump scare supernatural that gets the most attention in the genre these days.

It was recommended that I watch this by a friend of one of the filmmakers. I don't usually watch a lot of movies as that I'm more of a television series viewer. This very much reminded me of a series you may see on Netflix or Hulu and that's where it may have been better suited. I feel the filmmakers tried to pack too much into an hour and a half film. This content would have certainly been better explored over the course of 10 or so hours. Nonetheless I still enjoyed it and thought that cast did a stellar job. If you like intellectual drama that plays more like a television series than a traditional movie, give this one a go.