Archive

This science fiction film is set in the year 2038; protagonist George Almore is working alone on a humanoid artificial intelligence at a remote facility in Japan. He has three prototypes each more advanced than the previous; J1 has a childlike intelligence and an armless boxy appearance; J2 is more capable, has arms but is still fairly boxlike... J3 however has a far more human appearance; it is just waiting for its legs to be attached. J3 also bears a noticeable resemblance to Jules, George's late wife. Before the fatal accident George had Jules's conscience copied to a commercial computer system; this enables him to continue conversing with her even though he knows it won't work forever; the signal gets gradually weaker. As George works to complete J3 he encounters some problems; jot least the fact that J2 appears to be jealous.

When I started watching this I had no idea what to expect and early only I suspected it may develop in similar ways to 'Ex Machina', which I really enjoyed... it didn't but I still enjoyed it more so for being original. The story develops in interesting ways and ultimately delivers an ending that was a complete surprise. I liked how the film is ostensibly about robots but in reality is more about the human condition and coping with the death of a loved one. The cast is solid; most obviously Theo James as George and Stacy Martin as J3/Jules... in most scenes these are the only two characters. The effects used are impressive without being distracting. Overall I'd definitely recommend this to fans of science fiction looking for something that makes you think.

I was just going to let this pass by, untill reading an interview with the director. Which drove me to this.

First the good. Slow burning but not too slow, good cinematography, decent acting. The robots J1 and J2 are excellent. Character development in the first 2/3rd's is good. The last 3rd let's it down, the shock ending is anything but a shock and simply burns the first parts down. I think the Toby Jones scene finished it for me in retrospect. Nothing to do with his performance which is great work as always, but it demonstrates the lack of closure the film winds up at by pulling the same tired twist as other, better works.

Hint. When being interviewed about your tripe filled film that ends with a tried and tested one, don't tell us you burned all the usual tropes in your search for originality.

A pity, as the emotional nuances provided by the bots ARE really good, it deserved a more eloquent ending to match the set up, which is done well. A solid 7.5.

Essentially a long episode of black mirror so not a bad thing, a nice sharp pair of scissors in the director's hands would have been a good thing. Santa Claus are you listening? Well, next time.

Good acting, metaphors, twists, turns, etc. Note that the robots he's built are all ersatz wives.....

I expect a lot of people will compare this to Ex Machina, and for good reasons. Excellent story, interesting character development, great acting and directing, this is definitely the kind of smart, evenly paced sci-fi I love (if you're expecting explosions, lasers and flying car chases, you're gonna have a bad time...). While it may be using familiar tropes and the occasional cliche, this truly is a 7/10 throughout that earns its 8th star in the last 15 min. Highly recommended, especially for sci-fi fans!

Not quite in the league of sci-fi brilliance as Ex-Machina or Blade Runner 2049, Archive has an interesting (yet familiar) premise that features humans and artificial intelligence. George, an A.I. scientist, is trying to upload his dead wife's conscience into one of his brilliant android creations. In the process, he has created two prototypes - a bulky one with the intelligence of a toddler, and another smaller, leaner version with the brains of a teenager. Both the prototypes (treated as sisters) develop a connection with their creator. George, however, wants to build a 3rd and final prototype which has the potential to perfectly carry his wife's sensibilities and demeanor.

The story gets a little dramatic in the middle portions, with one of the prototypes feeling jealous of her creator's newfound enticement with his latest, brainiest android. There's also the evil corporate angle which only drives the film faster towards its finale, but what catches you off-guard is that incredible last-minute twist. It leaves the door open for repeat viewings and multiple interpretations. Since Archive takes the predictable route to get to this cracker of a twist, it doesn't get a rating more than what's currently assigned.

Theo James is ideally cast as George; to think this is a film that's primarily about a human living in an isolated lab with 3 robots, James pulls off the stoicism quite well. His relaxed self in those flashback sequences with his wife proved to be an informal breather in an otherwise sober film. The production design and special effects certainly deserve applause.