Count Me In
- 2021
- 1 Std. 21 Min.
IMDb-BEWERTUNG
6,8/10
2376
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuYou can have rhythm without music but you can't have music without rhythm.You can have rhythm without music but you can't have music without rhythm.You can have rhythm without music but you can't have music without rhythm.
- Regie
- Drehbuch
- Hauptbesetzung
Ginger Baker
- Self
- (Archivfilmmaterial)
Art Blakey
- Self
- (Archivfilmmaterial)
The Clash
- Themselves
- (Archivfilmmaterial)
The Damned
- Themselves
- (Archivfilmmaterial)
Deep Purple
- Deep Purple
- (Archivfilmmaterial)
Dire Straits
- Themselves
- (Archivfilmmaterial)
Eurythmics
- Themselves
- (Archivfilmmaterial)
The Human League
- Themselves
- (Archivfilmmaterial)
Iron Maiden
- Themselves
- (Archivfilmmaterial)
Empfohlene Bewertungen
Its interesting but if your going to be inclusive of drum innovators / legends you can not miss a important beat . Neil Peart of Rush . Too bad .
The purpose of and skills involved in being a drummer in a rock band. Told through interviews with some modern day drummers plus a few legends of the profession. They talk about what got them into drumming, who their idols were and why they do it.
An interesting documentary on rock drummers and drumming in general. Shows the evolution from jazz drumming to rock drumming and some more modern variations on it.
The interviews are generally quite illuminating, especially when the drummers, some of whom are legends in their own right, discuss who their heroes were and what made those people so good.
However, it does often degenerate into a mutual back-slapping session. Rather than giving constructive input on other drummers they just parrot how great they were.
Coverage of the greats is pretty good, but with two notable exclusions. The documentary mentions drumming as an "orchestral" musical form and gives examples of drummers who exemplify this, e.g. Keith Moon. However, no mention of Neil Peart who would be the first person to come to mind when thinking of multi-dimensional, "orchestral" rock drumming. Similarly, funk gets covered but then only to the extent that it influenced The Clash and The Police. How about covering some of the great funk drummers, e.g. Clyde Stubblefield?
Overall, not brilliant or entirely comprehensive but still quite interesting.
An interesting documentary on rock drummers and drumming in general. Shows the evolution from jazz drumming to rock drumming and some more modern variations on it.
The interviews are generally quite illuminating, especially when the drummers, some of whom are legends in their own right, discuss who their heroes were and what made those people so good.
However, it does often degenerate into a mutual back-slapping session. Rather than giving constructive input on other drummers they just parrot how great they were.
Coverage of the greats is pretty good, but with two notable exclusions. The documentary mentions drumming as an "orchestral" musical form and gives examples of drummers who exemplify this, e.g. Keith Moon. However, no mention of Neil Peart who would be the first person to come to mind when thinking of multi-dimensional, "orchestral" rock drumming. Similarly, funk gets covered but then only to the extent that it influenced The Clash and The Police. How about covering some of the great funk drummers, e.g. Clyde Stubblefield?
Overall, not brilliant or entirely comprehensive but still quite interesting.
I enjoyed this documentary but it lost a lot of credibility by omitting Neil Peart, considered by most rock fans and all industry magazines as one of the top two or three greatest drummers of all time. His estate might have restricted use of footage but IP laws don't prohibit talking about someone. Wow!
Just to make sure the makers of this documentary get it loud and clear, I'm going to knowingly echo the other reviewers.
Even thought I'm not really a Neil Peart fan, leaving him out of this documentary is virtually a hate crime. Lots of other Iconic drummers are left out, especially the session guys (Blaine, Palmer, Gordon, Porcaro, Purdie, all the Motown drummers). All of the above mentioned would have been much more satisfying than the inordinate amount of screen time devoted to Nicko McBrain, Chad Smith, and the parade of obscure drummers we see here.
Wusstest du schon
- WissenswertesThe opening drum circle was filmed at Mount Wilson Observatory, 5,715 feet above Los Angeles.
- VerbindungenFeatures Die Benny Goodman Story (1956)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Cuestión de ritmo
- Drehorte
- LIverpool, England, Vereinigtes Königreich(archive footage)
- Produktionsfirmen
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- Laufzeit
- 1 Std. 21 Min.(81 min)
- Farbe
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