IMDb-BEWERTUNG
7,4/10
3673
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA documentary about how English actor Leon Vitali came to work as an assistant to American filmmaker Stanley Kubrick for over 30 years.A documentary about how English actor Leon Vitali came to work as an assistant to American filmmaker Stanley Kubrick for over 30 years.A documentary about how English actor Leon Vitali came to work as an assistant to American filmmaker Stanley Kubrick for over 30 years.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Stanley Kubrick
- Self
- (Archivfilmmaterial)
Phil Rosenthal
- Self
- (as Philip Rosenthal)
Empfohlene Bewertungen
If you're a film fan or a Stanley Kubrick fan this movie is a must see. Leon Vitali truly gave and is still giving his life to the work of Kubrick's legendary films. Leon does not begin to get the recognition he deserves. He was truly Kubrick's right hand man. There is so much that goes into completing a film project and Leon became the jack of all trades strictly for the art of Kubrick's films. It has taken a physical, mental, and personal toll on his life, but the man is not bitter. In the current day of digital aid Leon Vitali perfected the films without this help. This film displays literally thousands of documents and notes that Leon wrote while filming. He is truly a one man film crew. Other crew members and actors bring the story to life on how this man gave everything he had and more. Fantastic and inspiring documentary.
A fascinating insight into one of Kubrick's faithful assistants. Essentially this film is aimed at Kubrick fans and film fanatics, but it goes much deeper than that and has the power to absorb anyone who views it. Leon is a dedicated, devoted worker bee who strived tirelessly to help Stanley archive his vision. Stanley Kubrick is obviously a genius, an enigma, and Leon was emersed in this magical world, he worked his fingers to the bone for a man he obviously admired and this devotion comes across, even though the demands Kubrick put on him took it's toll. I would give my right arm, left arm, heart, lungs , body and soul to have worked for Stanley Kubrick, Leon Vitali was lucky enough to to have been the man who did!
Personally I love autobiographies or documentaries where I can really learn about the details this film fulfills that and more. It gives you an incredible look Into the unrelenting work effort of a dedicated soul. Leon is a truly amazing person and I love the behind the scenes footage of all the great movies. I wonder if Kubrick ever knew how lucky he was to have such dedicated help. I ended the movie exhausted .
Filmworker provides invaluable insight into how sausages were made, into the workings of the greatest post-studio system director in the world, Stanley Kubrick. Leon Vitali was his right hand. Vitali's story, intimately told in the first person, is indirectly Kubrick's. We see the backbreaking details of what it took Kubrick to make 2 of his 5 perfect, genre-defining films: Barry Lyndon, the defining period costume drama, and The Shining, the defining Gothic horror film. (Vitali did not work on Dr. Strangelove, the defining Cold War film (and satire), 2001, the defining outer space film, or Clockwork Orange, the defining future dystopia film. He did, however, work on Full Metal Jacket and Eyes Wide Shut, lesser films, IMO.)
The movie consists of real, factual, technical nitty-gritty, not the self-congratulatory generalizations which make up almost all documentaries about filmmakers and their films. This is the mountain both Kubrick and Vitali fought their entire lives to surmount. One comes to see how poor and shabby today's films are by comparison, especially with TV streaming and cable replacing real films.
Leon Vitali is a fascinating character study, a unique man, in and of himself. One wonders if Kubrick could have made his films without the blind devotion of Vitali. Those who question his devotion miss the point. Vitali was as uncompromisingly devoted to Kubrick as Kubrick was to his films. They both served the same demanding mistress, art.
If you love Kubrick, you have to see this.
The movie consists of real, factual, technical nitty-gritty, not the self-congratulatory generalizations which make up almost all documentaries about filmmakers and their films. This is the mountain both Kubrick and Vitali fought their entire lives to surmount. One comes to see how poor and shabby today's films are by comparison, especially with TV streaming and cable replacing real films.
Leon Vitali is a fascinating character study, a unique man, in and of himself. One wonders if Kubrick could have made his films without the blind devotion of Vitali. Those who question his devotion miss the point. Vitali was as uncompromisingly devoted to Kubrick as Kubrick was to his films. They both served the same demanding mistress, art.
If you love Kubrick, you have to see this.
Stanley Kubrick is perhaps the most mysterious director in history, and this documentary sheds some light on the mystery. If you're a Kubrick fan and you want to learn more about him, this is a must see. It's certainly better than the documentary Room 237, which tries too hard to read into the mind of Kubrick. Filmworker offers a lot of reliable insight into Kubrick, told by his right hand man Leon Vitali, who is perhaps just as interesting, or at least obsessive, as Kubrick himself. Thus far, I've seen five movies this week and this is my favorite. Check it out!
Wusstest du schon
- VerbindungenFeatures Die Rechnung ging nicht auf (1956)
- SoundtracksHappy Birthday Dear Jesus
(uncredited)
Written by Mildred J. Hill and Patty S. Hill
[Snippet from Full Metal Jacket]
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 102.609 $
- Eröffnungswochenende in den USA und in Kanada
- 7.984 $
- 13. Mai 2018
- Weltweiter Bruttoertrag
- 112.828 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Seitenverhältnis
- 1.78 : 1
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