IMDb-BEWERTUNG
7,0/10
2469
IHRE BEWERTUNG
Eine Griechin wird von ihrem Onkel nach Istanbul geschickt, um ein rares Ersatzteil für ein Boot zu besorgen, und trifft dort auf eine verlorene Französin, die sie unter ihre Fittiche nimmt.Eine Griechin wird von ihrem Onkel nach Istanbul geschickt, um ein rares Ersatzteil für ein Boot zu besorgen, und trifft dort auf eine verlorene Französin, die sie unter ihre Fittiche nimmt.Eine Griechin wird von ihrem Onkel nach Istanbul geschickt, um ein rares Ersatzteil für ein Boot zu besorgen, und trifft dort auf eine verlorene Französin, die sie unter ihre Fittiche nimmt.
Kimonas Kouris
- Pano
- (as Kimon Kouris)
Panagiotis Stathopoulos
- Musicien gare
- (as Panayotis Stathopoulos)
- …
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When the Greeks and the Turks separated, quite traumatically 100 years ago the "solution" was hard boundaries, both physical and cultural, where these people with so much in common had to define themselves by emphasizing their differences, --and looking askance at, or down on, their commonalities.
It is pleasant to see a film, whatever its minor flaws, touch on the commonalities. And a lost world of so much in common that for future generations might be regained
It is pleasant to see a film, whatever its minor flaws, touch on the commonalities. And a lost world of so much in common that for future generations might be regained
Haven't seen anything quite like this before. Every plot description I have read focuses on one aspect to the neglect of the others. So here is my take.
First and foremost it is a travel adventure. Through sutile prodding and familiarity, the viewer quickly becomes Djam's travel companion, even more so than Avril, in her mini-Odyssey which takes her from the Greek Island of Lesbos, to Istanbul, over the land border back into Greece (with a wave to Bulgaria). Along the way, the ancient rugged beauty of it all is in full display.
Second, it is a madcap comedy, which draws its comedy not from slapstick, but from the ironic slings and arrows of outrageous fortune. At every bad turn, we are invited to take a path to negativity, but instead are dragged back onto our feet and onto lifetime's next adventure by the sheer joy exuded by Djam. She refuses to be beaten down, or let you be.
Third, this is a sort of Aegean musical. Djam has a for real serious music talent in her voice, play of instruments, and wild woman dancing. Anyone who has spent time with musicians or at folk festivals, will feel right at home. A modern liberated woman Zorba!
Fourth, it is also a cinematic dialectic focusing on where one draws the line, when balancing the thrills and fun in life against responsibility, respect, and lawfulness. Djam can't help but to be a good person, whatever traditional more's she may upset while living.
And finally, a word about Avril. We meet her early on, done dirty by her former boyfriend, and scowling at life as she tries to play through the bad hand fate has dealt her. Pulled into Djam's lifeboat, she isn't sure at first whether that's really a good thing. But she, like us, quickly becomes a fan, forgiving Djam's quirks and foibles. And her scowls give way to smiles.
Anyone who watches this and doesn't smile and chuckle most of the time hasn't suffered enough in life to know how the root for the underdog. I give it a 9, because the subtitles could have been done better.
First and foremost it is a travel adventure. Through sutile prodding and familiarity, the viewer quickly becomes Djam's travel companion, even more so than Avril, in her mini-Odyssey which takes her from the Greek Island of Lesbos, to Istanbul, over the land border back into Greece (with a wave to Bulgaria). Along the way, the ancient rugged beauty of it all is in full display.
Second, it is a madcap comedy, which draws its comedy not from slapstick, but from the ironic slings and arrows of outrageous fortune. At every bad turn, we are invited to take a path to negativity, but instead are dragged back onto our feet and onto lifetime's next adventure by the sheer joy exuded by Djam. She refuses to be beaten down, or let you be.
Third, this is a sort of Aegean musical. Djam has a for real serious music talent in her voice, play of instruments, and wild woman dancing. Anyone who has spent time with musicians or at folk festivals, will feel right at home. A modern liberated woman Zorba!
Fourth, it is also a cinematic dialectic focusing on where one draws the line, when balancing the thrills and fun in life against responsibility, respect, and lawfulness. Djam can't help but to be a good person, whatever traditional more's she may upset while living.
And finally, a word about Avril. We meet her early on, done dirty by her former boyfriend, and scowling at life as she tries to play through the bad hand fate has dealt her. Pulled into Djam's lifeboat, she isn't sure at first whether that's really a good thing. But she, like us, quickly becomes a fan, forgiving Djam's quirks and foibles. And her scowls give way to smiles.
Anyone who watches this and doesn't smile and chuckle most of the time hasn't suffered enough in life to know how the root for the underdog. I give it a 9, because the subtitles could have been done better.
A sentimental movie about poorness antifashism , friendship and immigration. A movie that makes u smile as well as make you think. Beautiful Turkish songs made me cry . As watching I realized ones more how similar Greeks and Turks .
It was a movie I wanted to watch for a long time. I watched with great expectation but could not find what I was looking for. Much more successful work can be done by using the Turkish Greek Common Culture.
Never my soul have been shaken before like this.
Especially the "musics-story-cast" trio complete each other as a wild harmony. Every people who carry a heart may absolutely affected by this georgeous movie.A desperate requiem is waiting for you. I should have been watched this before...
Wusstest du schon
- WissenswertesThe picture that Djam gets from her friends at train station is a promotional picture from a Turkish film called Salvar Davasi (1983), which tells story of a group of women in a small village who get organized against the men of the town.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Journey from Greece
- Drehorte
- Istanbul, Türkei(location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 504.078 $
- Laufzeit1 Stunde 37 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.50 : 1
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