Devil's Doorway

I'm usually not a big fan of found footage movies but this is one I actually liked. The storyline is simple and 'logic'. But what is the most astonishing thing about this movie is that it proves it's possible to draw relatable and plausible characters within it's short playtime. This is also thanks to outstanding acting by the three main characters. It's become very rare- especially in horror- to have the combination of writing, directing, acting and cinematography in such a perfect manner. I must say the scene where the mother superior starts to sing was the creepiest thing I've seen in a long time. Congratulations!

So as you've noticed by the trailer, the film has a unique way of presentation, using the old-school aspect ratio. Its not perfectly clear whether they used real film stock, or created it digitally, but as someone who worked at a film archive, I can attest that they did a pretty darn good job. But is it scary? Is it really like the critics say, that its the best found footage film in years, being a ode to The Exorcist and Rosemary's Baby? Well no, its not anywhere close to those masterpieces, but I agree its much better than the found footage garbage we so often see. With a boat load of Hollywood found footage trash, we also get a wave of films made by anyone who has an iPhone, and the vast majority of them are terrible, and while Devil's Doorway is not amazing, its certainly to as bad as I'm used to.

But was it scary? Its hard to say yes or no, I would rather say it was hit and miss, some of it got me, some of it didn't. The atmosphere also appeared and disappeared, sometimes it was effective, sometimes it was either not there or was not as effective. Its no masterpiece, but it most definitely had some cool stuff in there. The aspect ratio adds to it, the story its based on is an interesting one (surprised it has been done to death), and some of the plot points, shocks, and scares were alright. Again, alright, not perfect. So don't go in expecting a masterpiece like some critics say, or are paid to say.

This week's found footage horror is set in 1960's Ireland where we find a couple of priests dispatched by the Vatican to investigate a 'miracle' at a 'fallen' women's Laundry run by the sisterhood.

Zero build-up quickly gives way to Excorcist/Blair Witch cliches galore, as we once more tread the weary path of shouting, screaming, levitation and tripod-free DP work that we've seen countless times before (and done far better) in this long exhausted sub-genre.

I caught Writer/director Aisleen Clarke's debut effort at Nottingham's Mayhem 2018 Film Festival. Clarke followed the screening with a very informative and generous Q&A session which I found far more interesting and engaging than most of what she'd just served up on screen.

The use of 16mm and authentic location choice were big pluses in her movie's favour, as were the performances - not least from Lalor Roddy as the wisely sceptical Father Thomas. Its in the quieter moments where his monologues to camera accompanied only by the night time wind outside that TDD really hits home. Otherwise its business as usual as the seen-it-all-before possession tropes pile up faster than the linen in the wash room.

If Clarke had forsaken the FF for a more formal approach with a slow build-up and a tight reign on the creepy-kids-that-go-BOO-in-the-night traits, then she might have come up with a winner, instead of this strictly third place, non-event spook-show. A missed opportunity.

The idea sounded very interesting and creative, so there was enough to make one want to see it. The cover looked quite eerie. So saw 'The Devil's Dooway' with genuine interest and wanting to at least sort of like it even if it had many problems.

Seeing it, well 'The Devil's Doorway" is far from perfect and is not great but it was much better than expected. The good things are noticeable and for found footage it is much better than most, one of the better ones actually. Having prepared myself to do that, that was disappointing. Liked the concept quite a good deal, the potential is not quite lived up to.

'The Devil's Doorway' at least didn't insult my intelligence. It at least didn't make me angry watching it.

Surprisingly, it looks great. The setting is atmospherically spooky and pleasing to look at and the camera work was surprisingly accomplished-looking and clever, some nice techniques and angles here rather than looking amateurish and making one physically ill like most found footage horrors do. The editing also has atmosphere. The sound is creepy and not obvious or intrusive.

Also a nice surprise was the acting. This aspect, often one of the noticeably worst assets, was well above average. the best of it good even. There is engagement with the drama, they all look comfortable and it doesn't get unsubtle. The film starts off intriguingly and there are unsettlingly tense, creepy and suspenseful moments early on.

Later on however, the tension, creepiness and suspense dissipates and the latter stages sadly run out of steam. It becomes dull and predictable, as well as ridiculous and things don't make sense. The ending felt anti-climactic.

Dialogue is also quite ropy, with some awkwardness and cheese and parts are a little heavy-handed. The effects have instances where they do look under-budgeted and hasty-looking, not quite gelling with everything else.

Altogether, better than expected but flawed. 5/10 Bethany Cox

I'm not big into found footage, but this one is sort of footage being shot, not found. The priests are genuine, not typical Hollywood Catholic priests. The Magdalene laundry was a real place, and it wouldn't surprise me if this kind of thing happened in those horror houses-there were more than one in Ireland until the early 1990s, I believe. You sort of know what is happening, but you still want to see it to the end. Very scary, a few minor jump scares, and one or two major ones. Ghoulish, hellish, and pure evil. And the fact that there is an atypical ending actually supports the integrity of the priests while bringing into stark relief the evil of the antagonists.