IMDb-BEWERTUNG
6,6/10
1877
IHRE BEWERTUNG
Martins Nichte ist mit ihrem Neugeborenen zu Besuch bei Aurora. Doch plötzlich verschwindet das Baby und Aurora findet einen Fremden in ihrem Schrank.Martins Nichte ist mit ihrem Neugeborenen zu Besuch bei Aurora. Doch plötzlich verschwindet das Baby und Aurora findet einen Fremden in ihrem Schrank.Martins Nichte ist mit ihrem Neugeborenen zu Besuch bei Aurora. Doch plötzlich verschwindet das Baby und Aurora findet einen Fremden in ihrem Schrank.
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This Aurora Teagarden film features the titular librarian investigating another crime in Lawrenceton. The plot is fast-paced and complex, but all the moving parts do not make for a more interesting story. There are plenty of red herrings and much to speculate about. And the characters are interesting. But there is little drama until the very end of the film.
This is not a bad mystery, but it is only average, especially when compared with some others in this series.
This is not a bad mystery, but it is only average, especially when compared with some others in this series.
Regina, the long-lost niece of Aurora's boyfriend, Martin, turns up with a baby. Before Martin has a chance to reconnect with Regina, she disappears leaving a dead husband, Craig, on Aurora's front porch and her baby, Hayden, hidden in Aurora's bathtub. Aurora and Martin's investigation leads them to Regina and Craig's home in the neighboring town of Corinth, where Craig's parents and Regina's neighbors express bewilderment when told of Regina's newborn baby. Aurora works on balancing her relationship with Martin with her efforts to solve the murder of the baby's father and the disappearance of his mother.
In first look at the storyline ( baby etc)I thought this would be a poor entry, but it's quite intricately plotted with enough twists and turns. It's a departure from a murder in traditional murder mystery fashion usually in this series. I found it great fun with some good humour such as Aida and the librarian arguing over who tends to the baby.
In first look at the storyline ( baby etc)I thought this would be a poor entry, but it's quite intricately plotted with enough twists and turns. It's a departure from a murder in traditional murder mystery fashion usually in this series. I found it great fun with some good humour such as Aida and the librarian arguing over who tends to the baby.
We are back again with our librarian by day, and super sleuth by any time she finds it free to go investigate, Aurora Teagarden. This isn't one of the stories from the series that I really care about, it was ok, maybe lukewarm. I felt like plot was jumping around from wanting to add depth to Aurora as a character and having her own realization to the actual crime and mystery. While a lot of tv shows and movies do multitask like this, in this case it felt very half baked. There wasn't really a good resolution to it, it just happens and it felt very uninspired.
I do like though when the film itself is very self aware how ridiculous it is that dead bodies have been piling up around Aurora, the fact that Lynn called it flat out was funny.
I do like though when the film itself is very self aware how ridiculous it is that dead bodies have been piling up around Aurora, the fact that Lynn called it flat out was funny.
The sixth in the Aurora Teagarden Mystery film series made for television. The final film for now, until the next one comes out. Based on the book named 'A Fool and His Honey'. Fourth director to helm a film in the franchise. So far I've enjoyed all the films. They all were decent, as I say, for the small screen standards. Produced for Hallmark channel, surely the target audience is women. But the whole family can enjoy them, I meant including kids, since it has less violence.
Surely a nice storyline for a literature. The film too was not bad, but it depends on the viewers. For instance, if you take me, I've seen many similar films. I'm not talking about crime solving themes, but this same platform with different characters, locations and a style of narration. That's why it is a television film, aimed for those viewers who are less familiar with the thematic. But I appreciate the effort. The production quality to the writing, music, performances, all were better. Especially the Hallmark's common cliché, the romance had got ridden. You will be happy for that if you are a male audience.
Another case where Aurora did not choose, but it chose her. It was slightly different than all the previous ones. Because she did not know what she's looking for. A young woman with a newborn baby had come to her house saying she's her boyfriend's niece. But the twist was a few moments later, she went missing and a stranger dead on her front porch. The baby was left behind. It was closely linked case, due to her relationship with Martin. It's good that way, because intensifies the atmosphere and no room for mistakes.
❝Did you come with an instruction book? Because I am very good with books.❞
There was a basic flaw. It was where the whole platform constructed on. Only at the end you will realise that. That it all would have been solved easily by those involved in it, before dragging Aurora and others into it. Even if it is in a life threatening situation. Because of what we predict, those possibilities, the theories, particularly against those people, are not strong enough. It was those young people, who wrongly handled the situation. That's why the original source material rightly titled, calling a fool.
Everything's about the baby. The baby gives the reason for this story, and also to solve the mystery. From the opening to the mid- section, it was a nice film. They did all they could improvise the narration, but the end was average. The film flourished only for its suspense. The answers were all the time in front of us, in front of Aurora. The writers just dragged it with the kind of character design, with somewhat a convincing reason. The romance parts, either it was Aurora and Martin or Aida and John, did not go anywhere. Joining hands, doing the investigation, that's one way to improve their relationship.
This is not the best in the series. At least better than the previous one. A new director, though nothing much has changed. The regular cast steered it with their best. It was a better film series than I'd anticipated. I had a nice time with them in the last one and a half weeks. The Hallmark Movies & Mysteries giving a new dimensional entertainment for the home audience. I mean, can you name a few crime/murder mystery titles with rating General. I don't know when the next one is coming out, but looking forward to it. In the meantime, I would suggest it, but not for all. Just lower your expectation and enjoy it.
7/10
Surely a nice storyline for a literature. The film too was not bad, but it depends on the viewers. For instance, if you take me, I've seen many similar films. I'm not talking about crime solving themes, but this same platform with different characters, locations and a style of narration. That's why it is a television film, aimed for those viewers who are less familiar with the thematic. But I appreciate the effort. The production quality to the writing, music, performances, all were better. Especially the Hallmark's common cliché, the romance had got ridden. You will be happy for that if you are a male audience.
Another case where Aurora did not choose, but it chose her. It was slightly different than all the previous ones. Because she did not know what she's looking for. A young woman with a newborn baby had come to her house saying she's her boyfriend's niece. But the twist was a few moments later, she went missing and a stranger dead on her front porch. The baby was left behind. It was closely linked case, due to her relationship with Martin. It's good that way, because intensifies the atmosphere and no room for mistakes.
❝Did you come with an instruction book? Because I am very good with books.❞
There was a basic flaw. It was where the whole platform constructed on. Only at the end you will realise that. That it all would have been solved easily by those involved in it, before dragging Aurora and others into it. Even if it is in a life threatening situation. Because of what we predict, those possibilities, the theories, particularly against those people, are not strong enough. It was those young people, who wrongly handled the situation. That's why the original source material rightly titled, calling a fool.
Everything's about the baby. The baby gives the reason for this story, and also to solve the mystery. From the opening to the mid- section, it was a nice film. They did all they could improvise the narration, but the end was average. The film flourished only for its suspense. The answers were all the time in front of us, in front of Aurora. The writers just dragged it with the kind of character design, with somewhat a convincing reason. The romance parts, either it was Aurora and Martin or Aida and John, did not go anywhere. Joining hands, doing the investigation, that's one way to improve their relationship.
This is not the best in the series. At least better than the previous one. A new director, though nothing much has changed. The regular cast steered it with their best. It was a better film series than I'd anticipated. I had a nice time with them in the last one and a half weeks. The Hallmark Movies & Mysteries giving a new dimensional entertainment for the home audience. I mean, can you name a few crime/murder mystery titles with rating General. I don't know when the next one is coming out, but looking forward to it. In the meantime, I would suggest it, but not for all. Just lower your expectation and enjoy it.
7/10
Two things about this Aurora Teagarden story. First she spends minimal time at the library and none at all with her mystery book club. Secondly she makes several false starts in trying to figure this business out before she gets it right in the final half hour.
Candace Cameron Bure is back as our mystery solving librarian and her relationship with Yannick Bisson is going good and strong. But the two of them really play fast and loose with an obstruction of justice charge. In fact they conceal the presence of a person of interest in the case and get him shot later on because of it.
It all starts when an old friend of Bure's Sarah McKillip arrives with a husband and a baby and Bure agrees to put them up. Later on McKillip disappears, the husband is killed and she's left with the baby. And a mystery to solve.
It all has to do with black market babies and the intricate lengths people will go to avoid the lengthy adoption process.
But in the end Bisson and Bure decide that their babies will be done naturally.
Candace Cameron Bure is back as our mystery solving librarian and her relationship with Yannick Bisson is going good and strong. But the two of them really play fast and loose with an obstruction of justice charge. In fact they conceal the presence of a person of interest in the case and get him shot later on because of it.
It all starts when an old friend of Bure's Sarah McKillip arrives with a husband and a baby and Bure agrees to put them up. Later on McKillip disappears, the husband is killed and she's left with the baby. And a mystery to solve.
It all has to do with black market babies and the intricate lengths people will go to avoid the lengthy adoption process.
But in the end Bisson and Bure decide that their babies will be done naturally.
Wusstest du schon
- WissenswertesBased loosely on the book A Fool and His Honey by Charlaine Harris.
- PatzerThere are various references on the Hallmark websites that these movies are set in Lawrenceton, Georgia as they are in the books. However, if this was the case there is no way the town of Cornith, Washington that is often a setting is only "30 minutes" away. While most of the movies never specifically say the show is set in the state of Washington, it can be safely assumed that this is the intention given the license plates in the show and that if set in Washington, Cornith could be a hop, jump and skip away.
- VerbindungenFollowed by Last Scene Alive: An Aurora Teagarden Mystery (2018)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Mit Liebe zum Mord: Der Narr und der Tod
- Drehorte
- 37907 2 Ave, Squamish, British Columbia, Kanada(Lawrenceton Public Library)
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