Chained for Life
- 2018
- 1 Std. 31 Min.
IMDb-BEWERTUNG
6,5/10
1067
IHRE BEWERTUNG
Eine bildschöne Schauspielerin hat Mühe, sich am Set eines neuen Films auf ihren entstellten Co-Star einzulassen.Eine bildschöne Schauspielerin hat Mühe, sich am Set eines neuen Films auf ihren entstellten Co-Star einzulassen.Eine bildschöne Schauspielerin hat Mühe, sich am Set eines neuen Films auf ihren entstellten Co-Star einzulassen.
- Auszeichnungen
- 5 Gewinne & 7 Nominierungen insgesamt
Empfohlene Bewertungen
A unique film that acts to comment and critique the audiences biases. Technically speaking the film is excellent, with unique shots that fulfill a larger purpose. They didn't film a scene a specific way because it looked good, but because it fit the narrative, or was trying to make the audience as uncomfortable as the actors.
The story is simple and i was there was more meat on the bone, at points it felt like it drifted off focus, and the conclusion felt rushed and underdeveloped. Ultimately the film acts to break down and critique how "abnormal" people are viewed by society and treated in the film industry. It does an excellent job directing this message to the audience, if you pay attention you will understand what the director is saying about our behaviour towards the "abnormal".
Unfortunately i think the movie was held back by some unconvincing performances by Jess Weixler and Stephen Plunkett. Their dialogue felt unnatural and as if they were reading directly off a script. Every other actor did a fine job, especially Adam Pearson, who delivered a stunningly charged performance during a car scene in particular (no spoiler).
I would recommend this film to anyone interested , it could challenge your world view.
The story is simple and i was there was more meat on the bone, at points it felt like it drifted off focus, and the conclusion felt rushed and underdeveloped. Ultimately the film acts to break down and critique how "abnormal" people are viewed by society and treated in the film industry. It does an excellent job directing this message to the audience, if you pay attention you will understand what the director is saying about our behaviour towards the "abnormal".
Unfortunately i think the movie was held back by some unconvincing performances by Jess Weixler and Stephen Plunkett. Their dialogue felt unnatural and as if they were reading directly off a script. Every other actor did a fine job, especially Adam Pearson, who delivered a stunningly charged performance during a car scene in particular (no spoiler).
I would recommend this film to anyone interested , it could challenge your world view.
Where MASK and ELEPHANT MAN were predictable, feel good movies, this one, like Todd Browning's FREAKS, really gets close to reality. The movie blurs the difference between documentary and fiction in unsettling ways.
One review had remarked on the movie being a puzzler about many layers of frames competing. I think the meta-cleverness of the movie being within layers upon layers makes it hard to watch, but that it also resonates long after in the same way Memento does. You have to really think about how it all fits together and what it is saying.
This must have been an immensely enjoyable film to make, once they'd worked out what piece of cinema or film they were actually trying to conjure - a little bit all over the place, to say the least, but as original a proposition as you've likely encountered for some time - with the main premise established on cultural prejudice and discrimination to difference. It uses those who lack the symmetry of societal expectations of beauty, by several standard deviations in this case, to reaffirm that differences are only skin deep but those physical attributes are shackled to the individuals psychology, as well as societal norms, whose end result is to imprison them without bars for most, if not all of their lives - akin to living in an open prison or asylum for a crime or crimes you didn't commit.
Don't know much about film production. However, this one was quite hard to differentiate between reality, documentary and real acting. Was about to skip it. Insanely brilliant!
Wusstest du schon
- WissenswertesCharlie Korsmo's first acting part in twenty years since Can't Hardly Wait (1998). He received his undergraduate degree in physics from MIT in 2000, and his JD (law degree) from Yale in 2006; as of 2024 he is a professor at the Case Western Reserve University School of Law. His only other acting role subsequent to this was in 2024's A Different Man, also directed by Aaron Schimberg and starring Adam Pearson.
- VerbindungenReferences Freaks - Missgestaltete (1932)
- SoundtracksThe Rest Is Advertising (Harp Prologue)
Written by Nora Linde & Aaron Schimberg
Performed by Nora Linde
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 17.431 $
- Eröffnungswochenende in den USA und in Kanada
- 7.415 $
- 15. Sept. 2019
- Weltweiter Bruttoertrag
- 17.431 $
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What is the Brazilian Portuguese language plot outline for Chained for Life (2018)?
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