Glücklich wie Lazzaro

Loosely inspired by a true story of Italian farmers who were forced into near sharecropper conditions by the De Luna family in an isolated village, Alice Rohrwacher's HAPPY AS LAZZARO takes a fantastical approach to the material. The early scenes of the workers toiling to get by in the hamlet is, like Rohrwacher's previous THE WONDERS (bee farmers), full of attention to detail - both visually and aurally (the sounds of the wind and the distant howls of wild animals become their own soundtrack). The screenplay (a winner at Cannes) becomes a fable as it moves along. The peasants eventually settle into the city - but, their lives at the bottom of the run continue. A hearty band, led by Antonia (a superb Alba Rohrwacher, the Director's sister) struggles to survive in the modern world. As fate would have it, they cross paths with the remnants of the De Luna clan. Throughout all this, is Lazzaro (Adriano Tardiolo). A sort of benighted Forrest Gump figure, Lazzaro drifts among the characters blissfully unaware of the darkness around him. Rohrwacher's fantasy elements (THE WONDERS also had a few), gives the film (shot on 16mm) a different perspective. The symbolism doesn't always fully connect, but, you never doubt that her vision isn't firmly conceived. One thought becomes clear and lingers in the mind: The wolf may be at the door, but, who is the wolf?

Tender, poetic, philosophical, allegorical tale of control and exploitation and funnily enough the picture of the absurd yet the-truest-that-I've-ever-seen state of contentment. The sheer atrocities of manipulation and shameless discrimination of the fellow earthlings is heart-wrenching and tough to watch yet the poetic whiff that imbues it draws an overwhelming feeling of self-realization and utter admiration and gratitude towards the author of this Film-classic that questions the destiny of innocence in the Contemporary world.

Lazzaro is a symbolic character in this Film. With the eyes of an innocent, kindhearted child he connects two worlds-two parts of the story. Lives of enslaves tabaco growers are difficult, manual labor is hard, food is scarce and living arrangements are appalling. Yet, their lives are socially structured, they maintain cultural traditions, live in a beautiful natural environment, eat " real" bread, drink real wine, take care of each other and maintain good spirit. What happens next is heart wrenching, but reflective of today's reality. Good intention pave a road to hell they say. Chips for a meal anyone?

This was not at all what I expected, and I say that as huge praise. For a film to be able to surprise the way this does is a real achievement.

...can be the basic sin. You can say - it is well crafted or beautiful, a gem or a masterpiece, a story about innocence or a moving film. And it is it. But , after its end, you feel more than what may be described. The cinematography, the acting, the story each works, in admirable way. But it is an embroidery of states of soul. All is perfect but not for define. The magic, the slice of fairy tale, the crumbs of social portrait - yes, but what is gived is more.And remains a lovely secret, so personal.