Glücklich wie Lazzaro

"Happy as Lazzaro" feels like a parable with hints of magical realism, and the whole thing was just a bit too obtuse for me to fully enjoy.

There are themes of social repression, economic exploitation, and mankind's abandonment of nature for the more soulless landscapes of urban industrialization, all of which are certainly relevant to the world in which we live. But I found myself hard pressed to feel involved in any of it as explored by this film. Lazzaro is more an idea than an actual character, and I think one of the reasons he's offered as such a blank slate is so that the audience can project on to him whatever they want. I imagine there will be all sorts of different interpretations of this film, who Lazzaro is, and what it is he's meant to signify. I can and have expended that kind of mental energy on answering questions in other movies, and usually enjoy it very much, but I have to feel like the questions are going to be worth answering before I can get my head in that zone, and I didn't with this movie.

Grade: B

What is wrong with us? Where is innocence and compassion? Is there any good left in this world? Lazzaro represents the incarnation of kindness itself. It is hearthbreaking to see that "Lazzaros" have very little space in this world, and that they are mostly not welcome. This movie will touch deeply the people who are still able to cry when confronted with all the atrocities, and injustices we commit to each other day by day. Most of all, it will touch whoever feels the need to improve in terms of humanity, sensibility and compassion even knowing that greater and darker forces overwhelm mankind.

I deeply recommend everyone this experience.

Watched the film at the Palic Film Festival few days ago and i'm still under its influence. Happy as Lazzaro is shot on Super 16mm, lending the film a grainy look that evokes warmth and nostalgia. Wonderful film that wraps its hands around you and with its unusual exotic atmosphere doesn't let go till the end. The acting is briilliant, especially from Adriano Tardiolo, extremley talented actor, hope to see him more in the future. Alice Rohrwacher made a masterpiece and without spoiling anything, I deeply recommend you to see it.

There are some in our lives that exist beyond the scope of time or universally accepted countenance, those like Lazzaro who bear the kindness of a child and the internal strength of an ox. In Alice Rohrwacher junior film Lazzaro Felice (Happy as Lazzaro), the title character develops an unlikely friendship with the heir to a tobacco industry marquis. This same marquis has kept Lazzaro and his kin imprisoned as unpaid workers on a farm isolated from the modern world. The film mesmerizingly drifts between somber and bitter-sweet notes while the tobacco leaves and sway and the sun bakes the earth. Because the work is captured in warm 16mm, the setting feels like a piece of art from a lost age. Every character is real. A pinch is required to remind the viewer that this is not a dream or a production, Lazzaro and his partner in crime Tancredi are flesh and blood. The sound profile's depth compliments Lazzaro Felice's archaic beauty. The score uses music box chiming and staccato piano strikes, both of which echo throughout the Italian hills. Despite the Italian language barrier, one can understand the plot from vocal inflections alone. Lastly, the sound effects are rich. The pitter patter of the wolves' claws over concrete is distinct from the crunch of sand and soil underfoot. Lazzaro Felice is not to be missed. It calls to mind an air of innocence and perseverance in spite of the world. It beckons home the love of youth and family.

Loosely inspired by a true story of Italian farmers who were forced into near sharecropper conditions by the De Luna family in an isolated village, Alice Rohrwacher's HAPPY AS LAZZARO takes a fantastical approach to the material. The early scenes of the workers toiling to get by in the hamlet is, like Rohrwacher's previous THE WONDERS (bee farmers), full of attention to detail - both visually and aurally (the sounds of the wind and the distant howls of wild animals become their own soundtrack). The screenplay (a winner at Cannes) becomes a fable as it moves along. The peasants eventually settle into the city - but, their lives at the bottom of the run continue. A hearty band, led by Antonia (a superb Alba Rohrwacher, the Director's sister) struggles to survive in the modern world. As fate would have it, they cross paths with the remnants of the De Luna clan. Throughout all this, is Lazzaro (Adriano Tardiolo). A sort of benighted Forrest Gump figure, Lazzaro drifts among the characters blissfully unaware of the darkness around him. Rohrwacher's fantasy elements (THE WONDERS also had a few), gives the film (shot on 16mm) a different perspective. The symbolism doesn't always fully connect, but, you never doubt that her vision isn't firmly conceived. One thought becomes clear and lingers in the mind: The wolf may be at the door, but, who is the wolf?