The Guilty

Considering all the action is taking place in one room and happens via phone call in Danish language, it's incredible how it keeps you on the edge of your seat with strong character development, great acting and intriguing plot twists

I watched the Netflix film first, and then thanks to the reviews on that one, discovered this Danish original and watched that too.

The Netflix film is a taught and effective thriller, with a great central performance from Jake Gyllenhaal. It's mostly word-for-word the same as the Danish version. And it's free if you have Netflix!

The Danish version is £2.99 on Amazon. It's less stylish and less melodramatic, but much more believable and affecting. I cared more for all the characters, and despite knowing exactly how it was going to play out, I was hooked throughout. At times I couldn't look away.

The Netflix film adds an unneccesary personal arc, some wildfire-related melodrama, and a set more like a James Bond MI5 office than a 911 (or 112) call centre - all of which reduced the impact and made the film less engaging.

If you're definitely not going to watch the Danish version, the Netflix one is a good bet. If you're ok to watch either, choose this original - it's a lot more suspensful and completely captivating. (Ideally, unlike me, don't watch both!)

Your imagination makes this movie. It's like a book. Asgers works at the 911 (112) emergency call, he gets a call from a woman being kidnapped. The film made me angry, disgusted, sad and so on.. Asgers character development was surprising. Really liked it, proud to be a dane.

In the vein of Locke, this super low-budget but effective thriller had me on the edge of my seat. It had the appropriate twists and turns to keep the audience guessing. It played with my emotions and had me in tears. How come Danish films are often just so good?

Unfolding in real time, this immediately involving story bends and turns in surprising, sometimes horrifying ways. Enriched by Oskar Skriver's marvelous sound editing, which takes us from a speeding van to a bloodcurdling crime scene with equal authenticity, the movie smoothly blends police procedural with character study. What's happening on the end of Asger's phone line is gripping enough, but what's happening inside his head - illuminated by Jasper Spanning's almost abusive close-ups - is every bit as fascinating.

I watched this at the festival where after the projection we had a QA session with the director.

The Film itself is technically impressive, all framed within 2 rooms where all you'll see is the main character at the phone and very little more. This is not a limitation but instead the strength of the Movie itself; it's all about guided imagination. The dialogues push your figurative skills to build this outdoor world that is intentionally not shown to you.

There has been a lot of background work/preparation for this Film and it's all visible in the final product.

The director did a great job alternating long moments of high tension with some short funny ones to engage the audience.

I do consider this Movie very unique and original but you might find some similarities with Locke and perhaps also Phone Boot where a series of phone calls is the actual stage.

Unmissable title for 2018

Bravo!