Revenge

Ridiculous, Stupid, dumb, unbelievable, but somehow brilliant at the same time.

Lutz is smoking hot, with a peach of a butt(that line is in the movie, honest), but thats not even the best thing about her. She strangely convinces as the part of bimbo come rambo.

Sure they lose gallons of blood and keep on going, sure sustain wounds that would down a Rhino but they keep going, but have you seen "The Punisher" and that has a high rating.

Yes its very bloody, sometimes gory, sometimes stupidly unbelievable, but as long as you dont take it as a Michael Crichton novel, and you dont mind the blood and gore, you might just like it.

This is a movie that would keep you on edge from the first scene. The aspect that I enjoyed the most was the quality of cinematography and the beauty of visuals. Every scene appeared to have been wonderfully planned with eye catching colors and camera angles. Whole movie seemed like a one long TV commercial. Although there were a few moments where you have to suspend your disbelief, this could be highly recommended as an extremely well-done thriller.

This became instantly one of my all time favorites. I've seen over 2k movies. I would use that film to teach tension at film school. Modern masterpiece. This was so unsettling from the very beginning. I wanted it to be over and to never end at the same time. Loved it. Must watch. If you can't see blood, this one is not for you. It felt like Mad Max, Home alone and Die hard had a threesome.

..like a kid back in the 80's,going to the videostore and picking up a VHS and watching it with red ears. Yes sure,..plotholes all over the place. And zero storyline. Just revenge... But the beautful shots,the music,the tension,the insane gore. No Hollywood blockbuster, But the perfect Bmovie.

What distinguishes Coralie Fargeat from her contemporaries in the realm of emerging directors is her unique film-making style.

Despite having directed only two feature films in her career, her directorial characteristics can be easily discerned through a careful examination of her work thus far.

These are my personal observations...

1. Fargeat exhibits a remarkable comfort and affection for incorporating nudity into her films, skillfully presenting the human body, both male and female in a sensual manner that avoids being vulgar or obscene.

2. This same effortless quality is evident in her portrayal of blood and gore, which is both unhinged and stomach churning. Lot of credit is also due to the makeup and prosthetics team, who play a crucial role in helping Fargeat attain her artistic vision.

3. Another notable aspect of her work is her editing style. Fargeat prefers to edit her films herself, employing a distinctive technique that effectively merges sequential frames in a order that brings urgency, thereby creating tension and suspense in an effortless way.

4. Her specific knack for foreshadowing and prognostication is noteworthy. As she prefers to write her own screenplays too, she adeptly weaves these elements into her narratives, which I find particularly admirable.

5. And last but not the least, Fargeat consistently emphasizes themes of Woman empowerment, regardless of the narrative or genre she is delving into, which is commendable, though I digress.

Returning to "Revenge," the movie delivers precisely what its title may already suggest: a revenge narrative characterized by a well-executed build-up and a decent enough payoff, albeit accompanied by some logical inconsistencies and over-reliance on known tropes.