Carbon

Fahad fazil such a great performance in the movie and the director Venu sir such a great job

There is a time in everyone's life when we fantasized. We imagine things in our head and twist reality to our whim, so much so that sometimes, the two worlds get confusingly mixed up. Most of us 'grow out' of this after we become adults and the child inside fades away. But what about those of us who don't fully grow up? Is there any place for fantasy in our overcrowded minds and overpopulated lives?

Carbon tells us the story of one such guy who is stuck inside his dreamworld, or rather half stuck. He doesn't have a job, but he has an abundance of schemes and ploys which can make him rich overnight. None of these schemes ever work though, either because they're too far-fetched in the first place or due to plain bad luck. He is, in society's words, a loser. What would such a person do when he realises that reality has long caught up with him? Does he give in to the blandness of the real world or does the dreamer inside him push him to do something beyond logic, in absolute desperation.

This is a beautiful film which many of us can painfully relate to on several levels. The responsibilities towards your home, your aging father standing at the bus stop, your friend who has an own house and a new wife, all of which call out to you, asking, what are you doing with your life?

Fahad proved again that he is a tremendous actor. Apart from the songs everything is good in this movie.

Well this movie is totally different from the other adventure chiller's, after watching this movie you would get to know the another meaning of your life. The fist half is all about the character Siby Sebastian's (Fahadh Faasil) connections to his daily life situations but the Second half is just came from no where just fascinating to watch with full of chills and thrills on a adventurous ride on its rich layers. In a self-discovery path where the man could able to chase his dreams or not??

After the critically acclaimed 'Munnariyippu', veteran cinematographer-director Venu teams up with Fahadh Fazil (who is undoubtedly the best method actor among the current crop) on a film that sheds light on the newfound struggle (and eventual evolution) of a young bloke who relishes taking the shortcut route to success.

The protagonist Sibi (played by Fahadh Fazil) totally believes in the concept of 'working smart' as opposed to 'working hard' when it comes to making it big in life. As such, he deals in uncanny businesses that involve gems, barn owls, elephants, and Chinese cycles and racks up a huge amount in debt. He is deemed a 'failure' by the world. His family (especially his dad played by a nuanced Sphadikam George), however, is more concerned about his personal safety (because he goes 'missing' quite often and doesn't respond to calls/texts) than the loans he has amassed.

Circumstances lead Sibi to Mlamedu Palace - a project where he has been asked to transform a crumbling mansion into a tourist hot-spot both by giving it a physical makeover as well putting the word out to the public about its existence amidst serene surroundings. His conversations with Pillachettan (Kochupreman) the caretaker of the mansion, Stalin (Manikandan) an inhabitant of the area who knows his ways around the forests, and Sameera (Mamta Mohandas) a jungle fanatic, ultimately lead him into an adventure out in the wild in search of a lost treasure that dates back to Tipu Sultan's era.

While the storyline may not exactly be newfangled, what intrigues viewers is the treatment - the dialogues are utterly relatable (and sprinkled with clean humor), Fahadh comes up with a multitude of expressions that give every actor of this generation a run for his money, the visuals (by K U Mohanan) are ecstatic. The best scenes, in my humble opinion, are the ones where the viewer is unable to distinguish between real and mythical - such as the one with the mahout (played by an excellent Soubin Shahir), or the hallucinatory episode in the forest.

No one but Fahadh could have pulled off Sibi's metamorphosis this effectively. He is shown to be determined yet fearful and apprehensive for a good part of the first and second halves (he avoids family, undergoes crazy nightmares, is uncomfortable with the idea of sleeping out in the open, and is completely petrified at the thought of peeping into a bear's den) - how he overcomes his weaknesses is organically integrated into the screenplay. Vishal Bharadwaj's song compositions blend into the proceedings quite well (except maybe 'Doore Doore') while Bijibal's soundscape is apt. When it comes to performances, even folks who show up for just a few minutes (or scenes) manage to leave a solid impression - be it Vijayaraghavan, Dileesh Pothen, Soubin or Sharafudheen.

Having known Director Venu's fascination for forests and wildlife (as he also happens to be a family-friend), I had a feeling that it was not going to take long before he blew us audiences away with a story set in the woods. 'Carbon' may not turn out to be everyone's cup of tea - a sense of ambiguity prevails throughout, and the 'rushed' climax may appear underwhelming for audiences who enjoy being 'spoon-fed' all the time. But for me, 'Carbon' is certainly a thinking man's thriller. The aspects of mystery and magical realism are simply great add-ons. Experience it in a crowded cinema hall while you can, people!