Youth

In the Youth, you can listen and see: Brilliant revolutionary songs, passionate speech, red, rhubarb and green screen tone, green military uniform, green school bag, twist braid, Prairie female militia and Yi Mung Song the dances with a distinct characteristic of the times, the revolutionary slogan, Portrait of Chairman Mao, Quotations Chairman Mao. These are a lot of memorable memories for 50s, 60s and 70s audiences who feel familiar and cordial. For 80s, 90s and 00s, these audiences would feel that the good are not well rewarded and the bad are not punished.

The manifestation of sentient beings of the art troupe reflects the apparent social existence of the class or hierarchy, the marriage between families of equal social rank and the insidious side of complex human nature. Lin Ding Ting can be an example.

Lin Ding ding: heartless and egoistic individual

As a solo with a natural voice in the art troupe, Lin Ding Ting was sought after by male soldiers. She also understood how to seduce a good man among these suitors and get benefits from them. In the movie, Liu Feng, an army doctor and a military photography officer were secretly pursuing her. Lin Ding Ting was hugged by the army doctor and got painkillers easily from him, which was a shortage of drugs at that time. Lin Ding Ting was also hugged by the military photography officer and was photographed around by him when shooting outside. Therefore, she has her own exclusive photographer, carrying a camera with the beat. Moreover, she ate the can of food from him, which was rare in that time. When shooting target, Lin Ding Ting muzzled at the military photography officer, almost causing accidental injury. At that time, there were clashes between two pursuers, Liu Feng and the military photography officer. Liu Feng accused the officer that the position was wrong. And the officer suspected Liu Feng too dull. This thing proved that both were jealous of each other.

Like all the female soldiers in the art troupe, Lin Ding Ting, who was sophisticated and beautiful, enjoyed Liu Feng's help, care and ambiguity. But Liu Feng and Lin Ding Ting, a combination of carpenter's son and artist's daughter, cannot catch on due to no equal in social status. However, in Liu Feng's mind, as the most beautiful man as the Lei Feng-style in the art troupe, he could deserve the most beautiful goddess of the whole unit. It's a stupid idea! When the only time Liu Feng summoned the courage to show Lin Ding Ting the love and touch her, she has no obvious rejection tantalizing passivity, as if she had been flirting with the army doctor or the military photography officer. Usually at that time, Lin Ding Ting could not only enjoy the pleasure of being loved by everyone, but also refused to give a clear and definite answer. When Liu Feng hugged her, she showed no fierce resistance or conflict. Unfortunately, the time when Liu Feng hugged Lin Ding was caught by two other comrades. After being seen, Lin Ding Ting is more like a panic. It was not because of Liu Feng's embrace, but because Lin Ding Ting was afraid that she would be put on the wrong side of the hat, fearing that his reputation would be destroyed. So when she returned to her bedroom, she would cry so badly. Lin Ding Ting sobbed: Anyone can, but Liu Feng can't, because who let him be a living Lei Feng! She concocted a lot of imaginary things and created plenty of nonsense. Later, she took the initiative to find the leader in the art troupe. And then, Liu Feng was portrayed by Lin Ding Ting as a creepy man who wanted to solve her underwear buttons. The tragedy began. A living lei Feng would instantly become a rogue vigilante.

Lin Ding ding's dream was to marry into a good family. How could she have seen much in a Lei Feng who just knew only to help others? She knew exactly what it meant to Liu Feng, but it didn't matter in her own future. Lin Ding Ting deemed that her reputation could not be destroyed. Therefore, she did not hesitate to destroy Liu Feng's future to save herself.

This kind of girls is good at observing changes in the environment and knows when to make what decision. Once deciding, they go to action. Therefore, after the art troupe disbanded, Lin Ding Ting was no hesitation in deciding to marry abroad. She must have married an overseas Chinese who had never met before and was only a blind date.

As a matter of fact, people like Lin Ding Ting are more common in reality. They look harmless on the surface, but inside they are essentially self-serving people. They always have clear goals in mind. Do not care about the process, only care about the results. To achieve their own purpose, they can do nothing. To maximize their interests, they can abandon all principles. Therefore, if you meet someone like Lin Ding Ting, be sure to guard against them!

The editing of "Youth" is the worst I've ever seen. It seems to me that the whole movie is divided into different parts, and these parts have essentially no relations and express completely disparate themes. The first hour exposes some hypercritical persons in the Military Cultural Troupe, most notably Lin Dingding. The second hour basically states that people still like the Military Cultural Troupe even after they leave it. The most memorable scene is the dance of He Xiaoping after she goes mad. The last part is set in the 1990s and describes the miserable life of Liu Feng.

Moreover, there are just quite a few plot holes and the character development fails to a large extent. For instance, nobody understands why He Xiaoping suddenly goes mad. Some actors are simply not professional, and performed rather awkwardly.

In a nutshell, I think the director may be somehow ambitious, but lack the corresponding storytelling and editing skills to achieve his goals.

Youth is not a good translate of "Fang Hua". In Chinese, Fang sometimes not only means "young", but also means the pleasant scent of new growing lawn and flowers, and it is the first mean of "fang". "Hua" means beautiful and blooming. In fact the character "hua" is interchangeable with the flower in ancient Chinese tradition, but "hua" gives more meaning in describing young ladies.

We see "youth" is certainly not able to cover the full meaning of the movie. The movie is not about war, love or the time of culture revolution and etc. It is about how "young beautiful flowers" grow and what they have become at particular time of China. The protagonists are a group of youth at their age around 15. They are the very pure flowers. The theme is about change of the those "pure flowers" life while the country is facing a huge change. The movie is to recall and cherish.

" Youth " was a nice movie. The only thing that actually made me reduce my rating from nine to seven was the second half of the movie. Even though the start was really good, with a nice introduction of the characters and the setting where the events took place, the final half rushed things up. Especially when it came to the leading lady, with her story and take on the war, they just threw that "that is that from now on" and they didn't give a deeper look into it. Plus, the ending could have been better too, not about the actual ending, but the way they wrapped things up. That said, the performances were pretty good from everyone, especially when it came to the dancing scenes. So, overall, seven out of ten.

Absolutely beautifully filmed Chinese movie. Most "nearly great" movies like this require a little suspension of belief and a "just go with the flow" attitude. Knowing what I do about the Cultural Revolution, I assume this is a fair glimpse of a very small facet of it. The tragic side: the burning of books, children sending their parents to prison, the destruction of careers and reputations, is not shown, but most informed people should know this by now. And, there are hints of it. And, in a totalitarian country, what else could you expect from a Chinese film.

I was very irritated by the review of this movie on RogerEbert.com by Simon Abrams. Though it's hard to tell, I think he was criticizing this movie for some over-simplified view of the Cultural Revolution. I say "hard to tell" because some of Abrams' sentences are incomprehensible and make no sense. But, clearly this movie is not responsible for informing everyone of the whole story of the Cultural Revolution.

Maybe the best measure of authenticity of "Youth" is the fact that it is being attended in the U.S. by droves of Chinese Americans. Many of these, at least their parents, may have lived through the Cultural Revolution. When I went, my friend and I were the only non-Chinese in the theater.