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6,0/10
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Füge eine Handlung in deiner Sprache hinzuIndu Sarkar is set during the emergency period between 1975 to 1977 declared by Prime Minister Indra Gandhi.Indu Sarkar is set during the emergency period between 1975 to 1977 declared by Prime Minister Indra Gandhi.Indu Sarkar is set during the emergency period between 1975 to 1977 declared by Prime Minister Indra Gandhi.
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#InduSarkar is a slap on the face of the System. Set in the Emergency period, director Bhandarkar has succeeded in narrating a timely n topical tale.The costumes, hair styles, background score n locations seem authentic. Forced nasbandi, ban on Kishore songs, reckless demolition of slums n curtailment of freedom of expression, all are clearly depicted. Neil Mukesh is perfect as "the Chief", who will go to any extent to further his political ambitions. Kirti is very good as the docile wife, who laters turns into an activist. It doesn't matter which party is in power, the aam aadmi is always the victim. Worth watching. Rating 3/5.
Indu Sarkar review :
Most of us have not witnessed the emergency rule imposed in the mid 70s by then prime minister Indira Gandhi. As a kid born in that infamous era, I had once asked my dad if he faced any hardships during that 21 month period when freedom of speech and basic human rights were curbed. His answer was in the negative...Instead he said the Government machinery was actually efficient during that time and sarkari babus would report to office on time plus trains ran as per schedule. I was amused to hear this fact reiterated as a dialogue in Madhur Bhandarkar's latest film 'Indu Sarkar'.
The title, by the way, doesn't refer to Indira Gandhi and her autocratic Sarkar. It is actually the screen name of Bhandarkar's main lead Kirti Kulhari, a diffident orphan with a stammer, who settles for a cosy marital life with a Government stooge (Tota Roy Chowdhury). Witnessing the horrors of the Turkman gate demolition, Indu takes custody of two kids orphaned in that destruction and it changes her perspective towards life making her rebel against the tyrannical system.
Madhur Bhandarkar has recreated most of the atrocities committed in name of the fascist five point programme spearheaded by Sanjay Gandhi (Neil Nitin Mukesh) referred in the movie only as the 'Chief' by his cronies - obvious caricatures of Jagdish Tytler, Kamal Nath and Rukhsana Sultana (named Farzana here). Right from the forced sterlization of men from 13 to 70 years of age to the banning of Kishore Kumar songs on Doordarshan and All India Radio (the only medium of entertainment in those times) - it's all neatly chronicled here.
What's not - and I was tad disappointed with that - is depiction of the opposition role during those turbulent times. Our protagonist Indu goes and joins a five member fictitious organisation called Himmat India Sanghatan headed by a leader (Anupam Kher in a cameo) with an ideology of non violence ignoring the real life contribution of the RSS and Jayaprakash Narayan's Janata Party which is merely accorded a passing reference.
On the acting front, Madhur has extracted a superlative performance from Kirti Kulhari. No surprises there as the director could make even Bipasha Basu ''act'' in his 'Corporate' (2006). Kirti also gets a court room confrontation scene a la 'Pink' (2016) and nails it to perfection. Tota Roy Chowdhury is impressive as her hubby who owes allegiance to the Gandhi Sarkar only to further his career. He pays the price for it. Neil Nitin Mukesh registers himself strongly with a striking resemblance to Sanjay Gandhi. Satyajeet Sharma and Sheeba Chaddha leave an impression even in their small roles.
Regards, Sumeet Nadkarni.
Most of us have not witnessed the emergency rule imposed in the mid 70s by then prime minister Indira Gandhi. As a kid born in that infamous era, I had once asked my dad if he faced any hardships during that 21 month period when freedom of speech and basic human rights were curbed. His answer was in the negative...Instead he said the Government machinery was actually efficient during that time and sarkari babus would report to office on time plus trains ran as per schedule. I was amused to hear this fact reiterated as a dialogue in Madhur Bhandarkar's latest film 'Indu Sarkar'.
The title, by the way, doesn't refer to Indira Gandhi and her autocratic Sarkar. It is actually the screen name of Bhandarkar's main lead Kirti Kulhari, a diffident orphan with a stammer, who settles for a cosy marital life with a Government stooge (Tota Roy Chowdhury). Witnessing the horrors of the Turkman gate demolition, Indu takes custody of two kids orphaned in that destruction and it changes her perspective towards life making her rebel against the tyrannical system.
Madhur Bhandarkar has recreated most of the atrocities committed in name of the fascist five point programme spearheaded by Sanjay Gandhi (Neil Nitin Mukesh) referred in the movie only as the 'Chief' by his cronies - obvious caricatures of Jagdish Tytler, Kamal Nath and Rukhsana Sultana (named Farzana here). Right from the forced sterlization of men from 13 to 70 years of age to the banning of Kishore Kumar songs on Doordarshan and All India Radio (the only medium of entertainment in those times) - it's all neatly chronicled here.
What's not - and I was tad disappointed with that - is depiction of the opposition role during those turbulent times. Our protagonist Indu goes and joins a five member fictitious organisation called Himmat India Sanghatan headed by a leader (Anupam Kher in a cameo) with an ideology of non violence ignoring the real life contribution of the RSS and Jayaprakash Narayan's Janata Party which is merely accorded a passing reference.
On the acting front, Madhur has extracted a superlative performance from Kirti Kulhari. No surprises there as the director could make even Bipasha Basu ''act'' in his 'Corporate' (2006). Kirti also gets a court room confrontation scene a la 'Pink' (2016) and nails it to perfection. Tota Roy Chowdhury is impressive as her hubby who owes allegiance to the Gandhi Sarkar only to further his career. He pays the price for it. Neil Nitin Mukesh registers himself strongly with a striking resemblance to Sanjay Gandhi. Satyajeet Sharma and Sheeba Chaddha leave an impression even in their small roles.
Regards, Sumeet Nadkarni.
10bgautham
In Wikipedia they say it is 70% Fiction!
I don't believe it, it is more than 100% Facts, in a democratic country that too at a time nonviolence is practiced and respected, why there was emergency in the first place, there were and there will be many unanswered questions.
With power comes great responsibility, and they got this power from Gandhi and from the name they use at the end of their name.
This movie is one of the perfect example about how "power makes people to forget Humanity and Self-Respect".
10 Stars!
I don't believe it, it is more than 100% Facts, in a democratic country that too at a time nonviolence is practiced and respected, why there was emergency in the first place, there were and there will be many unanswered questions.
With power comes great responsibility, and they got this power from Gandhi and from the name they use at the end of their name.
This movie is one of the perfect example about how "power makes people to forget Humanity and Self-Respect".
10 Stars!
Madhur Bandharkar is one of the most under rated directors. He does not make great films like Anurag Kashyap or Vishal Bhardwaj however most of his movies have good story, the story will keep you engaged till the end. The best part about his movies is the way he uses the music helps in taking the story forward.
Coming to Indu sarkar, it is a good movie about emergency. There are some decent acting performance Altough the ending was need really good but overall it was a good movie. I'll recommend you to watch the movie atleast once.
Wusstest du schon
- WissenswertesSeveral other human rights violations were reported from the time, including a forced mass-sterilization campaign spearheaded by Sanjay Gandhi, the Prime Minister's son. The Emergency is one of the most controversial periods of independent India's history.
- PatzerNumber Plates on the vehicles does not correspond to the mid-seventies era. Plates shown in the movie had white background with black texts instead of Black background with white texts. It wasn't until year 2000, Black text over white background became the norm.
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- Laufzeit2 Stunden 19 Minuten
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